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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
In olden times there ruled in Norway a King of great renown called Bele, whose wife died early, leaving him two sons and a daughter. When the latter had reached her sixth year, the King said to Thorsten, his brother-in-arms and lifelong friend, “My rosebud, Ingeborg, is the joy of my heart, but none the less I must send her away and entrust her to the guardianship of Hilding the Wise, so that, far from the turmoil and distractions of a court, the light of true knowledge shall be hers. But lest she should miss the companionship of her beloved playfellow, I pray thee permit thy son Frithiof to accompany her, that they may be reared together.” “Gladly will I do so,” replied Thorsten; “not alone to honor thy request, but because I know thou hast my son’s welfare also at heart in sending him as the companion of thine own child to be taught by the wise Hilding. My King’s will shall be done.” Hilding’s abode lay on the sea-coast, surrounded by gardens and wooded hills, and there Ingeborg and Frithiof spent the years of their childhood, faithfully taught and cared for by the good old man. Two rare blossoms of the Northland were these children, both richly endowed with gifts of mind and body: Ingeborg was like the swelling rosebud within whose heart the promise of the spring lies dreaming, while Frithiof grew up tall and strong as a young oak tree crowned with its crest of rustling leaves. So blessed by the gods were they with health and beauty that never had their like been seen in all the North. Now listening to the wondrous tales of their wise master, with clear eyes uplifted to his; now racing over the sunny meadows or dancing lightly under the dark boughs of the fir trees in the silvery moonlight, they were like the Light Fairies, whose appearance betokens blessing and fills the heart with anticipations of joy. Frithiof was but little older than Ingeborg, and when he first learned from Hilding to read the Runic signs, it was his delight to teach them in turn to his beloved playmate. Ofttimes they would sail out upon the wind-tossed sea, and when the shifting of the sail sent foam and spray dashing into the boat, Ingeborg would clap her small hands in glee. No tree was too high for the bold lad when he wished to capture a nest of young birds for the King’s child; even the osprey’s eyrie, high among the rocky crags, was not safe from his daring quest. ’Twas he that found for her the first pale blossoms of the springtime, the first ripe strawberry, the summer’s first golden ear of corn. Joyously they wandered together in the forest, Frithiof armed to protect his playmate in case of need; for he early strove to train himself in all a hero’s duties. Thus, like a beautiful dream, the happy days of childhood glided by. Ingeborg blossomed into maidenhood, and Frithiof became a stalwart youth. The King’s daughter spent more time in her own chamber now, learning the tasks of women, chief of which was the weaving of garments, while Frithiof was often abroad with the men in quest of game or booty. Inheriting not only his father’s strength and daring, but also his discretion and cheerfulness, he was beloved by all and soon aroused the wonder of his companions in the chase by the boldness with which he would attack the fiercest beasts, felling them with a blow from his spiky club, or piercing them through with the sharp-pronged spear. As in earlier days he had been wont to bring his playmate gifts of flowers or fruit as greetings of the season, so now he laid at her feet the trophies of his prowess—shaggy bears or grisly wild boars, often revealing upon his body bloody traces of the struggle. Admiringly Ingeborg’s gaze would rest at such times on the young hero, while her heart beat fast in terror for his life.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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Reproduction of the original: Character Sketches of Romance, Fiction and the Drama by E. Cobham Brewer