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In the 1990s, as China continues to embrace--and grapple with--the global market economy, Qiu Shui and his friends attend med school, an ambition that has more to do with getting out of the country than with actually becoming doctors. Following the exploits of a young student and his classmates, from drinking binges, sex, and playing video games all night to military training, homework, and college-age high jinks, Beijing, Beijing provides an inventive, hilarious, and incisive look into how a culture--and one man--struggle to reconcile their past with the changes brought by modern times. As the years pass and friends, family, and lovers move on, Qiu Shui confronts the loneliness and confusion that define his generation.
After graduating from the Beijing Film Academy in 1982, directors like Chen Kaige and Zhang Yimou transformed Chinese cinema with Farewell My Concubine, Yellow Earth, Raise the Red Lantern, and other international successes. Memoirs from the Beijing Film Academy tells the riveting story of this class of 1982, China’s famous "Fifth Generation" of filmmakers. It is the first insider’s account of this renowned cohort to appear in English. Covering these directors’ formative experiences during China’s tumultuous Cultural Revolution and later at the Beijing Film Academy, Ni Zhen—who was both their screenwriter and teacher—provides unique insights into the origins of the Fifth Generation’s creativity. Drawing on his personal knowledge and interviews conducted especially for this volume, Ni Zhen demonstrates the diversity of the Fifth Generation. He comments on the breadth of styles and themes explored by its members and introduces a range of male and female directors, cinematographers, and production designers famous in China but less well-known internationally. The book contains vivid descriptions of the production processes of two pioneering films—One and Eight and Yellow Earth.
A startling, eye-opening account of a fascinating and decisive moment in Chinese history, packed with evocative stories. Jasper Becker tells the story of why and how China's leaders set about to destroy and rebuild one of the world's greatest cities and how many of the residents tried to stop it and protect their great architectural legacy.
Ling Ling, an eight-year-old, takes you on a year long journey of her life showing Chinese culture, holidays, festivals, school. family life, and more.
"F R E E M E" A psalm of my culture. Restrained for 14 days in a country where I am a foreigner. In my native land I felt foreign, but I felt at home simultaneously. Never would I have thought the phrase "F R E E M E" would mean free me. Glad I'm not dead, lest the front of a shirt be my final resting place. Pride stained on my flesh, how I, a cub, have wandered into the Serengeti. A clock on the wall knows my future, freedom in its hands. A second is life, a minute, eternity. "F R E E M E." Peace is my cell, cold, dark, unchanging. Unfamiliar eyes accompany me daily. Twenty four, seven, fifteen, nine, three, one, one. My lucky numbers. Red and blue. Life and substance. Knowledge and power. A trial of the mind to test the resolve of the soul. "Never let a hard time humble us, the marathon continues." (Hussle, 2019).
Determined to broaden her cultural horizons and live a “fiery” life, twenty-one-year-old Rachel DeWoskin hops on a plane to Beijing to work for an American PR firm based in the busy capital. Before she knows it, she is not just exploring Chinese culture but also creating it as the sexy, aggressive, fearless Jiexi, the starring femme fatale in a wildly successful Chinese soap opera. Experiencing the cultural clashes in real life while performing a fictional version onscreen, DeWoskin forms a group of friends with whom she witnesses the vast changes sweeping through China as the country pursues the new maxim, “to get rich is glorious.” In only a few years, China’s capital is transformed. With “considerable cultural and linguistic resources” (The New Yorker), DeWoskin captures Beijing at this pivotal juncture in her “intelligent, funny memoir” (People), and “readers will feel lucky to have sharp-eyed, yet sisterly, DeWoskin sitting in the driver’s seat”(Elle).
"Four short stories set in a hutong, or residential alleyway, of Beijing, China. Yu'er, her grandfather, and their eccentric neighbors experience the magic of everyday life."--
When China opened its doors to the West in the late 1970s, Western businesses jumped at the chance to sell their products to the most populous nation in the world. Boardrooms everywhere buzzed with excitement?a Coke for every citizen, a television for every family, a personal computer for every office. At no other time have the institutions of Western capitalism tried to do business with a communist state to the extent that they did in China under Deng Xiaoping. Yet, over the decade leading up to the bloody events in and around Tiananmen Square, that experiment produced growing disappointment on both sides, and a vision of capturing the world's largest market faded.Picked as one of Fortune Magazine's "75 Smartest Books We Know," this updated version of Beijing Jeep, traces the history of the stormy romance between American business and Chinese communism through the experiences of American Motors and its operation in China, Beijing Jeep, a closely watched joint venture often visited by American politicians and Chinese leaders. Jim Mann explains how some of the world's savviest executives completely misjudged the business climate and recounts how the Chinese, who acquired valuable new technology at virtually no expense to themselves, ultimately outcapitalized the capitalists. And, in a new epilogue, Mann revisits and updates the events which constituted the main issues of the first edition.Elegantly written, brilliantly reported, Beijing Jeep is a cautionary tale about the West's age-old quest to do business in the Middle Kingdom.
The first comprehensive history of Republican Beijing, with a focus on social and cultural life in the city. This book examines how Republican Beijing, through the very processes of modernization and the material and cultural practices of reccycling, acquired its identity as a consummately "traditional" Chinese city.
This book details the great unreported story of the Chinese giant, its enormously rapid conversion to Christianity, and what this change means to the global balance of power.