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In From Huhugam to Hohokam: Heritage and Archaeology in the American Southwest, J. Brett Hill examines the history of O’odham heritage as it was recorded at the beginning of European conquest. A parallel history of scientific exploration is then traced forward to produce intricate models of the coming and going of ancient peoples. Throughout this history, Native accounts were routinely dismissed as an inferior kind of knowledge. More recently, though, a revolutionary change has taken hold in archaeology as Native insights and premises are integrated into scientific thought. Integration was once suspected of undermining basic principles of knowledge, but J. Brett Hill contends that it provides a deeper and more accurate sense of the connection between living and ancient people. Hill combines three decades of experience in archaeology with a liberal arts perspective to produce something for readers at all levels in the fields of anthropology, Native American studies, history, museum studies, and other heritage disciplines
A magisterial history of Indigenous North America that places the power of Native nations at its center, telling their story from the rise of ancient cities more than a thousand years ago to fights for sovereignty that continue today “A feat of both scholarship and storytelling.”—Claudio Saunt, author of Unworthy Republic Long before the colonization of North America, Indigenous Americans built diverse civilizations and adapted to a changing world in ways that reverberated globally. And, as award-winning historian Kathleen DuVal vividly recounts, when Europeans did arrive, no civilization came to a halt because of a few wandering explorers, even when the strangers came well armed. A millennium ago, North American cities rivaled urban centers around the world in size. Then, following a period of climate change and instability, numerous smaller nations emerged, moving away from rather than toward urbanization. From this urban past, egalitarian government structures, diplomacy, and complex economies spread across North America. So, when Europeans showed up in the sixteenth century, they encountered societies they did not understand—those having developed differently from their own—and whose power they often underestimated. For centuries afterward, Indigenous people maintained an upper hand and used Europeans in pursuit of their own interests. In Native Nations, we see how Mohawks closely controlled trade with the Dutch—and influenced global markets—and how Quapaws manipulated French colonists. Power dynamics shifted after the American Revolution, but Indigenous people continued to command much of the continent’s land and resources. Shawnee brothers Tecumseh and Tenskwatawa forged new alliances and encouraged a controversial new definition of Native identity to attempt to wall off U.S. ambitions. The Cherokees created institutions to assert their sovereignty on the global stage, and the Kiowas used their power in the west to regulate the passage of white settlers across their territory. In this important addition to the growing tradition of North American history centered on Indigenous nations, Kathleen DuVal shows how the definitions of power and means of exerting it shifted over time, but the sovereignty and influence of Native peoples remained a constant—and will continue far into the future.
Incorporating the intellectual history of disciplines from across the humanities, including environmental anthropology, philosophy, ethics, literature, history, science and technology studies, this volume provides a select orientation to the experience of nature from the ancient world to the Anthropocene. Taking its momentum from the emerging environmental humanities, this collection integrates Western, Indigenous, postcolonial, feminist and eco-spiritual perspectives that address pressing environmental concerns and reimagine the place of humans within the natural world. Across thirteen chapters, the contributors discuss the blending of environmental concerns with political and moral questions and encourage collaborative methods across disciplines to address dialectical tensions between culture and nature. They draw on a wide range of critical perspectives, provide a historical framework and speak to global environmental pressures from multiple standpoints. The global approach adopted throughout highlights the various realities of the growing ecological crisis experienced across the world. Written to appeal to a broad range of readers across the environmental humanities, this edited book will be particularly useful to academics, scholars and researchers in philosophy, anthropology, literature, history and critical theory.
Becoming Hopi is a comprehensive look at the history of the people of the Hopi Mesas as it has never been told before. The Hopi Tribe is one of the most intensively studied Indigenous groups in the world. Most popular accounts of Hopi history romanticize Hopi society as “timeless.” The archaeological record and accounts from Hopi people paint a much more dynamic picture, full of migrations, gatherings, and dispersals of people; a search for the center place; and the struggle to reconcile different cultural and religious traditions. Becoming Hopi weaves together evidence from archaeology, oral tradition, historical records, and ethnography to reconstruct the full story of the Hopi Mesas, rejecting the colonial divide between “prehistory” and “history.” The Hopi and their ancestors have lived on the Hopi Mesas for more than two thousand years, a testimony to sustainable agricultural practices that supported one of the largest populations in the Pueblo world. Becoming Hopi is a truly collaborative volume that integrates Indigenous voices with more than fifteen years of archaeological and ethnographic fieldwork. Accessible and colorful, this volume presents groundbreaking information about Ancestral Pueblo villages in the greater Hopi Mesas region, making it a fascinating resource for anyone who wants to learn about the rich and diverse history of the Hopi people and their enduring connection to the American Southwest. Contributors: Lyle Balenquah, Wesley Bernardini, Katelyn J. Bishop, R. Kyle Bocinsky, T. J. Ferguson, Saul L. Hedquist, Maren P. Hopkins, Stewart B. Koyiyumptewa, Leigh Kuwanwisiwma, Mowana Lomaomvaya, Lee Wayne Lomayestewa, Joel Nicholas, Matthew Peeples, Gregson Schachner, R. J. Sinensky, Julie Solometo, Kellam Throgmorton, Trent Tu’tsi
A history of the role of water in shaping civilization covers the aqueducts of ancient Greece, the centuries-long efforts to tame rivers in China, the Industrial Revolution, and present-day efforts to solve sustainability problems.
In Art in the Pre-Hispanic Southwest: An Archaeology of Native American Cultures, Radosław Palonka reconstructs the development of pre-Hispanic Native American cultures and tribes in the American Southwest and Mexican Northwest. Palonka also examines the wider context through the lenses of settlement studies and social transformation, while paying close attention to the material manifestations of pre-Hispanic beliefs, including intricately decorated ceramics and rock art iconography in paintings and petroglyphs.
Winner, 2022 Frank S. and Elizabeth D. Brewer Prize While the idea that successful missions needed Indigenous revolts and missionary deaths seems counterintuitive, this book illustrates how it became a central logic of frontier colonization in Spanish North America. Missions Begin with Blood argues that martyrdom acted as a ceremony of possession that helped Jesuits understand violence, disease, and death as ways that God inevitably worked to advance Christendom. Whether petitioning superiors for support, preparing to extirpate Native “idolatries,” or protecting their conversions from critics, Jesuits found power in their persecution and victory in their victimization. This book correlates these tales of sacrifice to deep genealogies of redemptive death in Catholic discourse and explains how martyrological idioms worked to rationalize early modern colonialism. Specifically, missionaries invoked an agricultural metaphor that reconfigured suffering into seed that, when watered by sweat and blood, would one day bring a rich harvest of Indigenous Christianity.
Where the Red-Winged Blackbirds Sing examines the ways in which the Akimel O’odham (“River People”) and their ancestors, the Huhugam, adapted to economic, political, and environmental constraints imposed by federal Indian policy, the Indian Bureau, and an encroaching settler population in Arizona’s Gila River Valley. Fundamental to O’odham resilience was their connection to their sense of peoplehood and their himdag (“lifeway”), which culminated in the restoration of their water rights and a revitalization of their Indigenous culture. Author Jennifer Bess examines the Akimel O’odham’s worldview, which links their origins with a responsibility to farm the Gila River Valley and to honor their history of adaptation and obligations as “world-builders”—co-creators of an evermore life-sustaining environment and participants in flexible networks of economic exchange. Bess considers this worldview in context of the Huhugam–Akimel O’odham agricultural economy over more than a thousand years. Drawing directly on Akimel O’odham traditional ecological knowledge, innovations, and interpretive strategies in archives and interviews, Bess shows how the Akimel O’odham engaged in agricultural economy for the sake of their lifeways, collective identity, enduring future, and actualization of the values modeled in their sacred stories. Where the Red-Winged Blackbirds Sing highlights the values of adaptation, innovation, and co-creation fundamental to Akimel O’odham lifeways and chronicles the contributions the Akimel O’odham have made to American history and to the history of agriculture. The book will be of interest to scholars of Indigenous, American Southwestern, and agricultural history.
Winner of the Society for Economic Botany's Klinger Book Award, this is the first complete ethnobotany of the Gila River Pima, presented from the perspective of the Pimas themselves.
In Correlative Archaeology, Fumi Arakawa applies correlative thinking practices, which are derived from an East Asian view of the world that stresses connectivity, to archaeological interpretations. Arakawa, a Japanese scholar who was trained in Western archaeology, argues that a correlative paradigm can help archaeologists, as well as scholars and researchers from other disciplines, consider competing paradigms and integrate Native American voices and narratives into interpretations of prehistoric art and landscapes.