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This resonant and award-winning picture book tells the story of one girl who constantly gets asked a simple question that doesn’t have a simple answer. A great conversation starter in the home or classroom—a book to share, in the spirit of I Am Enough by Grace Byers and Keturah A. Bobo. When a girl is asked where she’s from—where she’s really from—none of her answers seems to be the right one. Unsure about how to reply, she turns to her loving abuelo for help. He doesn’t give her the response she expects. She gets an even better one. Where am I from? You’re from hurricanes and dark storms, and a tiny singing frog that calls the island people home when the sun goes to sleep.... With themes of self-acceptance, identity, and home, this powerful, lyrical picture book will resonate with readers young and old, from all backgrounds and of all colors—especially anyone who ever felt that they don’t belong. 2019 Nerdies Fiction Picture Book Award Winner | Silver Medalist for Bank Street College of Education’s Best Spanish Language Picture Books of the Year | Named one of Kirkus Reviews Best Books of 2019 |A Mighty Girl’s 2019 Book of the Year | Named one of New York Public Library's Best Books for Kids 2019 "Lyrical language and luminous illustrations. An ideal vehicle for readers to ponder and discuss their own identities." —Kirkus (starred review) "An enchanted, hand-in-hand odyssey [and] opportunity to acknowledge and celebrate the many, many backgrounds, roots, histories, of those who live in these United States." —Shelf Awareness (starred review) "A much-needed title that is a first purchase for libraries and classrooms." —School Library Journal "This touching book addresses a ubiquitous question for children of color, and in the end, the closeness between the girl and Abuelo shows that no matter the questions, she knows exactly where she’s from." —Booklist "Although the book begins as a gentle riposte to narrow cultural and ethnic categorizations, its conclusion reaches out to all readers, evoking both heritage and the human family." —Publishers Weekly A Spanish-language edition, ¿De dónde eres?, is also available.
How to transform a thesis into a publishable work that can engage audiences beyond the academic committee. When a dissertation crosses my desk, I usually want to grab it by its metaphorical lapels and give it a good shake. “You know something!” I would say if it could hear me. “Now tell it to us in language we can understand!” Since its publication in 2005, From Dissertation to Book has helped thousands of young academic authors get their books beyond the thesis committee and into the hands of interested publishers and general readers. Now revised and updated to reflect the evolution of scholarly publishing, this edition includes a new chapter arguing that the future of academic writing is in the hands of young scholars who must create work that meets the broader expectations of readers rather than the narrow requirements of academic committees. At the heart of From Dissertation to Book is the idea that revising the dissertation is fundamentally a process of shifting its focus from the concerns of a narrow audience—a committee or advisors—to those of a broader scholarly audience that wants writing to be both informative and engaging. William Germano offers clear guidance on how to do this, with advice on such topics as rethinking the table of contents, taming runaway footnotes, shaping chapter length, and confronting the limitations of jargon, alongside helpful timetables for light or heavy revision. Germano draws on his years of experience in both academia and publishing to show writers how to turn a dissertation into a book that an audience will actually enjoy, whether reading on a page or a screen. He also acknowledges that not all dissertations can or even should become books and explores other, often overlooked, options, such as turning them into journal articles or chapters in an edited work. With clear directions, engaging examples, and an eye for the idiosyncrasies of academic writing, he reveals to recent PhDs the secrets of careful and thoughtful revision—a skill that will be truly invaluable as they add “author” to their curriculum vitae.
According to the great mathematician Paul Erdös, God maintains perfect mathematical proofs in The Book. This book presents the authors candidates for such "perfect proofs," those which contain brilliant ideas, clever connections, and wonderful observations, bringing new insight and surprising perspectives to problems from number theory, geometry, analysis, combinatorics, and graph theory. As a result, this book will be fun reading for anyone with an interest in mathematics.
**NOW A MAJOR MOTION PICTURE STARRING JODIE COMER, EXECUTIVE PRODUCED BY BENEDICT CUMBERBATCH, AND WRITTEN BY ALICE BIRCH (NORMAL PEOPLE)** “The End We Start From by Megan Hunter is a short, concentrated book—a shot of distilled story, like the pulp of a tale boiled to a thick spiced paste. . . . With passages from mythology interspersed with its imagined future, the book is engrossing, compelling and finally hopeful.” —Naomi Alderman, author of The Power “The End We Start From is a beautifully spare, haunting meditation on the persistence of life after catastrophe. I loved it.” —Emily St. John Mandel, author of Station Eleven Longlisted for the 2018 Aspen Words Literary Prize Finalist for the Barnes & Noble 2017 Discover Great New Writers Award An indelible and elemental debut—a lyrical vision of the strangeness and beauty of new motherhood, and a tale of endurance in the face of unimaginable change. In the midst of a mysterious environmental crisis, as London is submerged below flood waters, a woman gives birth to her first child, Z. Days later, the family is forced to leave their home in search of safety. As they move from place to place, shelter to shelter, their journey traces both fear and wonder as Z's small fists grasp at the things he sees, as he grows and stretches, thriving and content against all the odds. This is a story of new motherhood in a terrifying setting: a familiar world made dangerous and unstable, its people forced to become refugees. Startlingly beautiful, Megan Hunter's The End We Start From is a gripping novel that paints an imagined future as realistic as it is frightening. And yet, though the country is falling apart around them, this family's world—of new life and new hope—sings with love.
A stunning and timely novel about a Mexican-American family in Brownsville, Texas, that reluctantly becomes involved in smuggling immigrants into the United States. From a distance, the towns along the U.S.-Mexican border have dangerous reputations--on one side, drug cartels; on the other, zealous border patrol agents--and Brownsville is no different. But to twelve-year-old Orly, it's simply where his godmother Nina lives--and where he is being forced to stay the summer after his mother's sudden death. For Nina, Brownsville is where she grew up, where she lost her first and only love, and where she stayed as her relatives moved away and her neighborhood deteriorated. It's the place where she has buried all her secrets--and now she has another: she's providing refuge for a young immigrant boy named Daniel, for whom traveling to America has meant trading one set of dangers for another. Separated from the violent human traffickers who brought him across the border and pursued by the authorities, Daniel must stay completely hidden. But Orly's arrival threatens to put them all at risk of exposure. Tackling the crisis of U.S. immigration policy from a deeply human angle, Where We Come From explores through an intimate lens the ways that family history shapes us, how secrets can burden us, and how finding compassion and understanding for others can ultimately set us free.
In the U.S., the homeless have traveled from the freight train to the shelter. Skid row was an extended stop along the way. Giamo reveals his encounter with the city and old Bowery of the 1970s. He simply followed the drift of homelessness. When it led him to the Bowery, the historic skid row, he dropped down to what had been, and still was at that time, the netherworld of New York City. Striving to attain authenticity, the author and his collaborator immersed themselves in the usual activities of the area and befriended the residents. As a result, they were enlightened about the lifestyle and meaning of skid row homelessness. Notes from the Bowery combines the personal essay, literary nonfiction, and cultural history to represent the significance of American life in the city and on the skids. Engaging, insightful, and deeply felt, Notes from the Bowery will give readers an enriching experience as they accompany the author on a journey of descent and discovery. For more information on this book, log on to www.Xlibris.com.
In this, John Manuel's first full-length novel after having written four very successful travel memoirs about Greece, he again takes the reader into the tiny whitewashed streets of the village of Lindos on the island of Rhodes. Dean and Alyson are two young people who come together in a bar one evening in their home city of Bath, UK. Alyson's mother once worked with Brian, a musician who never quite "made it," but ends up playing guitar and singing in a Lindian Bar. Quite how Brian and Christine (Alyson's mother) come to have a devastating effect on their daughter's relationship with the man of her dreams will have you gripped, both with emotion and with intrigue. A real page-turner, the perfect holiday read, "The View From Kleoboulos" is Thomas Hardy for the 21st century. Sometimes the past comes back to haunt you, but occasionally it comes back to bite.
Sixteenth-century Brussels and Antwerp in combination formed the northern linchpin of an international communication network that covered Western and Central Europe. In the seventeenth century both cities saw the rise of newspapers that compare revealingly with those produced in Germany, the Dutch Republic, England and France. In From Ghent to Aix, Paul Arblaster examines the services that carried the news, the types of news publicized, and the relationship of these newspapers to Baroque Europe’s other methods of public communication, from drums and trumpets, ceremonies and sermons, to almanacs, pamphlets, pasquinades and newsletters. The merchant’s need for information and the government’s desire to influence opinion together opened up a space in which a new social force would take root: the media.
CHRISTOPHER RORY PAGE Two bodies, two souls and an inspiring four way conversation between contrasting mortals as they journey through the African bush and discover the way from Fear to faith. The author awakens one morning riddled with fear from a deafening noise outside his bungalow window. This is the beginning of an exploration into the self as he meets a primitive man who proves that there is more to someone than meets the eye. A non-verbal form of communication develops between as the two men dissect the concept of fear based on age-old theories and beliefs. The reader is introduced to the Ukuesaba Isitebhisa which translated from Zulu means Fear Ladder. This shows the progression of fear from the most superficial to the most concrete. The common denominator to minimise the fear on all levels is to instil faith in various forms. From Fear to faith is an inspiring story and teaches as much as it entertains. Light hearted moments dispersed with simple truths make it must read for anyone who aims to minimise the fears in their lives which prevent them from being who they were born to be.
Recovering from Genocidal Trauma is a comprehensive guide to understanding Holocaust survivors and responding to their needs. In it, Myra Giberovitch documents her twenty-five years of working with Holocaust survivors as a professional social worker, researcher, educator, community leader, and daughter of Auschwitz survivors.