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An account of the role of the Negro soldier in the U.S. Army during World War I. Illus.
This academic study uses accounts from more than 60 African American writers--Countee Cullen, James Baldwin, Chester Himes et al.--to explain why they were more readily accepted socially in Paris than in America. Fabre (The Unfinished Quest of Richard Wright) shows that French/black American affinity started in pre-Civil War New Orleans (and not, as the title suggests, in Harlem), when illegitimate mulattos with inheritances from French slave-owners sent their children to Paris to be educated. The book concludes that acceptance and appreciation of black Americans were based largely of French distaste both for white Americans, whom the French found egotistical, and for black Africans, with whom the French had a bitter "mutual colonial history."
A dramatic and moving tribute to the military’s unsung heroes, American Patriots tells the story of the black servicemen and women who defended American ideals on the battlefield, even as they faced racism in the ranks and segregation on the home front. Through hundreds of original interviews with veterans of every war since World War I, historic accounts, and photographs, Gail Buckley brings these heroes and their struggles to life. We meet Henry O. Flipper, who withstood silent treatment from his classmates to become the first black graduate of West Point in 1877. And World War II infantry medic Bruce M. Wright, who crawled through a minefield to shield a fallen soldier during an attack. Finally, we meet a young soldier in Vietnam, Colin Powell, who rose through the ranks to become, during the Gulf War, the first black chairman of the Joint Chiefs of Staff. Fourteen years in the making, American Patriots is a landmark chronicle of the brave men and women whose courage and determination changed the course of American history.
When the United States entered World War I in 1917, thousands of African-American men volunteered to fight for a country that granted them only limited civil rights. Many from New York City joined the 15th N.Y. Infantry, a National Guard regiment later designated the 369th U.S. Infantry. Led by mostly inexperienced white and black officers, these men not only received little instruction at their training camp in South Carolina but were frequent victims of racial harassment from both civilians and their white comrades. Once in France, they initially served as laborers, all while chafing to prove their worth as American soldiers. Then they got their chance. The 369th became one of the few U.S. units that American commanding general John J. Pershing agreed to let serve under French command. Donning French uniforms and taking up French rifles, the men of the 369th fought valiantly alongside French Moroccans and held one of the widest sectors on the Western Front. The entire regiment was awarded the Croix de Guerre, the French government s highest military honor. Stephen L. Harris s accounts of the valor of a number of individual soldiers make for exciting reading, especially that of Henry Johnson, who defended himself against an entire German squad with a large knife. After reading this book, you will know why the Germans feared the black men of the 369th and why the French called them hell fighters. "
Puerto Rican music in New York is given center stage in Ruth Glasser's original and lucid study. Exploring the relationship between the social history and forms of cultural expression of Puerto Ricans, she focuses on the years between the two world wars. Her material integrates the experiences of the mostly working-class Puerto Rican musicians who struggled to make a living during this period with those of their compatriots and the other ethnic groups with whom they shared the cultural landscape. Through recorded songs and live performances, Puerto Rican musicians were important representatives for the national consciousness of their compatriots on both sides of the ocean. Yet they also played with African-American and white jazz bands, Filipino or Italian-American orchestras, and with other Latinos. Glasser provides an understanding of the way musical subcultures could exist side by side or even as a part of the mainstream, and she demonstrates the complexities of cultural nationalism and cultural authenticity within the very practical realm of commercial music. Illuminating a neglected epoch of Puerto Rican life in America, Glasser shows how ethnic groups settling in the United States had choices that extended beyond either maintenance of their homeland traditions or assimilation into the dominant culture. Her knowledge of musical styles and performance enriches her analysis, and a discography offers a helpful addition to the text.
From a Hall of Fame pitcher to a U.S. president, learn what an incredible impact World War I made on young men and women When it started, many thought the Great War would be a great adventure. Yet as those who saw it up close learned, it was anything but. In the Fields and the Trenches traces the stories of 18 young idealists swept into the brutal conflict, many of whom would go on to become well-known 20th-century figures in film, science, politics, literature, and business. Writer J. R. R. Tolkien was a signals officer with the British Expeditionary Force and fought at the Battle of the Somme. Scientist Irène Curie helped her mother Marie run 20 French field hospitals. Actor Buster Keaton left Hollywood after being drafted into the army's 40th Infantry Division. And all four of Theodore Roosevelt's sons fought in Europe, though one did not return. With World War I as a backdrop, readers will encounter heroes, cowards, comics, and villains who participated in this life-changing event. Author Kerrie Logan Hollihan uses extensive original material, from letters sent from the frontlines to personal journals, to bring these men and women back to life. And though their stories are a century old, they convey modern, universal themes of love, death, power, greed, courage, hate, fear, family, friendship, and sacrifice.
In 1919, the world stood at the threshold of the Jazz Age. The man who had ushered it there, however, lay murdered--and would soon plunge from international fame to historical obscurity. It was a fate few would have predicted for James Reese Europe; he was then at the pinnacle of his career as a composer, conductor, and organizer in the black community, with the promise of even greater heights to come. "People don't realize yet today what we lost when we lost Jim Europe," said pianist Eubie Blake. "He was the savior of Negro musiciansin a class with Booker T. Washington and Martin Luther King." In A Life in Ragtime , Reid Badger brilliantly captures this fascinating life, tracing a critical chapter in the emergence of jazz through one man's remarkable odyssey. After an early start in Washington, Europe found his fame in New York, the entertainment capital of turn-of-the-century America. In the decade before the First World War, he emerged as an acknowledged leader in African-American musical theater, both as a conductor and an astonishingly prolific composer. Badger reveals a man of tremendous depths and ambitions, constantly aspiring to win recognition for black musicians and wider acceptance for their music. He toiled constantly, working on benefit concerts, joining hands with W.E.B. Du Bois, and helping to found a black music school--all the while winning commercial and critical success with his chosen art. In 1910, he helped create the Clef Club, making it the premiere African-American musical organization in the country during his presidency. Every year from 1912 to 1914, Europe led the Clef Club orchestra in triumphant concerts at Carnegie Hall, winning new respectability and popularity for ragtime. He went on to a tremendously successful collaboration with Vernon and Irene Castle, the international stars who made social dancing a world-wide rage. Along the way, Europe helped to revolutionize American music--and Badger provides fascinating details of his innovations and wide influence. In World War I, the musical pioneer won new fame as the first African-American officer to lead men into combat in that conflict--but he was best known as band leader for the all-black 15th Infantry Regiment. As the "Hellfighters" of the 15th racked up successes on the battlefield, Europe's band took France by storm with the new sounds of jazz. In 1919, the soldiers returned to New York in triumph, and Europe was the toast of the city. Then, just a few months later, he was dead--stabbed to death by a drummer in his own orchestra. From humble beginnings to tragic end, the story of Jim Europe comes alive in Reid Badger's account. Weaving in the wider story of our changing culture, music, and racial conflict, Badger deftly captures the turbulent, promising age of ragtime, and the drama of a triumphant life cut short.
From bestselling author Max Brooks, the riveting story of the highly decorated, barrier-breaking, historic black regiment—the Harlem Hellfighters In 1919, the 369th infantry regiment marched home triumphantly from World War I. They had spent more time in combat than any other American unit, never losing a foot of ground to the enemy, or a man to capture, and winning countless decorations. Though they returned as heroes, this African American unit faced tremendous discrimination, even from their own government. The Harlem Hellfighters, as the Germans called them, fought courageously on—and off—the battlefield to make Europe, and America, safe for democracy. In THE HARLEM HELLFIGHTERS, bestselling author Max Brooks and acclaimed illustrator Caanan White bring this history to life. From the enlistment lines in Harlem to the training camp at Spartanburg, South Carolina, to the trenches in France, they tell the heroic story of the 369th in an action-packed and powerful tale of honor and heart.
Still segregated in World War I, the U.S. Army was reluctant to use its 93d division of black soldiers in combat and instead assigned the division's three National Guard and one draftee regiments to the French Army. The battlefield successes of these African Americans under the French at the height of the German offensives in 1918 turned white expectations of failure upside down. Their bravery and heroism gained the respect of French and German alike and called into question the U.S. Army's policy of racially segregating its divisions. The full story of their accomplishments is told here for the first time through the eyes of the enlisted men and their white and black officers.