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This essay collection examines the theory and history of graphic narrative as one of the most interesting and versatile forms of storytelling in contemporary media culture. Its contributions test the applicability of narratological concepts to graphic narrative, examine aspects of graphic narrative beyond the ‘single work’, consider the development of particular narrative strategies within individual genres, and trace the forms and functions of graphic narrative across cultures. Analyzing a wide range of texts, genres, and narrative strategies from both theoretical and historical perspectives, the international group of scholars gathered here offers state-of-the-art research on graphic narrative in the context of an increasingly postclassical and transmedial narratology. This is the revised second edition of From Comic Strips to Graphic Novels, which was originally published in the Narratologia series.
A funny graphic-novel series by Aaron Reynolds, New York Times bestselling author of Creepy Carrots! His grandpa invented fire. His dad invented the wheel. How will Caveboy Dave leave his mark? Dave Unga-Bunga has always been more scrawny than brawny. This is a major problem when your village expects you to become a meat-bringer. At age twelve, all young cave-people must stalk through the eerie mushroom forests for a prehistoric beast the village can feast on. But Dave would much rather invent stuff for a better life—like underwear to make loincloths less itchy and cutlery to make eating less filthy. Can Dave save his group by inventing the perfect defense against a bloodthirsty pokeyhorn? Or will he MEET HIS DOOM? First in a new series, More Scrawny Than Brawny delivers irresistible characters, big thrills, and even bigger laughs. "Imagine a prehistoric version of Wimpy Kid meets Captain Underpants." —Boys' Life
A guide to creating visual stories, from a single panel to a graphic novel, from a veteran in the field! Barbara Slate guides aspiring graphic storytellers through the same process she learned in her early days working for Marvel and DC Comics-a process she has simplified for the classes she teaches in schools, libraries, and colleges. Suitable for all ages from elementary school to senior citizens, it is presented in the form of a graphic novel itself. The book covers all the components and shows readers how to: Find their own drawing style regardless of ability; create memorable characters, compelling plots and subplots, and engaging dialog; lay out pages that grab the reader's eyes, and traverse the business.
In Film and Comic Books contributors analyze the problems of adapting one medium to another; the translation of comics aesthetics into film; audience expectations, reception, and reaction to comic book-based films; and the adaptation of films into comics. A wide range of comic/film adaptations are explored, including superheroes (Spider-Man), comic strips (Dick Tracy), realist and autobiographical comics (American Splendor, Ghost World), and photo-montage comics (Mexico's El Santo). Essayists discuss films beginning with the 1978 Superman. That success led filmmakers to adapt a multitude of comic books for the screen including Marvel's Uncanny X-Men, the Amazing Spider-Man, Blade, and the Incredible Hulk as well as alternative graphic novels such as From Hell, V for Vendetta, and Road to Perdition. Essayists also discuss recent works from Mexico, France, Germany, and Malaysia. Essays from Timothy P. Barnard, Michael Cohen, Rayna Denison, Martin Flanagan, Sophie Geoffroy-Menoux, Mel Gibson, Kerry Gough, Jonathan Gray, Craig Hight, Derek Johnson, Pascal Lef?vre, Paul M. Malone, Neil Rae, Aldo J. Regalado, Jan van der Putten, and David Wilt Ian Gordon is associate professor of history and convenor of American studies at the National University of Singapore. Mark Jancovich is professor of film and television studies at the University of East Anglia. Matthew P. McAllister is associate professor of film, video, and media studies at Pennsylvania State University.
Praised throughout the cartoon industry by such luminaries as Art Spiegelman, Matt Groening, and Will Eisner, this innovative comic book provides a detailed look at the history, meaning, and art of comics and cartooning.
Sibert Honor Medalist ∙ New York Public Library Best Of 2018 ∙ The Horn Book's Fanfare 2018 list ∙ Kirkus Best Books of 2018 ∙ YALSA Excellence in Nonfiction Winner In the tradition of two-time Sibert honor winner Don Brown's critically acclaimed, full-color nonfiction graphic novels The Great American Dust Bowl and Drowned City, The Unwanted is an important, timely, and eye-opening exploration of the ongoing Syrian refugee crisis, exposing the harsh realities of living in, and trying to escape, a war zone. Starting in 2011, refugees flood out of war-torn Syria in Exodus-like proportions. The surprising flood of victims overwhelms neighboring countries, and chaos follows. Resentment in host nations heightens as disruption and the cost of aid grows. By 2017, many want to turn their backs on the victims. The refugees are the unwanted. Don Brown depicts moments of both heartbreaking horror and hope in the ongoing Syrian refugee crisis. Shining a light on the stories of the survivors, The Unwanted is a testament to the courage and resilience of the refugees and a call to action for all those who read.
Attempts to define what comics are and explain how they work have not always been successful because they are premised upon the idea that comic strips, comic books and graphic novels are inherently and almost exclusively visual. This book challenges that premise, and asserts that comics is not just a visual medium. The book outlines the multisensory aspects of comics: the visual, audible, tactile, olfactory and gustatory elements of the medium. It rejects a synaesthetic approach (by which all the senses are engaged through visual stimuli) and instead argues for a truly multisensory model by which the direct stimulation of the reader’s physical senses can be understood. A wide range of examples demonstrates how multisensory communication systems work in both commercial and more experimental contexts. The book concludes with a case study that looks at the works of Alan Moore and indicates areas of interest that multisensory analysis can draw out, but which are overlooked by more conventional approaches.
A 4–colour, illustrated best–of–the–best of the comic book world – with writers/creators who launched an industry (Jack Kirby, Stan Lee), amazing graphic novels (Preacher, The Watcher), legendary artists (Jim Lee) and characters as wide–ranging as Archie, The Gay Ghost, Batman, Blue Devil and the Fantastic Four. Never before has there been a single volume of superheroes, graphic novels, strange comic icons, legendary writers and artists of the comic world. Comic Book Encyclopedia is the multiverse of comic legend and lore for every comic–book fan, and for everyone who wants to understand the characters, history, and universal appeal of this world. Collected into a single volume, this is the best–of–the–best of comics. From the 1930s to today, it includes everything a young, budding comic reader – or an experienced pro – needs to know and/or read.
“How to Write Comic Strips” is a step-by-step guide to help inspiring comic strip writers create their own comic. This guide leads the reader through the wondrous world of comic writing. The concept of humor is different for different people. The author shows the reader methods and tips to better understand and deal with these differences. Highlights of this guide include: 1) The many formats to choose from when writing a comic: • Single Panel • Multi-Panel 2) How find your concept: • Write what you know 3) How to develop and build great characters: • Bios, Backstory and More 4) Ways to write funny yet tight gags: • How many passes to make • Refining your words 5) Methods and tips to use to break out of writer’s block: • Fun exercises and routines to do 6) How to find and communicate with your artist: • Learn how to become a team 7) Market places for your comic: • How to find a home for your creation 8) New ways to sell and make money from comics: • Expanding and new markets so you can make money 9) Helpful tips: • Tricks learned after decades in the trade About the Expert Writes his own syndicated comic Working Daze by Universal Press. Art by Scott Roberts. Each day the comic is viewed by around 250K people. Also writes Maria’s day for Universal. Wrote gags for Tonight Show, Joan Rivers show, Chevy Chase show and literally hundreds of comics and magazine. Has sold well over 10K gags. Simpsons and Fairly Odd Parents and Jimmy Neutron comics. Rugrats comic strip for a year. A seven book humorous, sf, mystery series for Daw books and Penguin Putnam featuring a futuristic PI Zachary Nixon Johnson and his holographic assistant HARV. The series will continue on a small press. Pro Se Productions. The series as The Nuclear Bombshell series has been quite successful as Graphic Audio, Audio Books. Currently writing two successful middle readers for KC Global Enterprises: Diary of a Super Girl (which remains in the kindle top 10 in class for the year) and the new Adventures of the Once and Future Queen. Writer of numerous video games and apps. Space Run Galaxy being the most fun. Beat the Boss and Tap Titians and Driving Trump being the biggest sellers. Apps and games have had millions of downloads and purchases. (You would think he’d be richer.) Looks like he has stuff coming in Mad in 2018ish. The only person ever to finish in the top three of DC comics Zuda contest four times without ever winning the contest. HowExpert publishes quick 'how to' guides on all topics from A to Z by everyday experts.
The history of the comic from 19th-century to today's graphic novels.