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Freud's 17-year-old case study "Dora" is well known in the literature of psychoanalysis. Yet few know the full story--told here for the first time--of this notable woman, who walked out on Freud after three months and, in a sense, cured herself. Born into an important Jewish-Austrian family, Ida Bauer Adler suffered from "petite hysteria"--loss of voice, difficulty breathing, migraines, fainting spells--brought on by the overt sexuality of her relatives. Growing up in a home beset with syphilis and tuberculosis, she overcame her father's marital infidelity, her mother's so-called housewife psychosis and her own seduction by the husband of her father's mistress. She married, raised a son, started a small business, stayed close with her brother, Otto, leader of the Austrian Socialist party, and survived Hitler's invasion of Vienna. Eventually, she made her way to the U.S. to rejoin her famous son, maestro of the San Francisco Opera House.
'I very soon had an opportunity to interpret Dora's nervous coughing as the outcome of a fantasized sexual situation.' A Case of Hysteria, popularly known as the Dora Case, affords a rare insight into how Freud dealt with patients and interpreted what they told him. The 18-year-old 'Dora' was sent for psychoanalysis by her father after threatening suicide; as Freud's enquiries deepened, he uncovered a remarkably unhappy and conflict-ridden family, with several competing versions of their story. The narrative became a crucial text in the evolution of his theories, combining his studies on hysteria and his new theory of dream-interpretation with early insights into the development of sexuality. The unwitting preconceptions and prejudices with which Freud approached his patient reveal his blindness and the broader attitudes of turn-of-the-century Viennese society, while his account of 'Dora's' emotional travails is as gripping as a modern novel. This new translation is accompanied by a substantial introduction which sets the work in its biographical, historical, and intellectual context, and offers a close and critical analysis of the text itself. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
The case of the patient whom Freud immortalized as Dora is regarded as a landmark in the evolution of psychoanalytic theory and technique, as a graphic demonstration of psychosomatics and the therapeutic significance of dreams. Now, in this brilliant book, Patrick Mahony claims that the case study is not a model of treatment but a remarkable exhibition of the rejection of a patient by a clinician, an inkblot test of Freud's misapprehensions about female sexuality and adolescence. Combining psychoanalytic, historical, and textual approaches, Mahony makes us look at the famous case history in a new way. He maps out in detail how Freud neglected much significant data, and he traces the clinical impact of Freud's undigested friendship with Fliess. Mahony also sheds fresh light on Dora's bisexuality, transference, trauma, and symptoms and uncovers the deeper, problematic meaning of Dora's dreams. Through his close textual analysis, Mahony shows that this case history is a specimen of symptomatic writing and evidence of Freud's countertransferential impasse. Mahony's book testifies to the fact that any serious study of Freud must not be limited to the Standard Edition of his works.
An appealing and intelligent eighteen-year-old girl to whom Freud gives the pseudonym "Dora" is the subject of a case history that has all the intrigue and unexpected twists of a first-rate detective novel. Freud pursues the secrets of Dora's psyche by using as clues her nervous mannerisms, her own reports on the peculiarities of her family, and the content of her dreams. The personalities involved in Dora's disturbed emotional life were, in their own ways, as complex as she: an obsessive mother, an adulterous father, her father's mistress, Frau K., and Frau K.'s husband, who had made amorous advances toward Dora. Faced with the odd behavior of her family and friends, and unable to confront her own forbidden sexual desires, Dora falls into the destructive pattern of a powerful hysteria. in this influential and provocative case history, Freud uses all his analytic genius and literary skill to reveal Dora's inner life and explain the motives behind her fixation on her father's mistress. -- from back cover.
Cesare Romano revisits Dora's clinical case in light of Freud's own seduction theory. His central thesis is that Freud failed to follow through with his initial proposition of confirming his theories on the traumatic aetiology of hysteria. He also suggests a new dating for the duration of Dora's therapy, placing the beginning of the analysis within the context of Freud's concurrent and recent life events. A detailed analysis of Dora's first dream shows that Freud did not go back to Dora's first infantile traumas, but stopped instead at the period of her infantile masturbation. In analysing this dream, Romano's theory begins to take shape around the idea that Dora suffered an early trauma: possibly, a sexual abuse inflicted by her father. Drawing on Ferenczi, the author uses the notion of the 'traumatolytic function of the dream' to show that Dora, through her two dreams, was elaborating her early sexual trauma. Dora's analysis is investigated alongside what was happening in Freud's life at the time of the therapy.
-- The Women's Review of Books
Freud’s Dora case and contemporary debates on gender, sexuality and queer theory ‘Dora’ is one the most important and interesting case studies Sigmund Freud conducted and later described. It constitutes a key text in his oeuvre and finds itself at the crossroads of his studies in hysteria, the theory of sexuality and dream interpretation. The Dora case is both a literary and theoretically ground-breaking text and an account of a ‘failed’ treatment. In Dora, Hysteria and Gender renowned Freud scholars reflect on the Dora case, presenting various innovative and controversial perspectives and elaborating the significance of the text for contemporary debates on gender, sexuality and queer theory. This volume is of interest for psychoanalysts and scholars working on psychoanalysis, sexuality, gender, queer theory, philosophical anthropology and literary studies. Contributors: Rachel B. Blass (Heythrop College, University of London), Daniela Finzi (Sigmund Freud Foundation), Esther Hutfless (University of Vienna), Ulrike Kadi (Medical University of Vienna), Ilka Quindeau (Frankfurt University of Applied Sciences), Beatriz Santos (University Paris VII Diderot), Philippe Van Haute (Radboud University Nijmegen), Herman Westerink (Radboud University Nijmegen), Jeanne Wolff-Bernstein (Sigmund Freud University in Vienna)
Freud's 17-year-old case study "Dora" is well known in the literature of psychoanalysis. Yet few know the full story--told here for the first time--of this notable woman, who walked out on Freud after three months and, in a sense, cured herself. Born into an important Jewish-Austrian family, Ida Bauer Adler suffered from "petite hysteria"--loss of voice, difficulty breathing, migraines, fainting spells--brought on by the overt sexuality of her relatives. Growing up in a home beset with syphilis and tuberculosis, she overcame her father's marital infidelity, her mother's so-called housewife psychosis and her own seduction by the husband of her father's mistress. She married, raised a son, started a small business, stayed close with her brother, Otto, leader of the Austrian Socialist party, and survived Hitler's invasion of Vienna. Eventually, she made her way to the U.S. to rejoin her famous son, maestro of the San Francisco Opera House.
The psychoanalytic encounter of Sigmund Freud, at mid-life, and Dora, an emotionally troubled adolescent suffering from hysteria, provides a glimpse into the private lives of upper-middle-class Jews in fin-de-siecle Vienna - their professional concerns, familial relations, sexual undercurrents, and responses to the social forces of anti-semitism and the derogation of women. Decker places the treatment of Dora in a larger social and historical context and pursues the lives of the two protagonists before and after their meeting.
Dora: A Headcase is a contemporary coming-of-age story based on Freud’s famous case study—retold and revamped through Dora's point of view, with shotgun blasts of dark humor and sexual play. Ida needs a shrink . . . or so her philandering father thinks, and he sends her to a Seattle psychiatrist. Immediately wise to the head games of her new shrink, whom she nicknames Siggy, Ida begins a coming-of-age journey. At the beginning of her therapy, Ida, whose alter ego is Dora, and her small posse of pals engage in "art attacks." Ida’s in love with her friend Obsidian, but when she gets close to intimacy, she faints or loses her voice. Ida and her friends hatch a plan to secretly film Siggy and make an experimental art film. But something goes wrong at a crucial moment—at a nearby hospital Ida finds her father suffering a heart attack. While Ida loses her voice, a rough cut of her experimental film has gone viral, and unethical media agents are hunting her down. A chase ensues in which everyone wants what Ida has.