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In this thought-provoking new book, Bruce Lerro offers a speculative reconstruction of the sacred beliefs and practices of cultures existing between 30,000 and 500 B.C.E. Lerro describes how material changes in various social formations--including hunting-gathering bands and horticulturalists in villages--were responsible for the shift from magic to realism, from the belief in earth spirits to faith in sky gods. Drawing from such diverse theorists as Marx and Engels, Vygotsky, Piaget, and George Herbert Mead, Lerro critiques and transforms mechanical, humanistic, new age, and countercultural perspectives on the history of sacred traditions. This study of comparative religion and mythology has important applications for the fields of archaeology, evolutionary anthropology, sociology, political science, and comparative psychology.
The Deities Are Many is a lively and learned introduction to polytheism. Drawing from both his scholarly research and his personal experience, author Jordan Paper is the ideal guide into this milieu. Paper was drawn to polytheism through his love of nature, seeing it as a source of the divine. In this book he focuses on Chinese and Native American religious traditions, as well as West African, African-Brazilian, Hindu, Polynesian, and circum-Polar traditions, to describe the theology of polytheism. The book provides a topology of polytheistic deities, focusing on the cosmic couple, Father Sky and Mother Earth; animal, plant, and mineral deities; ancestral spirits; divine ghosts; and culture heroes and tricksters. Paper also shows how monotheists misunderstand polytheism and provides a polytheist perspective on what it means to be human when the "deities are many." This is a fascinating, illuminating book, especially for those raised in monotheistic societies.
Comprehensive and cross-referenced, this informative volume is a rich introduction to the world of nature as experienced by ancient peoples around the globe. 51 halftones.
In this innovative volume, Jay McDaniel creatively weaves various strands of contemporary theology into a vibrant pattern for an ecological spirituality. Influenced by process theology, the author synthesizes core insights of feminism, liberation theology, creation theology, and world religions. He focuses this varied knowledge around the central theme of an ecologically sound and nurturing faith. The work is strengthened by provocative study questions, an insightful appendix on the role of silence in ecological spirituality, and a comprehensive, annotated bibliography.
Drawing on philosophical reflection, spiritual and religious values, and somatic practice, Spirit and the Obligation of Social Flesh offers guidance for moving amidst the affective dynamics that animate the streets of the global cities now amassing around our planet. Here theology turns decidedly secular. In urban medieval Europe, seculars were uncloistered persons who carried their spiritual passion and sense of an obligated life into daily circumambulations of the city. Seculars lived in the city, on behalf of the city, but—contrary to the new profit economy of the time—with a different locus of value: spirit. Betcher argues that for seculars today the possibility of a devoted life, the practice of felicity in history, still remains. Spirit now names a necessary “prosthesis,” a locus for regenerating the elemental commons of our interdependent flesh and thus for cultivating spacious and fearless empathy, forbearance, and generosity. Her theological poetics, though based in Christianity, are frequently in conversation with other religions resident in our postcolonial cities.
The perspectives in this book reveal how in African anthroposophy, earth-based spiritual traditions and innovative spiritual practices are already emerging in response to the painful realities of climate change, mass extinction, biodiversity loss, and the disruption of local and global ecosystems which have for long not received the attention that it duly deserves. This piece, therefore, will become one of the greatest ornaments and lights in the world of African eco-spirituality as it responds to questions that are long overdue.
First Published in 1968. Danquah's desire with this title is to expound Akan thought in such a way as to make it comprehensible to western thinkers and to demonstrate that it is comparable to their system. In pursuance of this objective, he calls forth his philosophical training and indulges in metaphysical and ethical speculation. The effects of this are evident in the whole book, whether in his discussion of the nature of the supreme Being or in his exposition of Akan ethical thought.
The African continent is home to a fascinating and strong tradition of myth, due in part to the long history of human habitation in Africa; the diversity of its geography, flora, and fauna; and the variety of its cultural beliefs. African Mythology A to Z is a readable reference to the deities, places, events, animals, beliefs, and other subjects that appear in the myths of various African peoples. For the first time, this edition features full-color photographs and illustrations.Coverage includes:
Goddess Images Are Omnipresent Within The Cultural Fabric Of India, Yet Most Indians Are Unaware Of Uplifting Meanings These Images Convey. In The Book, Images Of Indian Goddesses,. Dr. Madhu Bazaz Wangu Explains The Emergence Of Indian Goddesses Within The Changing Social, Political And Cultural Environment From The Prehistoric To The Present Times And Explains Their Metaphysical Meanings. Why Are Hindu Goddesses Paradoxical In Nature? Why Are They Portrayed As Erotic And Maternal Simultaneously? Why Do They Have Multiple Arms? Why Do Some Of Them Have Their Own Vehicle (Vahana) And Some Do Not? Why Are Such Images Portrayed On The Popular Calendar- Posters? The Book Answers Such Questions And Helps The Reader Understand Their Meanings. The Goddesses Discussed Range From The Devoted Sita To The Sinister Kali; From The Warrior Durga To The Auspicious Shri Lakshmi; From The Erotic Radha To The Serene Sarasvati And Many Others. Dr. Wangu Firmly Feels That If Experienced Hindu Goddesses Have A Potential For Stimulating The Onlooker'S Innermost Self. Experiencing Goddess Imagery Uplifts This Worldly Life And Ponders The Nature Of The Other -Worldly Existence. Furthermore, The Book Argues That The Goddesses Are Stimulating And Empowering Models Not Only For Indian Women But For All. Images Of Indian Goddesses Helps A Common Person Understand And Appreciate The Bewildering Number Of Female Images Expressed In India'S Sacred Art. The Book Is Not Only Absorbing And Inspiring, It Also Offers A Visual Treasury Of Goddess Art Images. Its Text Is Food For The Mind And The Illustrations Are A Feast For The Eyes.