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From jitterbugging and Big Brother to the introduction of television and the rise of file-sharing, this study explores the ways in which popular culture has developed and changed in Australia from the end of World War II to today. In order to understand the massive social and cultural changes that have taken place Down Under, popular culture is examined through three main lenses: consumerism and the development of a mass consumer society, the impact of technological change, and the ways in which popular culture contributes to and articulates individual and collective identities. Providing the first integrated account of Australian post-war culture, this reference analyzes film, television, sports, music, and leisure in relation to each other rather than as stand-alone cultural forms.
Pop star, mentor and icon, George Young was one of the most important figures in Australian pop music history. Jeff Apter reveals the little-known facts that helped create a music empire. George Young wasn't so much on the charts for the best part of three decades: he and his musical partner Harry Vanda were the charts. George's journey began with the trailblazing Easybeats and continued, alongside Harry, as producer/songwriter for hire with John Paul Young, The Angels, Rose Tattoo, Cheetah, Ted Mulry, Stevie Wright and, most crucially, AC/DC. George and Harry also struck gold with Flash and the Pan, almost by accident. George Young helped create such classics as 'Friday on My Mind', 'Sorry', 'Love is in the Air', 'Evie', 'Yesterday's Hero', 'Down Among the Dead Men', 'Hey, St. Peter', 'Bad Boy for Love', 'Jailbreak' and 'It's a Long Way to the Top'. In 2001, APRA voted 'Friday on My Mind' the best and most significant Australian song of the past 75 years. In this long-overdue book, the first to focus exclusively on the life and work of George Young, writer Jeff Apter explores George's long and fruitful association with Harry; his rare ability to maintain a stable married life with his wife Sandra; and his handshake deal with Ted Albert that helped create a music empire. The book also reveals such little-known events as the accident that almost killed off 'Hey, St. Peter' before its release, and the tragedy that bonded George and Harry for life.
"A bloated corpse turns up in the Thames, throat slashed, and the only clue is a hospital wristband reading 'Dr. F. Klein.' Frieda is taken to see the body and realizes with horror that it is Sandy, her ex-boyfriend. She's certain that the killer is Dean Reeve--the man who has never stopped haunting her. But the police think he has been dead for years, and Frieda is their number one suspect"--