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“A thrilling story of seduction, betrayal, and loss, Freud’s Mistress will titillate fans of Memoirs of a Geisha and The Other Boleyn Girl.”—Booklist In fin-de-siècle Vienna, it was not easy for a woman to find fulfillment both intellectually and sexually. But many believe that Minna Bernays was able to find both with one man—her brother-in-law, Sigmund Freud. At once a portrait of two sisters—the rebellious, independent Minna and her inhibited sister, Martha—and of the compelling and controversial doctor who would be revered as one of the twentieth century’s greatest thinkers, Freud’s Mistress is a novel rich with passion and historical detail and “a portrait of forbidden desire [with] a thought-provoking central question: How far are you willing to go to be happy?”* *Publishers Weekly
Freud's 17-year-old case study "Dora" is well known in the literature of psychoanalysis. Yet few know the full story--told here for the first time--of this notable woman, who walked out on Freud after three months and, in a sense, cured herself. Born into an important Jewish-Austrian family, Ida Bauer Adler suffered from "petite hysteria"--loss of voice, difficulty breathing, migraines, fainting spells--brought on by the overt sexuality of her relatives. Growing up in a home beset with syphilis and tuberculosis, she overcame her father's marital infidelity, her mother's so-called housewife psychosis and her own seduction by the husband of her father's mistress. She married, raised a son, started a small business, stayed close with her brother, Otto, leader of the Austrian Socialist party, and survived Hitler's invasion of Vienna. Eventually, she made her way to the U.S. to rejoin her famous son, maestro of the San Francisco Opera House.
What if Freud had left a final paper declaring that morality arises not from the guilt caused by Oedipal desires but, instead, from fear of the unchallengeable authority demonstrated in megalomania? CUNY history professor Rosenfield makes this the premise of his novel debut--and produces a wonderful, chewy, intellectual delight.
From the master of Freud debunkers, the book that definitively puts an end to the myth of psychoanalysis and its creator Since the 1970s, Sigmund Freud’s scientific reputation has been in an accelerating tailspin—but nonetheless the idea persists that some of his contributions were visionary discoveries of lasting value. Now, drawing on rarely consulted archives, Frederick Crews has assembled a great volume of evidence that reveals a surprising new Freud: a man who blundered tragicomically in his dealings with patients, who in fact never cured anyone, who promoted cocaine as a miracle drug capable of curing a wide range of diseases, and who advanced his career through falsifying case histories and betraying the mentors who had helped him to rise. The legend has persisted, Crews shows, thanks to Freud’s fictive self-invention as a master detective of the psyche, and later through a campaign of censorship and falsification conducted by his followers. A monumental biographical study and a slashing critique, Freud: The Making of an Illusion will stand as the last word on one of the most significant and contested figures of the twentieth century.
A rich, penetrating memoir about the author's relationship with a flawed but influential figure—the painter Lucian Freud—and the satisfactions and struggles of a life lived through art. One of Britain's most important contemporary painters, Celia Paul has written a reflective, intimate memoir of her life as an artist. Self-Portrait tells the artist's story in her own words, drawn from early journal entries as well as memory, of her childhood in India and her days as a art student at London's Slade School of Fine Art; of her intense decades-long relationship with the older esteemed painter Lucian Freud and the birth of their son; of the challenges of motherhood, the unresolvable conflict between caring for a child and remaining commited to art; of the "invisible skeins between people," the profound familial connections Paul communicates through her paintings of her mother and sisters; and finally, of the mystical presence in her own solitary vision of the world around her. Self-Portrait is a powerful, liberating evocation of a life and of a life-long dedication to art.
The academic book on the history of the Dominatrix through the ages, with meticulous research from libraries and museums. From the ancient Dominatrix Goddess Inanna - Ishtar, the 17th - 19th Century Governess Dominatrix, the 20th Century 'Bizarre' ladies. Lastly Nomis theory on the Dominatrix's practices as the 'Seven Realm Arts'.
Explores the life and work of psychoanalyst Sabina Spielrein through a feminist and mytho-poetic lens. Long stigmatized as Carl Jung’s hysterical mistress, Sabina Spielrein (1885–1942) was in fact a key figure in the history of psychoanalytic thought. Born into a Russian Jewish family, she was institutionalized at nineteen in Zurich and became Jung’s patient. Spielrein went on to earn a doctorate in psychiatry, practiced for over thirty years, and published numerous papers, until her untimely death in the Holocaust. She developed innovative theories of female sexuality, child development, mythic archetypes in the human unconscious, and the death instinct. In Sabina Spielrein, Angela M. Sells examines Spielrein’s life and work from a feminist and mytho-poetic perspective. Drawing on newly translated diaries, papers, and correspondence with Jung and Sigmund Freud, Sells challenges the suppression of Spielrein’s ideas and shows her to be a significant thinker in her own right. “This book is a major, perhaps a definitive, contribution to the literature. Angela Sells documents both the demonization of a great psychoanalytic theorist—mainly because she was a woman and worse still, was once Carl Jung’s patient. The book’s greatest strength is its power to enlighten and inform and in so doing, to arouse indignation and amazement at Spielrein’s brilliance and tenacity.” — Phyllis Chesler, author of Women and Madness “This is a pathbreaking piece of research that not only begins to rehabilitate the reputation of a woman patient of Jung’s, but also suggests that Spielrein was an important contributor in her own right to the beginnings of psychoanalysis.” — Carol P. Christ, coauthor of Goddess and God in the World: Conversations in Embodied Theology
in Freud's view we are driven by the desire for pleasure as well as by the desire to avoid pain. But the pursuit of pleasure has never been a simple thing. Pleasure can be a form of fear, a form of memory and a way of avoiding reality. Above all, as these essays show with remarkable eloquence, pleasure is a way in which we repeat ourselves. The essays collected in this volume explore, in Freud's uniquely subtle and accessible style, the puzzles of pleasure and morality - the enigmas of human development.
Struggling to support her family in mid-19th-century New York, writer Frances Osgood makes an unexpected connection with literary master Edgar Allan Poe and finds her survival complicated by her intense attraction to the writer and the scheming manipulations of his wife.
Restless Souls is the true, bone-chilling chronicle of the Manson Family murders and its aftermath, from the point of view of the victims’ families. When actress Sharon Tate and four others were brutally murdered by Charles Manson and his followers, the world was shocked. More than forty years later, the gruesome barbarity of the “Manson Family” still fascinates and horrifies. This true crime memoir by Alisa Statman, a 20-year Tate family friend, and Brie Tate, the daughter of Sharon Tate’s niece, includes interviews with the Tate family, accounts from personal letters, tape recordings, home movies, and private diaries. Complete with color photographs and personal insights, Restless Souls is the most revealing, riveting, and emotionally raw account of the gruesome slayings, the hunt and capture of the killers, and the behind-the-scenes drama of their trials, as well as a touching view of the torment that the victims families’ have endured for years after such tragedy.