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The views of Freud, Proust and Lacan are depicted through this staging of a series of provocative dialogues between psychological science and imaginative literature of the twentieth century.
Reflection on the history of psychoanalysis, its conceptual foundations and its relation to other disciplines.
This wide-ranging volume of essays provides an illuminating set of approaches to the multifaceted contexts of Proust's life and work.
Self --Time --Art --Politics --Morality --Sex --Death.
Bowie (French language and literature, U. of London) traces the development of famed French psychoanalyst Lacan's (1901-1981) ideas over the 50-year span of his writing and teaching career, focusing on the mutations in Lacan's interpretation of Freud. Annotation copyrighted by Book News, Inc., Portland, OR
Eschewing the all-pervading contextual approach to literary criticism, this book takes a Lacanian view of several popular British fantasy texts of the late 19th century such as Bram Stoker’s Dracula, revealing the significance of the historical context; the advent of a modern democratic urban society in place of the traditional agrarian one. Moreover, counter-intuitively it turns out that fantasy literature is analogous to modern Galilean science in its manipulation of the symbolic thereby changing our conception of reality. It is imaginary devices such as vampires and ape-men, which in conjunction with Lacanian theory say something additional of the truth about – primarily sexual – aspects of human subjectivity and culture, repressed by the contemporary hegemonic discourses.
Élisabeth Roudinesco’s bold reinterpretation of Sigmund Freud is a biography for the twenty-first century—a sympathetic yet impartial appraisal of a genius admired but misunderstood in his time and ours. Alert to tensions in his character and thought, she views Freud less as a scientific thinker than as an interpreter of civilization and culture.
Malcolm Bowie is already well known as a writer who has made "theory" and "criticism" intelligible to each other in new ways. In this new collection he examines the meanings that psychoanalysis has ascribed to the tense and the devices by which later Lacan completes and complexifies Freud's discussions of temporality. "What kind of future can psychoanalysis have when it talks about futurity in this fashion?" In answering this question Malcolm Bowie focuses on an exemplary moment of crisis in the history of psychoanalytic thought. He challenges some of the fundamental Freudian assumptions about temporality of discourse and draws attention to a whole new range of opportunities that a "future-conscious" psychoanalysis might offer critics and theorists of other intellectual persuasions. Bowie calls for a new openness towards art among psychoanalytic theorists, drawing his examples from a wide variety of artistic practices. Musicians (Mozart, Mahler, Schoenberg and Fauré), visual artists (Michelangelo, Leonardo, Tiepolo and Matisse) and writers (Goethe, Proust and Svevo) are all placed in an illuminating two-way relationship with the writings of Freud.
Novels by Proust, Woolf, and Nabokov have been read as expressions of a desire to transcend time. Hägglund gives them another reading entirely: fear of time and death is generated by investment in temporal life. Engaging with Freud and Lacan, he opens a new way of reading the dramas of desire as they are staged in both philosophy and literature.
The Ends of Mourning explores from an interdisciplinary perspective the contemporary crisis of mourning. In an age skeptical of history and memory, we relate to the past only as a spectacle, a product to be consumed in the cultural marketplace. The book charts the emergence and development of the problem of mourning in the writings of Freud, Proust, and Freud's successor Lacan. Freud's idea of "sorrow work" and Proust's concept of involuntary memory defined the terms of the classic modernist account of mourning in the fields of psychoanalysis and literature. Yet their insistence on the egotistical aspects of loss to the exclusion of all ethical and political considerations threatens the dissolution of the question of mourning.