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A fully illustrated retrospective of British sculpture over the past 30 years.
The final book in Katharine McGee's epic New York Times bestselling Thousandth Floor series When you have everything, you have everything to lose. Welcome back to New York, 2119. A skyscraper city, fueled by impossible dreams. LEDA just wants to move on from what happened in Dubai. Until a new investigation forces her to seek help—from the person she’s spent all year trying to forget. RYLIN is back in her old life, reunited with an old flame. But when she starts seeing Cord again, she finds herself torn: between two worlds, and two very different boys. CALLIOPE feels trapped, playing a long con that costs more than she bargained for. What happens when all her lies catch up with her? WATT is still desperately in love with Leda. He’ll do anything to win her back—even dig up secrets that are better left buried. And now that AVERY is home from England—with a new boyfriend, Max—her life seems more picture-perfect than ever. So why does she feel like she would rather be anything but perfect? Perfect for fans of Kiera Cass and Anna Godbersen, and with all the drama, romance, and hidden secrets from The Thousandth Floor and The Dazzling Heights, this explosive finale will not disappoint. “We couldn’t put this one down.” —The Skimm “The luxe lives of Manhattan’s elite are even more extraordinary in Katharine McGee’s futuristic, highly addictive page-turner. The irresistible cast of characters lures you into the elevator for an unexpected ride, packed with wittily prescient high-tech details and good old-fashioned romance and drama. The Thousandth Floor will give you vertigo and leave you eager for more.” —Cecily von Ziegesar, #1 New York Times bestselling author of Gossip Girl
The inner worlds of characters isolated by geography and habit are revealed in a novel, set in the Nebraska Sandhills, about an aging widow on the verge of losing her family's ranch and her sixteen-year old pregnant granddaughter who visits her for the summer. Original.
A book without words, recounting a day in the life of an office worker, told completely in the symbols, icons, and logos of modern life. Twenty years ago I made Book from the Sky, a book of illegible Chinese characters that no one could read. Now I have created Book from the Ground, a book that anyone can read. —Xu Bing Following his classic work Book from the Sky, the Chinese artist Xu Bing presents a new graphic novel—one composed entirely of symbols and icons that are universally understood. Xu Bing spent seven years gathering materials, experimenting, revising, and arranging thousands of pictograms to construct the narrative of Book from the Ground. The result is a readable story without words, an account of twenty-four hours in the life of “Mr. Black,” a typical urban white-collar worker. Our protagonist's day begins with wake-up calls from a nearby bird and his bedside alarm clock; it continues through tooth-brushing, coffee-making, TV-watching, and cat-feeding. He commutes to his job on the subway, works in his office, ponders various fast-food options for lunch, waits in line for the bathroom, daydreams, sends flowers, socializes after work, goes home, kills a mosquito, goes to bed, sleeps, and gets up the next morning to do it all over again. His day is recounted with meticulous and intimate detail, and reads like a postmodern, post-textual riff on James Joyce's account of Bloom's peregrinations in Ulysses. But Xu Bing's narrative, using an exclusively visual language, could be published anywhere, without translation or explication; anyone with experience in contemporary life—anyone who has internalized the icons and logos of modernity, from smiley faces to transit maps to menus—can understand it.
- Monograph focusing on Xu Bing's most ambitious works of art: Book from the Sky and Book from the Ground- Presents the artist's method and motivation in his own words- An accessible yet academic insight into this innovative internationally renowned Chinese artist "The written word is the most basic element of human culture. To touch the written word is to touch the essence of culture." - Xu Bing Book from the Sky certainly seemed to have fallen from the heavens: the text of this installation piece was written in a new language that resembled traditional Chinese. No matter who scours Xu Bing's book for 'meaning', they will only discover a semblance of it: mutated characters that resist interpretation. Carving out approximately four thousand wood blocks by hand, Xu Bing spent four years, from 1987 to 1991, making (in his own words) "something that said nothing".Book from the Sky's lengthy production process is also detailed in this monograph. Carving approximately four thousand wood blocks by hand, Xu Bing (in his own words) spent four years, from 1987 to 1991, making "something that said nothing." After creating a book no one could read, it only made sense for Xu Bing to develop his next project: a book that transcended barriers of language: Book from the Ground. Composed entirely of pictographs, Book from the Ground is a groundbreaking study into the concept of universal communication.Whether his goal is total comprehension or confusion, Xu Bing's masterful exploration of language challenges the way we think about the written word.
Welcome to Manhattan, 2118. A thousand-storey tower stretching into the sky. A glittering vision of the future, where anything is possible – if you want it enough.
During World War II, a twelve-year-old girl is uprooted from her quiet, East coast life and moved to a secluded army post in the New Mexico desert where her father and other scientists are working on a top secret project.
In late 2014, One World Trade Center-- or the Freedom Tower-- opened for business. It had taken nearly ten years, cost roughly four billion dollars, and had suffered setbacks that would have most likely scuttled any other project. Today it serves as a reminder of what America is capable of when we put aside our differences and pull together for a common cause. Raab's articles appeared in the pages of Esquire between 2005 and 2015, and here are accompanied by many never-before-seen photos. -- adapted from back cover.
Amidst the Chinese-Malay conflict in Kuala Lumpur in 1969, sixteen-year-old Melati must overcome prejudice, violence, and her own OCD to find her way back to her mother.