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Frederick Corbin Lukis, antiquarian and polymath, lived in Guernsey in the Channel Islands from 1788-1871. This book is the result of many years research on his archive held at Guernsey Museum and draws heavily on the material therein, highlighting it to both the general reader and the academic world. It includes an initial look at the history of antiquarianism and the development of archaeology as a discipline with particular reference to the nineteenth century. The development of archaeological study in Guernsey and the development of the museum service are documented, alongside a biography of Lukis’s life in the context in which he grew up. The book includes several illustrations from the museum collections and although the content is based on research it is suitable for readers with an interest in the history of archaeology, museum collections and antiquarianism. This is widely recognized as a growing area of interest in heritage studies.
This volume forms a collection of papers tracking the emergence of the history of archaeology from a subject of marginal status in the 1980s to the mainstream subject which it is today. Professor Timothy Murray's essays have been widely cited and track over 20 years in the development of the subject. ?The papers are accompanied by a new introduction which surveys the development of the subject over the last 25 years as well as a reflection of what this means for the philosophy of archaeology and theoretical archaeology.?This volume spans Tim's successful career as an academic at the forefront of the study of the history of archaeology, both in Australia and internationally. During his career he has held posts in Britain and Europe as well as Australia. He has edited The Bulletin of the History of Archaeology since 2003.
“Brings together fourteen of Tim Murray’s papers on the history, philosophy, and sociology of archaeology published over two decades.” —Bulletin of the History of Archaeology This volume forms a collection of papers tracking the emergence of the history of archaeology from a subject of marginal status in the 1980s to the mainstream subject which it is today. Professor Timothy Murray’s essays have been widely cited and track over twenty years in the development of the subject. The papers are accompanied by a new introduction which surveys the development of the subject over the last twenty-five years as well as a reflection of what this means for the philosophy of archaeology and theoretical archaeology. This volume spans Tim’s successful career as an academic at the forefront of the study of the history of archaeology, both in Australia and internationally. During his career he has held posts in Britain and Europe as well as Australia. He has edited the Bulletin of the History of Archaeology since 2003.
This book highlights the growing divide in nineteenth-century intellectual circles between amateur and professional interest, and explores the institutional means whereby professional ascendancy was achieved in the broad field of studies of the past. It is concerned with how antiquarian 'gentlemen of leisure', pursuing their interests through local archaeological societies, were, by the end of the century, relegated to the sidelines of the now university-based discipline of history. At the same time it explores the theological as well as technical barriers which arrested the development of archaeology in this period. This is a notable contribution to the intellectual history of Victorian England, attending not simply to the ideas perpetrated by these communities of scholarship but to their social status, relating such social consideration to a more traditional intellectual history to create a new social history of ideas.
Travels of an antiquarian including Crete and Egypt, and an account of the second excavation of the Artemisium at Ephesus.
A biography of Bryan Faussett, F.S.A., (1720-1776), pioneering Kent genealogist, archaeologist and antiquary who, at his death, had amassed the world’s greatest collection of Anglo-Saxon jewellery and antiquities.
Archaeology is a way of acting and thinking—about what is left of the past, about the temporality of what remains, about material and temporal processes to which people and their goods are subject, about the processes of order and entropy, of making, consuming and discarding at the heart of human experience. These elements, and the practices that archaeologists follow to uncover them, is the essence of the archaeological imagination. In this extended essay, renowned archaeological theorist Michael Shanks offers his colleagues and students a window on this imaginative world of past and present and the creative role archaeology can play in uncovering it, analyzing it, and interpreting it.