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Includes the 1st-12th annual reports of the Massachusetts Peace Society.
Includes songs with music.
"When did the age of distraction begin? It might seem like a new problem, a symptom of our digital addictions, but distraction was already a source of deep concern in American culture two hundred years ago. As the industrial market economy emerged, nineteenth-century observers saw the signs: Workers were wasting time, daydreaming on the job, and the public's attention was overstimulated by new media and consumer trends. In response, social reformers designed innovative systems of moral training for the masses. Religious leaders organized far-reaching Christian revivals. And spiritual seekers like Henry David Thoreau experimented on themselves, practicing regimens of simplified living and transcendental mysticism. From the solitary confinement cells of the earliest penitentiaries to the shores of Walden Pond, disciplines of attention became the spiritual exercises of a distracted age. Through twenty-eight short passages on reform, religion, and literature from the strange and beautiful archives of this nineteenth-century attention revival, Caleb Smith reads with an eye for both language and power. Disciplines of attention, he argues, often reinforce a morally conservative social order. At the same time, exercising more careful control over our own attention promises to give us some distance from the consumer marketplace-and, today, from the algorithmic manipulations of the online attention economy. Smith writes with vigilance about the history of coercion, but also with guarded hope about practices of attention, including reading itself. From the benefits of attentive reading to the darker side of enforced attention in prisons and reformatories, this book examines distraction as a moral, political, and economic problem with a long and illuminating history"--
Public Lives, Private Virtues surveys portraits of American Revolutionary heroes in books, magazines, and school texts from 1782 to 1832 and relates these sketches to cultural changes of the period. Faced with rapid and sometimes unsettling change, historians, biographers, and editors of period offered their readers narrative and visual portraits of heroes, hoping to promote classical civic virtues during a time when business-minded Americans increasingly pursued individual gain. The fifty years following the Revolution saw biography shift from historical narration to description of private experience. The most interesting of the biographers, Mason Locke Weems, created an original life of Washington, adapting his style to the needs of book buyers, who were put off by the cost of conventional histories and attracted to the books' entertaining stories. During this period magazine editors in the mid-Atlantic and New England states occasionally wrote sketches of heroes to provide readers examples of virtue, but their major contribution was to publish original graphic portraits. Some magazine illustrators copied portraits by American painters; others fashioned elaborate allegorical pieces. Brief narratives of Revolutionary heroes met the needs of the growing number of New England schoolbook authors especially well. By reading descriptions of the war's heroes and their adventures, authors believed children would learn virtue as well as rhetorical skills. In all their forms during this period, narratives and portraits of Revolutionary heroes extolled classical virtues even though the rise of commerce and Americans' pursuit of individual wealth made these virtues anachronistic.