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The first examination of cultural exchanges between England and Bohemia after 1382, eventually leading to the suppression of heresy.
New essays examining Bohemia as a key European context for understanding Chaucer's poetry. Chaucer never went to Bohemia but Bohemia came to him when, in 1382, King Richard II of England married Anne, daughter of the Holy Roman Emperor, Charles IV. Charles's splendid court in Prague was renowned across Europe for its patronage of literature, art and architecture, and Anne and her entourage brought with them some of its glamour and allure - their fashions, extravagance and behaviour provoking comment from English chroniclers. For Chaucer, a poet and diplomat affiliated to Richard's court, Anne was more muse than patron, her influence embedded in a range of his works, including the Parliament of Fowls, Troilus and Criseyde, the Legend of Good Women and Canterbury Tales. This volume shows Bohemia to be a key European context, alongside France and Italy, for understanding Chaucer's poetry, providing a wide perspective on the nature of cultural exchange between England and Bohemia in the later fourteenth century. The contributors consider such matters as court culture and politics, the writings of Richard Rolle, artistic style, Troy stories, historiographic writing and travel narrative; they highlight the debt Chaucer owed to Bohemian culture, and the affinities between English and Bohemian literary production, whether in the use of Petrarch's tale of Griselde, the iconography of the tapster figure, or satires on the Passion of Christ. The contributors consider such matters as court culture and politics, the writings of Richard Rolle, artistic style, Troy stories, historiographic writing and travel narrative; they highlight the debt Chaucer owed to Bohemian culture, and the affinities between English and Bohemian literary production, whether in the use of Petrarch's tale of Griselde, the iconography of the tapster figure, or satires on the Passion of Christ. The contributors consider such matters as court culture and politics, the writings of Richard Rolle, artistic style, Troy stories, historiographic writing and travel narrative; they highlight the debt Chaucer owed to Bohemian culture, and the affinities between English and Bohemian literary production, whether in the use of Petrarch's tale of Griselde, the iconography of the tapster figure, or satires on the Passion of Christ. The contributors consider such matters as court culture and politics, the writings of Richard Rolle, artistic style, Troy stories, historiographic writing and travel narrative; they highlight the debt Chaucer owed to Bohemian culture, and the affinities between English and Bohemian literary production, whether in the use of Petrarch's tale of Griselde, the iconography of the tapster figure, or satires on the Passion of Christ.
Breuer's Bohemia explores a vibrant period of midcentury modern design and culture as seen through the influential New England houses designed by Marcel Breuer for his circle of clients and friends. The iconic twentieth-century architect Marcel Breuer was a prolific designer of residential architecture, which is often overshadowed by his early renown as a Bauhaus furniture maker and his large-scale projects. Breuer’s Bohemia surveys the houses he designed in Connecticut and Massachusetts from the 1950s through the ’70s, many of which were commissioned by a few culturally progressive clients—chiefly Rufus and Leslie Stillman and Andrew and Jamie Gagarin—who coalesced around him into a dynamic social circle. Included in this scene were prominent cultural figures such as Alexander Calder, Arthur Miller, Francine du Plessix Gray, Philip Roth, and William Styron, and more, marking a unique intersection of postwar architecture, art, and letters. The publication of Breuer’s Bohemia coincides with the feature-length documentary of the same name by author and filmmaker James Crump, exploring Breuer’s explosive residential practice on the East Coast. Through original research and interviews, the voices of principal characters from Breuer’s circle and notable figures from the field of architecture help tell the story of Breuer’s collaborations with his friends and clients, breathing new life into the history of the rich cultural atmosphere of which they all played a vital part. Heavily illustrated with vintage and contemporary photographs as well as rarely seen archival materials, Breuer’s Bohemia is a unique glimpse of a twentieth-century milieu that produced an aesthetic, intellectual, and sometimes sybaritic community during a fertile period of American design and culture.
A sweeping, cinematic novel about the life of the Winter Queen, Elizabeth Stuart October 1612. King James I is looking to expand England’s influence in Europe, especially among the Protestants. He invites Prince Frederic of the Palatinate to London and offers him his sixteen-year-old daughter Elizabeth’s hand in marriage. The fierce and intelligent Elizabeth moves to Heidelberg Castle, Frederic’s ancestral home, where she is favored with whatever she desires, and the couple begins their family. Amid much turmoil, the Hapsburg emperor is weakened, and with help from Bohemian rebels, Frederic takes over royal duties in Prague. Thus, Elizabeth becomes the Queen of Bohemia. But their reign is brief. Within the year, Catholic Europe unites to take back the Hapsburg throne. Defeated at the Battle of White Mountain, Frederic, Elizabeth, and their children are forced into exile for a much-reduced life in The Hague. Despite tumultuous seasons of separation and heartache, the Winter Queen makes every effort to keep her family intact. Written with cinematic flair, this historical novel brings in key figures such as Shakespeare and Descartes as it recreates the drama and intrigue of 17th-century England and the Continent. Elizabeth’s children included Rupert of the Rhine and Sophia of Hanover, from whom the Hanoverian line descended to the present Queen Elizabeth II.
Erika Schroll, a small girl, growing up in the picturesque town of Saaz, discovers the way of the world and her own nature amidst the turmoil of a World War and its devastating consequences. Always being accompanied by her mother, Josefine, she feels safe in spite of the family's sudden deportation with millions of compatriots to the recently destroyed Germany. In East Germany, by now was part of the Russian Sector, the country having been divided up by the allies, Erika and her mother spent 9 months in an overcrowded refugee camp, whilst her fatally sick sister, Liesl, was being nursed in the hospital in the town of Freiberg/Saxony. The long, enforced march across the Ore mountain range, dividing Czechoslovakia from Germany, had done irreparable damage to her already dysfunctional heart valves. After two years of starvation and ill health and the worst winter for centuries, their physical condition became critical. At that time, Erika's father, Ferdinand, found his family through the efforts of the Red Cross and helped them escape to the American West Sector. Josefine and the two girls had to cross the border from East Germany to Bavaria in the Western Zone illegally, while Ferdinand took their few belongings as hand baggage on the train. In No-mans-land, Josefine and the children were shot at by East German border guards. Nonetheless, Josefine felt that the risk of walking on was worth taking as the family would anyway have starved to death in East Germany. She succeeded and after many obstacles found her husband across the border. In order to obtain ration cards for his family, Ferdinand intended to leave them temporarily in a refugee camp in Regensburg, Bavaria, only to be told by the camp commandant that Josefine and the children had to be sent back to East Germany by train the next morning due to the lack of space for more people. Ferdinand decides to take the family to his elderly parents, who had also been deported (this time more humanely) to a small village in Bavaria. At last, the family was safe, but many obstacles and losses had to be overcome before a tolerable life could begin. The dramatic attempts of other close relatives to escape the life-threatening chaos all around them are interwoven into the main story, while the background is the roller coaster of political events and history in the making.
"This volume explores one of the most creative periods in Central European history. At its core is the medieval city of Prague, which became the seat of the Luxembourg dynasty in the 14th century and was fashioned as the political and cultural capital of the Holy Roman Empire. That dramatic change in the fortunes of Prague and Bohemia - from Romanesque roots to Late Gothic heyday and the religious uncertainties of the Hussite era - is examined through fifteen essays written by scholars from Great Britain, the Czech Republic, Austria, Germany, Poland, Switzerland and the USA. An important place is given to the re-evaluation of Czech medieval heritage in the 19th century, much of it shaped by Josef Mocker's tireless and often controversial campaign to restore and document Gothic monuments. The volume offers important new insights into key buildings such as Prague Cathedral and Karlstein Castle. By bringing together their expertise in architecture, archaeology, painting, stained glass, manuscript illumination, textiles, sigillography and epigraphy, the authors also present a rich and complex picture of connections and influences stretching across the region from the small town of Kosice in the east, to major centres such as Vienna, Cracow and Nuremberg, as far as the royal seats of Paris and London at the western extremities of Europe. Much of that vibrant cultural exchange took place in the climate of economic prosperity that attracted itinerant artists and supported prolific workshops, but some of the most astonishing examples of it came about amidst intense dynastic rivalry and religious strife. This collection is also a lasting record of the British Archaeological Association's conference held in Prague in 2006, the first such meeting east of the Rhine in its long and distinguished history." --Book Jacket.
First detailed exploration of the role played by Bohemian tradition and customs on the court of Richard II.