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The award-winning international sensation that poses the question: Was Sigmund Freud responsible for the death of his sister in a Nazi concentration camp? The boy in her memories who strokes her with the apple, who whispers to her the fairy tale, who gives her the knife, is her brother Sigmund. Vienna, 1938: With the Nazis closing in, Sigmund Freud is granted an exit visa and allowed to list the names of people to take with him. He lists his doctor and maids, his dog, and his wife's sister, but not any of his own sisters. The four Freud sisters are shuttled to the Terezín concentration camp, while their brother lives out his last days in London. Based on a true story, this searing novel gives haunting voice to Freud's sister Adolfina—“the sweetest and best of my sisters”—a gifted, sensitive woman who was spurned by her mother and never married. A witness to her brother's genius and to the cultural and artistic splendor of Vienna in the early twentieth century, she aspired to a life few women of her time could attain. From Adolfina's closeness with her brother in childhood, to her love for a fellow student, to her time with Gustav Klimt's sister in a Vienna psychiatric hospital, to her dream of one day living in Venice and having a family, Freud's Sister imagines with astonishing insight and deep feeling the life of a woman lost to the shadows of history.
“A thrilling story of seduction, betrayal, and loss, Freud’s Mistress will titillate fans of Memoirs of a Geisha and The Other Boleyn Girl.”—Booklist In fin-de-siècle Vienna, it was not easy for a woman to find fulfillment both intellectually and sexually. But many believe that Minna Bernays was able to find both with one man—her brother-in-law, Sigmund Freud. At once a portrait of two sisters—the rebellious, independent Minna and her inhibited sister, Martha—and of the compelling and controversial doctor who would be revered as one of the twentieth century’s greatest thinkers, Freud’s Mistress is a novel rich with passion and historical detail and “a portrait of forbidden desire [with] a thought-provoking central question: How far are you willing to go to be happy?”* *Publishers Weekly
Relationships with our siblings stretch, as an old saying has it, all the way from the cradle to the grave. Few bonds in life are as significant, as formative, as lasting, and as frequently overlooked as those we share with our brothers and sisters. In this stellar, first-of-its-kind anthology, contemporary writers explore the rich and varied landscape of sibling experience, illuminating the essential, occasionally wonderful, often difficult ways our brothers and sisters—or lack thereof—shape us. There are those who love and cherish their siblings, those who abhor and avoid them, and everyone in between.
""How is it possible to have spent my entire life without thinking a single minute for myself? How could I have dedicated every moment to the fulfillment of someone else's work - and life - to the detriment of mine? Why did I accept being upstaged, first by my own sister and later by my daughter?"" "These are the gnawing questions Martha Freud struggles to answer when an American journalist engages her in a long correspondence at the end of her life, many years after the death of her famous husband, Sigmund. In Nicolle Rosen's epistolary novel, a fully developed portrait of Martha Freud emerges for the first time, opening a window onto the Freuds' family life over the course of more than half a century. There are the six children with their respective needs and wants, along with the various members of the extended family, including Sigmund's mother, Martha's mother, and Martha's sister, Mina, who arrived one day in the Freud household and stayed for the rest of her life. All in all, a very special group in a dangerous and demanding time." "How and why could Martha have agreed to remain in the background, mainly in the service of her husband? asks Nicolle Rosen. Convinced there had to be more substance to her, the author devoted years to researching the Freud archives, documents, and letters. Contrary to the accepted biographical portraits of Martha, the author discovered an extremely educated woman with a large sense of humor."--BOOK JACKET.
No modern writer has affected our views on women as powerfully as Sigmund Freud. And none has been so virulently attacked for both his theories of femininity and for his alleged elevation of personal prejudice to universal pronouncement. FREUD'S WOMEN examines that bold collaboration with his female patients which made psychoanalysis as much their creation as the young Viennese doctor's. It explores Freud's family life, his relations with daughter Anna, his 'Antigone', and his friendships with his followers. From the writer and turn of the century 'femme fatale', Lou Andreas Salome, to the socialist feminist, Helene Deutsch, early theorist of femininity, to Princesse Marie Bonaparte, who moved from couch to royal court with amazing facility and became head of the French psychoanalytic movement, Freud's women friends and pupils were extraordinary.
THE STORY: FREUD'S LAST SESSION centers on legendary psychoanalyst Dr. Sigmund Freud who invites the young, rising Oxford Don C.S. Lewis to his home in London. On the day England enters World War Two, Freud and Lewis clash about love, sex, the exis
The sharp contrast between cultures with a monotheistic paternal deity and those with pluralistic maternal deities is a theme of abiding interest in religious studies. Attempts to understand the implications of these two vast organizing principles for religious life lead to an overwhelmingly diverse set of facts and their meanings. In Freud's India, the companion volume to Freud's Mahs-- Sigmund Freud and Girindrasekhar Bose. Hiltebeitel examines the attempts of these two men to communicate with and understand each other and these issues in the heated context of emotionally divisive allegiances. The book is elegant in its nuanced attention to these two thinkers and its tightly controlled exploration of what their interactions reveal about their contributions and limitations as representatives of the psychology and religion of their respective cultures. Anxieties about mothers, says Hiltebeitel, separate Eastern from Western imaginations. They separate Freud from Bose, and they separate Hindu foundational texts from the foundational texts of Judaism.
Sixteen-year-old Jacques Rebière is living a humble life in rural France, studying butterflies and frogs by candlelight in his bedroom. Across the Channel, in England, the playful Thomas Midwinter, also sixteen, is enjoying a life of ease-and is resigned to follow his father's wishes and pursue a career in medicine. A fateful seaside meeting four years later sets the two young men on a profound course of friendship and discovery; they will become pioneers in the burgeoning field of psychiatry. But when a female patient at the doctors' Austrian sanatorium becomes dangerously ill, the two men's conflicting diagnosis threatens to divide them--and to undermine all their professional achievements. From the bestselling author of Birdsong comes this masterful novel that ventures to answer challenging questions of consciousness and science, and what it means to be human.
From the master of Freud debunkers, the book that definitively puts an end to the myth of psychoanalysis and its creator Since the 1970s, Sigmund Freud’s scientific reputation has been in an accelerating tailspin—but nonetheless the idea persists that some of his contributions were visionary discoveries of lasting value. Now, drawing on rarely consulted archives, Frederick Crews has assembled a great volume of evidence that reveals a surprising new Freud: a man who blundered tragicomically in his dealings with patients, who in fact never cured anyone, who promoted cocaine as a miracle drug capable of curing a wide range of diseases, and who advanced his career through falsifying case histories and betraying the mentors who had helped him to rise. The legend has persisted, Crews shows, thanks to Freud’s fictive self-invention as a master detective of the psyche, and later through a campaign of censorship and falsification conducted by his followers. A monumental biographical study and a slashing critique, Freud: The Making of an Illusion will stand as the last word on one of the most significant and contested figures of the twentieth century.