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The conclusion of the “remarkable” four-volume history by the New York Times–bestselling author of The Women’s Room (Publishers Weekly). In the twentieth century, women became a force for change, in part through suffrage, and in part through mass organizing. This final volume of Marilyn French’s wide-ranging survey offers a vibrant history of multiple political revolutions as well as the century’s horrors—including genocides and the atom bomb. It ends with a thoughtful investigation into the various indigenous feminist movements throughout the world and asks what these peaceful revolutions might augur for the future. Eschewing easy answers, French suggests that the defining moral moments of the twenty-first century should, and will, build from a global human rights agenda.
“Filled with fascinating detail . . . this second volume of French’s massive and valuable work is an example of scholarship and clear vision.” —Publishers Weekly This volume of New York Times–bestselling author Marilyn French’s monumental history analyzes and evaluates the lives of women in societies around the world between feudal times and the French Revolution. Drawing upon fifteen years of collaboration with a team of researchers and prominent historians, the volume opens with fascinating chapters comparing medieval Europe and Japan, disparate cultures which nevertheless shared traditions of male dominated aggression and competitiveness. French then shows how, in Europe, this tradition led to colonialism and imperialism, and the horrific subjugation of indigenous societies, just as women were subjugated in the conquerors’ home countries. As French makes clear in this impassioned women’s history, only with the French Revolution did the political force women exerted powerfully change the course of history. “French gives us grand theory at its best, wading through copious amounts of scholarly data on the histories of civilizations and offering up, in readable prose, an important synthesis.” —Library Journal
The first volume of the New York Times–bestselling author’s monumental and unprecedented history: “Consistently thought-provoking” (The New York Review of Books). The internationally celebrated author of The Women’s Room, Marilyn French spent over fifteen years with a team of researchers and prominent historians examining women’s lives and activities in civilizations and societies spanning the ages. Beginning in prehistory, Origins moves on to examine women’s lives in ancient Egypt, China, India, Peru, Mexico, Greece, and Rome. In her reconstruction of wars, laws, and other activities affecting both women and men, French also traces the worldviews underpinning them. She also depicts how women’s relationship to Judaism, Christianity, and Islam changed for good and bad over the centuries. “She backs up even her more controversial theories with an impressive accumulation of academically accepted historical, anthropological and sociological sources . . . Written in concise, understated language, this is a significant addition to literature on women’s studies and history.” —Publishers Weekly
From the New York Times–bestselling author: “A rare find: a page-turning, can’t-put-it-down history text.” —Library Journal Writing about what she calls the “most cheering period in female history,” Marilyn French recounts how nineteenth-century women living under imperialism, industrialization, and capitalism nonetheless organized for their own education, a more equitable wage, and the vote. Focusing on the United States, Great Britain, and countries in Africa, French argues that capitalism’s success depended on the exploitation and enslavement of huge numbers, including women, but the act of working outside the home alongside other women, rather than in isolation, provided women with the possibility of organizing for emancipation. “The third volume of her remarkable four-volume survey . . . fascinating insight and detail.” —Publishers Weekly
Anne Wilson Schaef builds on her former bestseller, Women’s Reality, her New York Times bestseller When Society Becomes an Addict, and her multi-million copy bestseller Meditations for Women Who Do Too Much to bring us all up to date on the Women’s Movement. She explores the potentially positive impact that women can and must harness to step forward for further development of the human race and for the planet as a whole. She explores the history of the waves of the Women’s Movement and the personal, interpersonal, and cultural stoppers that have kept women from reaching their full potential. She demonstrates how women’s special talents and assets are essential for dealing with the symptoms of what has become a dysfunctional society. This book not only offers hope and opportunity for women to step up and shape a society with their unique gifts, it offers hope for the planet itself.
A girl comes of age in the radical 1960s in this “beautifully written” novel by the groundbreaking author of The Women’s Room (Kate Mosse). It’s 1968 in Cambridge, Massachusetts. Jess Leighton, the daughter of a temperamental painter and a proto-feminist Harvard professor, is struggling to make sense of her world amid racial tensions, Vietnam War protests, anti-government rage, her own burgeoning sexuality, and bad relationships. With more options than her mother’s generation, but no role model for creating the life she desires, Jess experiments with sex and psychedelic drugs as she searches for happiness on her own terms. In the midst of joining and fleeing a commune, growing organic vegetables, and operating a sustainable restaurant, Jess grapples with the legacy of her mother’s generation while building a future for herself, and for the postmodern woman. “French’s meticulous and affecting tale of the forging of one woman’s conscience encompasses thoughtful portraits of ‘love children,’ from peace activists to members of unconventional families, and a forthright critique of the counterculture that puts today’s wars, struggles for equality, and environmental troubles into sharp perspective” (Booklist).
In the age of multiple equity movements, it is critical to explore an unspoken nuance—the silencing of women leaders. Carrie Lynn Arnold calls attention to the history and complex dynamics that can suppress a leader’s voice while offering solutions for change. Women are taught to speak up, develop confidence, leverage their strengths, polish their interpersonal skills, widen their competencies, and fight to sit at the table. But once they make it to that executive chair, they rarely examine the unspoken dynamics that impact their success. The silencing of female voices is an all too common epidemic, preventing women from harnessing their full capabilities and leading with maximum potential. This phenomenon of isolating women by subduing their voices is a decades-old tradition. It can be impossible to avoid encounters, organizational cultures, and even feelings of self-suppression that all foster silencing. It is no longer about questioning competency or confidence. It is about understanding the complex factors and biases that are deeply embedded in relationships between men and women, amongst women, and within the dynamics of systems and the self that allows for this trend to continue despite growing successes in equity. Carrie Lynn Arnold examines silencing, which is essential to name and recognize, as a pre-requisite to effective leadership. By understanding where we have been before, we may fully appreciate and call attention to where we need to go. Regardless of your gender or whether you are an emerging leader or a CEO of a large corporation, the silencing virus is capable of infecting everyone. Silenced and Sidelined explores what it means to feel suppressed, giving words to the experience so that leaders can begin different types of conversations about voice and leadership. There are no shortcuts or simple, easy steps; this call to leadership is a call for courage. It requires the ability to communicate with a voice that carries currency—one, people will not just hear, but follow. Given the complexity of our world and the challenges society faces, we can no longer afford leaders with silenced voices.
ONE OF THE MOST INFLUENTIAL AND BESTSELLING NOVELS OF THE MODERN FEMINIST MOVEMENT 'It was about the need to change things from top to bottom; it was a declaration of independence' OBSERVER 'The first and last international bestseller of the women's movement' GUARDIAN 'They said this book would change lives - and it certainly changed mine' JENNI MURRAY, BBC RADIO 4 A landmark in feminist literature, The Women's Room is a biting social commentary of a world gone silently haywire. Written in the 1970s but with profound resonance today, this is a modern allegory that offers piercing insight into the social norms accepted blindly and revered so completely. It follows the transformation of Mira Ward and her circle as the women's movement begins to have an impact on their lives. A biting social commentary on an emotional world gone silently haywire, The Women's Room is a modern classic that offers piercing insight into the social norms accepted so blindly and revered so completely. Marilyn French questions those accepted norms and poignantly portrays the hopeful believers looking for new truths.
New York Times–bestselling author of The Women’s Room: While a man lies in the hospital, his four daughters struggle to make peace with him—and one another. In a Massachusetts hospital, as distinguished presidential adviser Stephen Upton lies mortally ill, four women gather at his lavish mansion. Half sisters Elizabeth, Mary, Alex, and Ronnie have painful and poignant memories of their childhoods—and of their father. Born to different mothers, the sisters haven’t seen one another in years. As Upton hovers between life and death, his daughters begin to open up about the man they love and hate. They share their stories and discover the terrible secret that binds them all together . . . the secret they kept even as they fought for Upton’s approval and affection. As they struggle to make peace with their father—and with one another—the women finally begin to heal and forgive the sins of the past. Moving and eloquent, Our Father is a testament to the power of female bonding.