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A panoramic survey of the twentieth century cultural production that illuminates different iconic images through which our national identity is frequently narrated as a journey from intolerance to tolerance. Fiona Nicoll remains unconvinced and shows us why, by analysing cultural institutions, artefacts and rituals.
It's Saturday night in Key West and the Girlie Show is about to begin at the 801 Cabaret. The girls have been outside on the sidewalk all evening, seducing passersby into coming in for the show. The club itself is packed tonight and smoke has filled the room. When the lights finally go down, statuesque blonds and stunning brunettes sporting black leather miniskirts, stiletto heels, and see-through lingerie take the stage. En Vogue's "Free Your Mind" blares on the house stereo. The crowd roars in approval. In this lively book, Leila J. Rupp and Verta Taylor take us on an entertaining tour through one of America's most overlooked subcultures: the world of the drag queen. They offer a penetrating glimpse into the lives of the 801 Girls, the troupe of queens who perform nightly at the 801 Cabaret for tourists and locals. Weaving together their fascinating life stories, their lavish costumes and eclectic music, their flamboyance and bitchiness, and their bawdy exchanges with one another and their audiences, the authors explore how drag queens smash the boundaries between gay and straight, man and woman, to make people think more deeply and realistically about sex and gender in America today. They also consider how the queens create a space that encourages camaraderie and acceptance among everyday people, no matter what their sexual preferences might be. Based on countless interviews with more than a dozen drag queens, more than three years of attendance at their outrageous performances, and even the authors' participation in the shows themselves, Drag Queens at the 801 Cabaret is a witty and poignant portrait of gay life and culture. When they said life is a cabaret, they clearly meant the 801.
This vibrant collection of essays reveals the intimate politics of how people with a wide range of relationships to war identify with, and against, the military and its gendered and racialised norms. It synthesises three recent turns in the study of international politics: aesthetics, embodiment and the everyday, into a new conceptual framework. This helps us to understand how militarism permeates society and how far its practices can be re-appropriated or even turned against it.
The effects of the War outside present-day Vietnam are ongoing. Substantial Vietnamese communities in countries that participated in the conflict are contributing to renewed interpretations of it. This collection of new essays explores changes in perceptions of the war and the Vietnamese diaspora, examining history, politics, biography and literature, with Vietnamese, American, Australian and French scholars providing new insights. Twelve essays cover South Vietnamese leadership and policies, women and civilians, veterans overseas, smaller allies in the war (Australia), accounts by U.S., Australian and South Vietnamese servicemen as well as those of Indigenous soldiers from the U.S. and Australia, memorials and commemorations, and the legacy of war on individual lives and government policy.
The Palgrave Handbook on Rethinking Colonial Commemorations explores global efforts, particularly from Indigenous and Bla(c)k communities, to dismantle colonial commemorations, monuments, and memorials. Across the world, many Indigenous and Bla(c)k communities have taken action to remove, rectify and/or re-imagine colonial commemorations. These efforts have had the support of some non-Indigenous and white community members, but very often they have faced fierce opposition. In spite of this, many have succeeded, and this work aims to acknowledge and honour these efforts. As a current and much-debated issue, this book will present fresh findings and analyses of recent and historical events, including #RhodesMustFall, Anzac Day protests, and the transferral of confederate monuments to museums. Comprising of chapters written by Indigenous, Bla(c)k and non-Indigenous authors, from a wide variety of locations, backgrounds and purposes, this topical volume is a timely and important contribution to the fields of memory studies, Indigenous Studies, and cultural heritage.
By the early twenty-first century neo-nationalist forces have established themselves in a number of the world’s large regions and subcontinents. From Australia to South Asia, in Eastern and Western Europe, comparable parties and movements have positioned themselves in national parliaments and governments, with some considerable impact on state power. In contrast to right-wing extremist parties in the past, these recent movements mostly operate within legal parliamentary channels, using essentialized notions of local culture to mobilize against real and alleged threats to local identities of status, gender, religion, nationhood and ethnicity. Prompted by this near-simultaneous rise to political influence of more than a dozen apparently similar parties across Western Europe, this collection offers a range of European case studies with selected global examples, such as the Front National, the late Pim Fortuyn, India and the BJP, and Pauline Hanson and her One Nation Party in Australia. It takes up the theoretical and methodological challenges posed by this phenomenon and asks what distinctive contributions anthropology might make to its study.
How are masculinities enacted in Australian theatre? How do Australian playwrights depict masculinities in the present and the past, in the bush and on the beach, in the city and in the suburbs? How do Australian plays dramatise gender issues like father-son relations, romance and intimacy, violence and bullying, mateship and homosexuality, race relations between men, and men's experiences of war and migration? Men at Play explores theatre's role in presenting and contesting images of masculinity in Australia. It ranges from often-produced plays of the 1950s to successful contemporary plays - from Dick Diamond's Reedy River, Ray Lawler's Summer of the Seventeenth Doll, Richard Beynon's The Shifting Heart and Alan Seymour's The One Day of the Year to David Williamson's Sons of Cain, Richard Barrett's The Heartbreak Kid, Gordon Graham's The Boys and Nick Enright's Blackrock. The book looks at plays as they are produced in the theatre and masculinity as it is enacted on the stage. It is written in an accessible style for students and teachers in drama at university and senior high school. The book's contribution to contemporary debates about masculinity will also interest scholars in gender, race and sexuality studies, literary studies and Australian history.
Locating Asian Australian Cultures is a timely and challenging interdisciplinary compilation that sets a contemporary benchmark for Asian Australian studies and its future directions. In the dynamic field of diasporic Asian studies, Asian Australian Studies is an emerging and contentious area. While cognisant of issues and critical developments in North America, Europe, and Asia, Asian Australian studies forges its own specific engagements with questions of identity, racialization, and nationalisms in a world of globalized cultures and movements. This book deliberately engages with international perspectives on Asian Australian studies that offer contingent connections and address crucial questions for fields that are rapidly 'de-nationalizing'. The volume focuses on Asian Australian cultural production and identity, presenting work that interrogates notions of belonging and citizenship, representational politics, and disciplinarity in the academy. The broad-ranging essays examine the politics of Asian Australian art and literature, as well as the area's significant interventions in disciplinary formations nationally and internationally. Other essays discuss the Vietnamese War memorial in Cabramatta, notions of the 'sacrificial Asian' in contemporary films, and Chinatown sites in Australia. This book will be essential reading not only for researchers in Asian Australian studies but also for those with an interest in Asian diaspora and Australian studies.
The gay tourism industry—a progressive social force or a pull towards an oppressive status quo? The pink tourism dollar is now recognized as a highly profitable niche of the tourism market. Gay Tourism: Culture and Context critically investigates the emergence of a commercial gay tourism industry for male clients, the way it is organized, and how the tourism industry promotes cities, resorts, and nations as ’gay’ destinations. This careful examination critically questions the social, political, and cultural implications regarding relationships between gay tourism, Western gay male culture, the erotic, sexual politics, and sexual diversity. Gay Tourism: Culture and Context begins by detailing how travel often enabled the expression of Western same-sex male desire in the nineteenth century and then charts the emergence of a Western gay tourism industry in the late twentieth century. A critical analysis is given of gay guidebooks and erotic videos that help to establish and maintain destinations as seemingly gay utopias, including Hawaii and the Greek island Mykonos. Carefull consideration as to debates about how the gay tourism industry operates in the context of questions regarding the globalization of sexuality, sexual citizenship and place-marketing of (homo)sexualised cities. The text includes an extensive bibliography plus several photographs, charts, and figures to clearly present concepts and ideas. Topics in Gay Tourism: Culture and Context include: the history of gay travel and tourism the effect of HIV/AIDS on gay tourist destinations gay travel writing sustaining same-sex fantasies about popular gay tourist destinations analysis of the socio-political ramifications of gay tourism the sexual politics of a heterosexual nation gay tourists as an “invading force” of corruption the economic rationale for the (homo)sexualized city the concept of “gay villages” the role of special events and festivals in gay tourism and many more! Gay Tourism: Culture and Context is enlightening reading for tourism policymakers, tourism planners, tourism managers, and teachers and students in the fields of tourism studies, gay studies, social and cultural geography, and sociology.