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“These essays have been brought together with a number of purposes in mind, within the context of a basic concern to explore something of the depth and vitality of the Jewish scriptures and of the Jewish and Christian religious traditions that have grown out of them.” —From the Introduction
"These essays have been brought together with a number of purposes in mind, within the context of a basic concern to explore something of the depth and vitality of the Jewish scriptures and of the Jewish and Christian religious traditions that have grown out of them." --From the Introduction
Most of us are regular people who have good days and bad days. Our lives are radically ordinary and unexciting. That means they're the kind of lives God gets excited about. While the world worships beauty and power and wealth, God hides his glory in the simple, the mundane, the foolish, working in unawesome people, things, and places.In our day of celebrity worship and online posturing, this is a refreshing, even transformative way of understanding God and our place in his creation. It urges us to treasure a life of simplicity, to love those whom the world passes by, to work for God's glory rather than our own. And it demonstrates that God has always been the Lord of the cross--a Savior who hides his grace in unattractive, inglorious places.Your God Is Too Glorious reminds readers that while a quiet life may look unimpressive to the world, it's the regular, everyday people that God tends to use to do his most important work.
When she died in 2016, Dr Jennifer O’Reilly left behind a body of published and unpublished work in three areas of medieval studies: the iconography of the Gospel Books produced in early medieval Ireland and Anglo-Saxon England; the writings of Bede and his older Irish contemporary, Adomnán of Iona; and the early lives of Thomas Becket. In these three areas she explored the connections between historical texts, artistic images and biblical exegesis. This volume brings together seventeen essays, published between 1984 and 2013, on the interplay of texts and images in medieval art. Most focus on the manuscript art of early medieval Ireland and England. The first section includes four studies of the Codex Amiatinus, produced in Northumbria in the monastic community of Bede. The second section contains seven essays on the iconography and text of the Book of Kells. In the third section there are five studies of Anglo-Saxon Art, examined in the context of the Benedictine Reform. A concluding essay, on the medieval iconography of the two trees in Eden, traces the development of a motif from Late Antiquity to the end of the Middle Ages.(CS1080)
Within the last forty years, scientific discoveries and knowledge about our universe contain unprecedented theological implications. They imply that the creator exists, more so than ever before. These discoveries have developed a worldview that challenges both theologians and scientists to engage in a mutually fruitful dialogue. From Creation to Re-Creation uniquely presents God’s accomplishments as author Daniel Lazich transports himself to a time when authors wrote creation narratives to depict the contrast between the ancient epics and biblical narrative. It forcefully asserts that the creation of this world and humankind was accomplished by the Creator, who loves humanity selflessly. This assertion is backed by the most advanced study and research concerning our universe’s nature. Lazich writes that the final observer in quantum cosmology and God in the Bible are the same. From Creation to Re-Creation employs unprecedented theological implications to assert that the creator’s existence is necessary for the universe and humankind in it to exist.
This useful textbook explores the theological dimensions of the Pentateuch and provides examples of critically engaged theological interpretation.