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The question of whether true friendship could exist in an era of patronage occupied Renaissance Florentines as it had the ancient Greeks and Romans whose culture they admired and emulated. Rather than attempting to measure Renaissance friendship against a universal ideal defined by essentially modern notions of disinterestedness, intimacy, and sincerity, in this book Dale Kent explores the meaning of love and friendship as they were represented in the fifteenth century, particularly the relationship between heavenly and human friendship. She documents the elements of shared experience in friendships between Florentines of various occupations and ranks, observing how these were shaped and played out in the physical spaces of the city: the streets, street corners, outdoor benches and loggias, family palaces, churches, confraternal meeting places, workshops of artisans and artists, taverns, dinner tables, and the baptismal font. Finally, Kent examines the betrayal of trust, focusing on friends at moments of crisis or trial in which friendships were tested, and failed or endured. The exile of Cosimo de’ Medici in 1433 and his recall in 1434, the attempt in 1466 of the Medici family’s closest friends to take over their patronage network, and the Pazzi conspiracy to assassinate Lorenzo and Giuliano de’ Medici in 1478 expose the complexity and ambivalence of Florentine friendship, a combination of patronage with mutual intellectual passion and love—erotic, platonic, and Christian—sublimely expressed in the poetry and art of Michelangelo.
Kent explores the meaning of love and friendship as they were represented in the fifteenth century, particularly the relationship between heavenly and human friendship.
Schmitt demonstrates that the commedia dell'arte relied as much on craftsmanship as on improvisation and that Scala's scenarios are a treasure trove of social commentary on early modern daily life in Italy.
Ten essays by eminent scholars in Renaissance studies to celebrate the work of Robert Black. These essays analyze education, humanism, political thought, printing, and the visual arts during this key period in their development.
This book sheds light on the originality and historical significance of women’s philosophical, moral, political and scientific ideas in Italy and early modern Europe. Divided into three sections, it starts by discussing the women philosophers’ engagement with the classical inheritance with regard to the works of Moderata Fonte, Tullia d'Aragona and Anne Conway. The next section examines the relationship between women philosophers and the new philosophy of nature, focusing on the connections between female thought and the new seventeenth- and eighteenth-century science, and discussing the work of Camilla Erculiani, Margherita Sarocchi, Margaret Cavendish, Mariangela Ardinghelli, Teresa Ciceri, Candida Lena Perpenti, and Alessandro Volta. The final section presents male philosophers’ perspectives on the role of women, discussing the place of women in the work of Giordano Bruno, Poulain de la Barre and the theories of Hobbes and Rawls. By exploring these women philosophers, writers and translators, the book offers a re-examination of the early modern thinking of and about women in Italy.
This book examines the creative exchanges between architects, artists and intellectuals, from the Early Renaissance to the beginning of the Enlightenment, in the forging of relationships between architecture and emerging concepts of language in early modern Italy. The study extends across the spectrum of linguistic disputes during this time – among members of the clergy, humanists, philosophers and polymaths – on issues of grammar, rhetoric, philology, etymology and epigraphy, and how these disputes paralleled and informed important developments in architectural thinking and practice. Drawing upon a wealth of primary source material, such as humanist tracts, philosophical works, architectural/antiquarian treatises, epigraphic/philological studies, religious sermons and grammaticae, the book traces key periods when the emerging field of linguistics in early modern Italy impacted on the theory, design and symbolism of buildings.
The civic and the domestic in Aristotelian thought -- Friendship, concord, and Machiavellian subversion -- Jean Bodin and the politics of the family -- Inclusions and exclusions -- Sovereign men and subjugated women. The invention of a tradition -- Conclusion : from wives to children, from husbands to fathers.
The Humanist World of Renaissance Florence offers the first synthetic interpretation of the humanist movement in Renaissance Florence in more than fifty years.
DIVDIVDIVAn entertaining and provocative investigation of friendship in all its variety, from ancient times to the present day/div/div/div