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Investigates how women patrons of architecture were essential catalysts for innovation in domestic architectural design. This book explores the challenges that unconventional attitudes and ways of life presented to architectural thinking, and to the architects themselves.
Simon Lester Henry Strauss is not in the least afraid of any haunted house, but there is something else that terrifies him.
One of the great architects of our time, Frank Gehry has revolutionized the use of materials in design and redefined how architects use computers as a design tool to advance form-making as we know it. He has achieved worldwide fame for such large-scale public projects as the Guggenheim Museum in Bilbao, Spain, and the Walt Disney Concert Hall in Los Angeles, California, but it was in private houses that Gehry first explored and interrogated the principles of modern architecture. In these houses—most notably his own, in Santa Monica, California—Gehry distorted, expanded, and collapsed the modernist box, exploring everyday materials (corrugated metal, unfinished plywood, and chain link), experimenting with color, and challenging accepted notions about geometry and structure. In houses such as the Schnabel House in Brentwood, California, and the Winton Guest House in Wayzata, Minnesota, he experimented with collage and assemblage. More recently, Gehry’s work has taken on sculptural forms, aided by new structural and geometric potentials of digital design, as in the near-legendary Lewis House in Lyndhurst, Ohio. Color photographs, sketches, and plans create an illuminating visual record of some of the most groundbreaking, seminal projects of Gehry’s oeuvre.
For ten years, the White House, assisted by allies in London and Rome, brushed aside the law in a relentless quest to support Saddam Hussein. What were the forces that shaped this persisting embrace of a dictator whom George Bush would eventually compare to Adolf Hitler? How did Washington and its NATO allies nurture a frequently illicit rapport with Saddam, and what was the real story of why it became necessary to mount Operation Desert Storm? How did the governments led by George Bush and Margaret Thatcher seek to cover up their past dealings with the Iraqi leader after Desert Storm finally drove him from Kuwait in 1991?
Irresistible interiors that capture the essence of seaside living. Everyone dreams of a house by the sea, and this book presents the best examples of homes for escaping to the serenity of the seaside. Beautifully photographed interiors, exteriors, gardens, and patios offer a peek into these appealing homes, including Martha Stewart’s Seal Harbor, Maine, residence, Donna Karan’s Zen-like East Hampton retreat, Tommy Hilfiger’s Pop art–inspired Miami house, and Giorgio Armani’s Antigua getaway. Such top designers as Martyn Lawrence Bullard, Steven Gambrel, and Ken Fulk have decorated these lovely and inspiring homes—in quintessential seaside communities, including Block Island, Harbor Island, Malibu, and Martha’s Vineyard. A seaside house is a place to unwind in a relaxed setting—white floorboards, whimsical nautical touches, pastel tones, and vivid colors. Indoor-outdoor living is the norm. Yet it is also a place to entertain friends and family in style and can express a range of chic decorating and design tastes. From clean, modern beach houses to traditional-style cottages, these breathtaking interiors—presented by a team known for style and taste—will inspire homeowners, designers, and anyone who loves a water view.
With economic restructuring, demographic shifts, and lifestyle changes, the traditional family - working father, stay-at-home mother, two to three children - is no longer the norm and the need for smaller homes at moderate cost has skyrocketed. The first prototype of the Grow Home was built on the campus of McGill University in 1990 and more than one thousand units were built across North America and Europe in the first year alone. In this illustrated guide, Friedman describes the background, conception, and construction of these modest (14" x 36") homes. He details their construction for prospective owners, builders, and architects, showing how past and contemporary precedents have been transformed and how the first versions were adapted by the building industry. Visits to completed Grow Homes shed light on why such homes were purchased and the process by which they "grew." Friedman also shows how the design has been adapted for prefabrication to meet the needs of the developing world. He describes the contribution that small-unit design makes to saving valuable natural resources and shares his experiences in planning communities based on the Grow Home. The Grow Home reveals the development and history of a concept that revolutionizes the home and building industry, has been translated into over 10,000 housing units, and has received, among many accolades, the United Nations World Habitat Award.
"An engaging book about life at the Executive Mansion. . . . Hillary Clinton had charged this fiercely competitive, meticulously organized chef with bringing 'what's best about American food, wine, and entertaining to the White House.' His sophisticated contemporary food was generally considered some of the best ever served there." --Marian Burros, New York Times White House Chef Join Walter Scheib as he serves up a taste--in stories and recipes--of his eleven years as White House chef under Presidents Bill Clinton and George W. Bush. Scheib takes readers along on his whirlwind adventure, from his challenging audition process right up until his controversial departure. He describes his approach to meals ranging from the intimate (rooftop parties and surprise birthday celebrations for the Clintons; Tex-Mex brunches for the Bushes) to his creative approach to bringing contemporary American cuisine to the "people's house" (including innovative ways to serve state dinners for up to seven hundred people and picnics and holiday menus for several thousand guests). Scheib goes beyond the kitchen and his job as chef. He shares what it is like to be part of President Clinton's motorcade (the "security bubble") and inside the White House during 9/11, revealing how he first evacuates his staff and then comes back to fix meals for hundreds of hungry security and rescue personnel. Staying cool under pressure also helps Scheib in other aspects of his job, such as withstanding the often-changing "temperature" of the White House and satisfying the culinary sensibilities of two very different first families.
The capital of the U.S. Empire after World War II was not a city. It was an American suburb. In this innovative and timely history, Andrew Friedman chronicles how the CIA and other national security institutions created a U.S. imperial home front in the suburbs of Northern Virginia. In this covert capital, the suburban landscape provided a cover for the workings of U.S. imperial power, which shaped domestic suburban life. The Pentagon and the CIA built two of the largest office buildings in the country there during and after the war that anchored a new imperial culture and social world. As the U.S. expanded its power abroad by developing roads, embassies, and villages, its subjects also arrived in the covert capital as real estate agents, homeowners, builders, and landscapers who constructed spaces and living monuments that both nurtured and critiqued postwar U.S. foreign policy. Tracing the relationships among American agents and the migrants from Vietnam, El Salvador, Iran, and elsewhere who settled in the southwestern suburbs of D.C., Friedman tells the story of a place that recasts ideas about U.S. immigration, citizenship, nationalism, global interconnection, and ethical responsibility from the post-WW2 period to the present. Opening a new window onto the intertwined history of the American suburbs and U.S. foreign policy, Covert Capital will also give readers a broad interdisciplinary and often surprising understanding of how U.S. domestic and global histories intersect in many contexts and at many scales. American Crossroads, 37
Usonia, New York is the story of a group of idealistic men and women who, following WWII, enlisted Frank Lloyd Wright to design and help them build a cooperative utopian community near Pleasantville, NY. Through both historic memorabilia and contemporary color photos, this book reveals the still-thriving community based on concepts Wright advocated in his Broadacre City proposals. Over the years, thousands of architects, scholars, planners, and students have visited the community, but no book has yet appeared on this remarkable site. Reisley, one of the original members of Usonia (and still a resident), has written the first full account to illuminate the events, problems, and passions of a democratic group of people developing a designed environment an hour from New York City and the ups and downs of working with America's most famous -and most famously volatile-architect.