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Eighteen essays provide a testimony to the abiding and wide-ranging concerns during Bettelheim's lifetime.
From one of history's most famous child psychologists comes a collection of wide-ranging essays in which he reflects on the people, events, and cultural influences that shaped him and his work. “Combining humanistic wisdom and clinical insight, the volume reflects eminent psychoanalyst Bettelheim's concerns as both child therapist and Holocaust survivor.”—Publishers Weekly
From one of history's most famous child psychologists comes a collection of wide-ranging essays in which he reflects on the people, events, and cultural influences that shaped him and his work. “Combining humanistic wisdom and clinical insight, the volume reflects eminent psychoanalyst Bettelheim's concerns as both child therapist and Holocaust survivor.”—Publishers Weekly
Four essays on daydreaming, poetry, fairy-tales, etc., as potential dream material, including full text of W. Jensen's "Gradiva", a short novel which is analyzed in the title essay.
'Freud the writer is what Joan Riviere so elegantly presents to the English-Language reader' Lisa Appignanesi from her preface to Sigmund Freud: Essays and Papers This collection focuses in on the set of Riviere's translations that made up the first library of Freud in English. Including his papers on metapsychology, applied psychoanalysis and technique, and within those broader categories are subjects as diverse as narcissism, love, paranoia and homosexuality. Riviere's great understanding of Freud's work is evident as we see his engrossingly direct arguments - the style that distinguished him from academics of his day - take shape in her talented translations. We are presented with Freud's various guises, both an essayist and master storyteller he brings to life the vagaries of his patients. Riviere was a major player in disseminating psychoanalysis into English, 'no less than the man she translated is she a figure to be hidden from history', in this collection the translator and the scientist come together in a rich, engrossing brew.
This volume, meant to reflect the lively and eclectic spirit of the show, is a gathering of variously challenging, erudite, and amusing essays by scholars, critics, and writers.
Despite Freud's enormous influence on twentieth-century interpretations of the humanities, there has never before been in English a complete collection of his writings on art and literature. These fourteen essays cover the entire range of his work on these subjects, in chronological order beginning with his first published analysis of a work of literature, the 1907 "Delusion and Dreams in Jensen's Gradiva" and concluding with the 1940 posthumous publication of "Medusa's Head." Many of the essays included in this collection have been crucial in contemporary literary and art criticism and theory. Among the subjects Freud engages are Shakespeare's Hamlet, The Merchant of Venice, King Lear, and Macbeth, Goethe's Dichtung und Wahrheit, Michelangelo's Moses, E. T. A. Hoffman's "The Sand Man," Dostoevsky's The Brothers Karamazov, fairy tales, the effect of and the meaning of beauty, mythology, and the games of aestheticization. All texts are drawn from The Standard Edition of the Complete Psychological Works of Sigmund Freud, edited by James Strachey. The volume includes the notes prepared for that edition by the editor. In addition to the writings on Jensen's Gradiva and Medusa, the essays are: "Psychopathic Characters on the Stage," "The Antithetical Meaning of Primal Words," "The Occurrence in Dreams of Material from Fairy Tales," "The Theme of the Three Caskets," "The Moses of Michelangelo," "Some Character Types Met with in Psycho-analytic Work," "On Transience," "A Mythological Parallel to a Visual Obsession," "A Childhood Recollection from Dichtung und Wahrheit," "The Uncanny," "Dostoevsky and Parricide," and "The Goethe Prize."
An account of the final two years in the life of Sigmund Freud and their legacy describes how, in 1938, the elderly, ailing, Jewish Freud was rescued from Nazi-occupied Vienna and brought to London, where he finally found acclaim for his achievements, battled terminal cancer, and wrote his most provocative book, Moses and Monotheism.
In his latest groundbreaking book, the author examines the history of psychoanalysis from a resolutely independent perspective. At once spellbinding case histories and meticulously crafted gems of scholarship, Rudnytsky's essays are "re-visions" in that each sheds fresh light on its subject but they are also avowedly "revisionist" in their scepticism towards all forms of psychoanalytic orthodoxy. Beginning with a judicious reappraisal of Freud and ranging in scope from King Lear to contemporary neuroscience, the author treats in depth the lives and work of Ferenczi, Jung, Stekel, Winnicott, Coltart, and Little, each of whom sought to "rescue psychoanalysis" by summoning it to live up to its highest ideals.
Wallerstein, M.D., Emeritus Professor and former Chair, Department of Psychiatry, University of California, San Francisco School of Medicine.?These sparkling personal essays on Bettelheim, a pathbreaker of modern ego psychology, who has been savagely attacked and deprecated since his death seventeen years ago, restore the man and his work in historical, clinical, and human context for the contemporary clinician and informed reader. Fisher has done a splendid job of bringing this complex, fascinating figure to life.?Peter J. Loewenberg, Ph.D., Professor of History and Political Psychology, University of California at Los Angeles, former Director of Education, New Center for Psychoanalysis in Los Angeles.?David James Fisher has written a moving, personal portrait of Bruno Bettelheim as thinker, writer, and friend.