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To this day, Japan's modern ascendancy challenges many assumptions about world history, particularly theories regarding the rise of the west and why the modern world looks the way it does. In this engaging new history, Brett L. Walker tackles key themes regarding Japan's relationships with its minorities, state and economic development, and the uses of science and medicine. The book begins by tracing the country's early history through archaeological remains, before proceeding to explore life in the imperial court, the rise of the samurai, civil conflict, encounters with Europe, and the advent of modernity and empire. Integrating the pageantry of a unique nation's history with today's environmental concerns, Walker's vibrant and accessible new narrative then follows Japan's ascension from the ashes of World War II into the thriving nation of today. It is a history for our times, posing important questions regarding how we should situate a nation's history in an age of environmental and climatological uncertainties.
This set provides a comprehensive introduction and contains the most important critical literature on the history and historiography of nineteenth-and early twentieth-century Japan.
This book examines Meiji Japan (1868-1912) to demonstrate the complex interplay between Japanese nation-building and the country's engagement with global processes. "Meiji Japan" refers to an era (1868-1912) that--as experienced from within--had an undetermined duration and extent. The length of the emperor's reign was not preordained, and the country's territorial borders were not as well-defined or wide-reaching at the start of the period as at the close. Questions about who was represented by and who identified with the emerging nation-state remained in flux as Japan's modern political, economic, legal, and sociocultural parameters were being created. Basing their inquiries on the idea of Meiji Japan in global history, the authors examine Japan's rise on the modern world stage, focusing on the individuals--whether government leaders, intellectual elites, indigenous communities, or colonial migrants--who both shaped and were shaped by this era of global connectivity. Localized challenges and supranational opportunities meant people were in motion, as territorial expansion redefined marginalized groups, and as diverse populations moved to and from colonized and foreign lands. This volume seeks to excavate how people back then positioned themselves in a specific time and place, just as people in the twenty-first century seek to give Meiji Japan meaning at the sesquicentennial commemoration of its start. The chapters in this book were originally published in the journal Japan Forum.
During the brief Meiji period, Japan underwent am astonishing metamorphosis from feudal state to modern industrial and military power. The national policy of isolationism, sakoku, initiated in 1639, was abruptly challenged in 1853 when Commodore Matthew C. Perry sailed into Tokyo Bay with four awe-inspiring iron vessels, locally known as "black ships." Forced into trade treaties, the Japanese state rushed to modernize under the enlightened leadership of Emperor Meiji.The popular woodblock prints of the Meiji period were snapshots of a modern society in the making. Those reproduced in Japan Awakens, all from the collection of the Art Gallery of Greater Victoria, show everything from political events and wars to intimate domestic scenes. Three thematic essays by Barry Till trace the links between the revival of imperial rule and forces both national and international, connecting formal and aesthetic changes in fine-art prints to these events.
Most Japanese literary historians have suggested that the Meiji Period (1868-1912) was devoid of women writers but for the brilliant exception of Higuchi Ichiyo (1872-1896). Rebecca Copeland challenges this claim by examining in detail the lives and literary careers of three of Ichiyo's peers, each representative of the diversity and ingenuity of the period: Miyake Kaho (1868-1944), Wakamatsu Shizuko (1864-1896), and Shimizu Shikin (1868-1933). In a carefully researched introduction, Copeland establishes the context for the development of female literary expression. She follows this with chapters on each of the women under consideration. Miyake Kaho, often regarded as the first woman writer of modern Japan, offers readers a vision of the female vitality that is often overlooked when discussing the Meiji era. Wakamatsu Shizuko, the most prominent female translator of her time, had a direct impact on the development of a modern written language for Japanese prose fiction. Shimizu Shikin reminds readers of the struggle women endured in their efforts to balance their creative interests with their social roles. Interspersed throughout are excerpts from works under discussion, most never before translated, offering an invaluable window into this forgotten world of women's writing.
This is the first complete survey of Japanese export porcelain from the Meiji era to be published in English - a benchmark standard work for specialists and an insider tip for lovers of porcelain and anyone interested in Art Nouveau and Japan.
"Language, Nation, Race is an exceptional book. It not only provides a cogent interpretation of Meiji-era linguistic and literary reform movements, but it also productively challenges the current scholarly consensus regarding the meaning of these movements. On top of that, Ueda makes an entirely original and convincing argument about the relevance of 'whiteness' to the understanding of linguistic, aesthetic, and cultural values within these movements."––James Reichert, Associate Professor of East Asian Languages and Cultures, Stanford University "A remarkable accomplishment, bound to have a lasting impact in the field of Japan Studies and beyond. Ueda’s compelling reading of Meiji period literary and linguistic debates opens new avenues for a philosophical questioning of phoneticism and its significance to the formation of the geopolitical categories of 'West' and 'non-West.'"––Pedro Erber, author of Breaching the Frame: The Rise of Contemporary Art in Brazil and Japan
(Paperback). CAMBRIDGE UNIVERSITY 800th ANNIVERSARY EDITION. This well-researched history, first written by Noboru Koyama and published in 1999 in Tokyo, has been translated by Ian Ruxton. This fascinating case study is centred on the first Japanese graduate of Cambridge University, mathematician and academic Kikuchi Dairoku (1855-1917). Others who went on to distinguished careers include the scholar and statesman Suematsu Kencho (1855-1920) and the scholar-diplomat Inagaki Manjiro (1861-1908). This story, told for the first time in English, should interest all students of the Meiji era. The book includes nine black & white images, an introduction, a preface, seven appendices, an expanded bibliography and an improved index. Hardcover and download are also available on lulu.com. (KINDLE EDITION NOW ON AMAZON.COM)"...[T]his is of interest to historians and Cambridge graduates alike." (Kansai Time Out, June 2006, p. 24)
In this book social scientists scrutinize the middle decades of the nineteenth century in Japan. That scrutiny is important and overdue, for the period from the 1850s to the 1880s has usually been treated in terms of politics and foreign relations. Yet those decades were also of pivotal importance in Japan's institutional modernization. As the Japanese entered the world order, they experienced a massive introduction of Western-style organizations. Sweeping reforms, without the class violence or the Utopian appeal of revolution, created the foundation for a modern society. The Meiji Restoration introduced a political transformation, but these chapters address the more gradual social transition. Originally published in 1986. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
After centuries of repression of the female voice in literature, the Meiji (1868-1912) and Taisho (1912-1926) periods in Japanese history saw important changes in both the way women wrote and the way they were read. However, even the most accepted female writers of these two eras were judged by criteria different from those applied to men, and only the most conservative were praised by the (male) critics. This study of the women who wrote in the modern era examines both famous and now-obscure writers within the context of their moments in time and their influence on later generations of Japanese women writers. Arranged chronologically, the book covers the pioneering women of the early Meiji period, the ethos of reactionary conservatism, the romantic movement in poetry, women writers of the naturalist school, Taisho liberalism, and the new era of literary women. An introduction outlines the various schools of Japanese female writers during the late nineteenth and early twentieth centuries, as well as the social and cultural trends that helped produce them. The text is appropriate for both well-read scholars of Japanese literature and newcomers to the works of the "fair ladies of the back chamber," as these creative and driven writers were once called.