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I’ll Have The Chicken By: Captain Robert Kavula I’ll Have the Chicken is a collection of engaging stories from former Navy and commercial pilot Captain Robert Kavula. The book gives readers an intimate look from the other side of the cockpit door and some of the decisions made before and during flight. Kavula tells about his journey to become a pilot, near collisions in the air and on the runway, and the people and flights that remain vivid memories more than forty years later. The collection includes Kavula’s account of losing engines and generators and somehow finding his way to a safe landing, and hilarious conversations among pilots mid-flight. Read about Kavula’s flight with astronaut Neil Armstrong and the question he asked him about flying, and dozens more stories that put the reader inside the cockpit to experience the life of a pilot.
I’ll Have the Chicken By: Captain Robert Kavula I’ll Have the Chicken is a collection of engaging stories from former Navy and commercial pilot Captain Robert Kavula. The book gives readers an intimate look from the other side of the cockpit door and some of the decisions made before and during flight. Kavula tells about his journey to become a pilot, near collisions in the air and on the runway, and the people and flights that remain vivid memories more than forty years later. The collection includes Kavula’s account of losing engines and generators and somehow finding his way to a safe landing, and hilarious conversations among pilots mid-flight. Read about Kavula’s flight with astronaut Neil Armstrong and the question he asked him about flying, and dozens more stories that put the reader inside the cockpit to experience the life of a pilot.
Jan van Eyck's Ghent Altarpiece is on any art historian's list of the ten most important paintings ever made. Often referred to by the subject of its central panel, The Adoration of the Mystic Lamb, it represents the fulcrum between the Middle Ages and the Renaissance. It is also the most frequently stolen artwork of all time. Since its completion in 1432, this twelve-panel oil painting has been looted in three different wars, burned, dismembered, forged, smuggled, illegally sold, censored, hidden, attacked by iconoclasts, hunted by the Nazis and Napoleon, used as a diplomatic tool, ransomed, rescued by Austrian double-agents, and stolen a total of thirteen times. In this fast-paced, real-life thriller, art historian Noah Charney unravels the stories of each of these thefts. In the process, he illuminates the whole fascinating history of art crime, and the psychological, ideological, religious, political, and social motivations that have led many men to covet this one masterpiece above all others.
A fascinating account of one of the most successful spying operations of World War II Long recognized as one of the most successful (and ruthless) spy networks in history, the Red Orchestra was a group of Soviet cells that operated throughout Germany and occupied Europe until late 1943. The Germans knew of its existence as early as 1941. Yet, it was only after two years of dogged detective work, lucky breaks, interrogation, and betrayals that they were able to silence the Red Orchestra for good. By that time the damage had been done and the Third Reich was facing extinction. Now, The Red Orchestra offers readers a unique opportunity to learn the complete story of Russia's hidden war against Nazi Germany. Vividly recreating a shadowy world of intrigue and espionage in war-torn Europe, The Red Orchestra introduces all the major players and describes spectacular feats of espionage performed right under the Germans' noses. • Contains new research based on original sources • A real-life spy story containing all the drama and suspense of the best spy fiction • The first book to explore all three sectors of the spy operation: the Grand Chef's Western circuit in France, Belgium, and Holland; Die Rote Drei in Switzerland; and the Berlin network V. E. TARRANT (South Wales, Great Britain) is a military and naval historian and author of several books on World War II.
"From spy missions to code breaking, this richly illustrated account of the covert operations of World War II takes readers behind the battle lines and deep into the undercover war effort that changed the course of history. From the authors who created Eyewitness to World War II and numerous other best-selling illustrated reference books, this is the shocking story behind the covert activity that shaped the outcome of one of the world's greatest conflicts--and the destiny of millions of people. National Geographic's landmark book illuminates World War II as never before by taking you inside the secret lives of spies and spy masters; secret agents and secret armies; Enigma machines and code breakers; psychological warfare and black propaganda; secret weapons and secret battle strategies. Seven heavily illustrated narrative chapters reveal the truth behind the lies and deception that shaped the 'secret war'; eight essays showcase hundreds of rare photos and artifacts (many never before seen); more than 50 specially created sidebars tell the stories of spies and secret operations. Renowned historian and top-selling author Stephen Hyslop reveals this little-known side of the war in captivating detail, weaving in extraordinary eyewitness accounts and information only recently declassified. Rare photographs, artifacts, and illuminating graphics enrich this absorbing reference book"--
This book provides an historical, critical analysis of the doctrine of 'civilising mission' in Portuguese colonialism in the crucial period from 1870 to 1930. Exploring international contexts and transnational connections, this 'civilising mission' is analysed and assessed by examining the employment and distribution of African manpower.
Simply to say that this is a collection of essays in honor of the late Wolfgang Yourgrau (1908-1979) is to explain, at least for-the obviously many-"insiders," the unusually wide-ranging title of the present volume. In a Foreword to the Proceedings of the First International Colloquium (focusing on logic, physical reality, and history), held at the University of Denver in May of 1966 under their leadership, Wolfgang Y ourgrau and Allen Breck wrote, in an oblique reference to C. P. Snow: "Indeed there are not two or three or four cultures: there is only one culture; our generation has lost its awareness of this . . . . Historians, logicians, physicists-all are banded in one common enterprise, namely in their des ire to weave an enlightened fabric of human knowledge. " Augment, if you will, the foregoing categories of scholars with biologists, philos ophers, cosmologists, and theologians-all of whom, in addition to historians, Wolf gang Yourgrau, by dint of his inextinguishable enthusiasm and charismatic qualities, assembled in Denver for the Second and Third International Colloquia (in 1967 and 1974, respectively)-and a few other besides, and one arrives at a statement of the credo wh ich Y ourgrau not only professed, but consistently exemplified throughout his adult life.