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Essays discuss Freud's theory of sexuality, the origins of psychoanalysis, cultural change, psychoanalytic theory, and two of Freud's most famous cases
Killing Freud takes the reader on a journey through the 20th century, tracing the work and influence of one of its greatest icons, Sigmund Freud. A devastating critique, Killing Freud ranges across the strange case of Anna O, the hysteria of Josef Breuer, the love of dogs, the Freud industry, the role of gossip and fiction, bad manners, pop psychology and French philosophy, figure skating on thin ice, and contemporary therapy culture. A map to the Freudian minefield and a masterful negotiation of high theory and low culture, Killing Freud is a witty and fearless revaluation of psychoanalysis and its real place in 20th century history. It will appeal to anyone curious about the life of the mind after the death of Freud.
In this book Eric Smadja explores the representations of society and culture that Freud developed in the course of his work. Distinct from contemporary sociological and anthropological conceptions, they led to his construction of a personal socio-anthropology that was virulently criticised by the social sciences. But what exactly is meant here by 'culture' and 'society'? Do we mean Freud's own Viennese society or Western, 'civilised' society in general? In addition, Freud was interested in historical and 'primitive' societies from the evolutionist perspective of the British anthropologists of his time. This book considers the interrelationship between these different societies and cultures, and raises many questions. What constitutes a culture? What are its essential traits, its functions, its relationships with society, with nature, and with other aspects of 'reality' or of the 'external world'? How did Freud construct the idea of culture? What roles does culture play in the development of the individual, in the construction and functioning of his or her psyche?
From August 29 to September 21, 1909, Sigmund Freud visited the United States, where he gave five lectures at Clark University in Worcester, Massachusetts. This volume brings together a stunning gallery of leading historians of psychoanalysis and of American culture to consider the broad history of psychoanalysis in America and to reflect on what has happened to Freud’s legacy in the United States in the century since his visit. There has been a flood of recent scholarship on Freud’s life and on the European and world history of psychoanalysis, but historians have produced relatively little on the proliferation of psychoanalytic thinking in the United States, where Freud’s work had monumental intellectual and social impact. The essays in After Freud Left provide readers with insights and perspectives to help them understand the uniqueness of Americans’ psychoanalytic thinking, as well as the forms in which the legacy of Freud remains active in the United States in the twenty-first century. After Freud Left will be essential reading for anyone interested in twentieth-century American history, general intellectual and cultural history, and psychology and psychiatry.
A reassessment of Freud's central concept of the Oedipus complex, using the interlocking perspectives of biography, intellectual history and Greek tragedy. The study establishes how Freud reached his formulation through his own self-analysis and clinical work.
This book is a lexical ambassador with the dual responsibility of bridging the West and East and enhancing psychoanalytic conceptualization in the course of such an encounter. By juxtaposing the familiar with the unfamiliar, it seeks to enrich our understanding of both. Within its pages, distinguished psychoanalysts from East and West weave a fine and colorful tapestry of the ubiquitous and idiosyncratic, the plebian and profound, and the neurotically-inclined and culturally-nuanced. They provide meticulous historical accounts of the development of psychoanalysis in Japan, Korea, and China and familiarize the reader with interesting personages, quaint phrases, cultural nuances, founding of journals, and emergence of groups interested in psychoanalysis. The contributors to the book discuss the depth-psychological concepts of amae, Wa, Ajase complex, and the 'filial piety complex,' thus underscoring the intricate interplay of drive and ego development with the powerful forces of ancestral legacies and their attendant myths and fantasies. The reverberations of these aesthetic and relational paradigms in epic love stories, martial arts, and cinema are also elucidated. In addition, the book offers insights into the psychosocial trials and tribulations of the Western immigrant populations from these countries and their offspring. Finally, the implications of all this to the conduct of psychotherapy and psychoanalysis are addressed.
This is a fascinating history of how psychoanalysis became an essential element of contemporary Argentine culture--in the media, in politics, and in daily private lives. The book reveals the unique conditions and complex historical process that made possible the diffusion, acceptance, and popularization of psychoanalysis in Argentina, which has the highest number of psychoanalysts per capita in the world. It shows why the intellectual trajectory of the psychoanalytic movement was different in Argentina than in either the United States or Europe and how Argentine culture both fostered and was shaped by its influence. The book starts with a description of the Argentine medical and intellectual establishments’ reception of psychoanalysis, and the subsequent founding of the Argentine Psychoanalytic Association in 1942. It then broadens to describe the emergence of a "psy culture” in the 1960s, tracing its origins to a complex combination of social, economic, political, and cultural factors. The author then analyzes the role of "diffusers” of psychoanalysis in Argentina--both those who were part of the psychoanalytic establishment and those who were not. The book goes on to discuss specific areas of reception and diffusion of psychoanalytic thought: its acceptance by progressive sectors of the psychiatric profession; the impact of the psychoanalytically oriented program in psychology at the University of Buenos Aires; and the incorporation of psychoanalysis into the theoretical artillery of the influential left of the 1960s and 1970s. Finally, the author analyzes the effects of the military dictatorship, established in 1976, on the "psy” universe, showing how it was possible to practice psychoanalysis in a highly authoritarian political context.
Combining approaches from literary studies and historical sociology, this book provides a groundbreaking cultural history of the strategies Freud employed in his writings and career to orchestrate public recognition of psychoanalysis and to shape its institutional identity.
Winner of the 2006 Gradiva Award A collection of new and previously-published essays that sheds light on the intersections between psychoanalysis and Indic Studies. While Indian academics and clinicians have been familiar with psychoanalysis for many decades, they have kept this Western model of the mind separate from the spiritual and philosophical traditions of their own country. Freud Along the Ganges bridges this important lacuna in psychoanalytic and Indic studies by creating a new theoretical field where human motives are approached not only psychoanalytically but also from the perspective of the teachings of Buddha, Tagore, Ghandi, and Salman Rushdie. The authors of this collection show how the insights of these Indian masters give a new force to the Freudian discovery by providing a basis to better understand the social and psychological Indian makeup. The book begins by questioning the applicability of the psychoanalytic method to non-Western cultures. It then traces the history of the psychoanalytic movement in India from its onset while it emphasizes the intricate overlap between Indian existential and mystical traditions and psychoanalysis. Freud Along the Ganges offers a unique study of the ways that Indian thought and psychoanalysis illuminate and enrich each other.
Rarely has a single figure had as much influence on Western thought as Sigmund Freud. His ideas permeate our culture to such a degree that an understanding of them is indispensable. Yet many otherwise well-informed students in the humanities labor under misconceptions or lack of knowledge about Freudian theory. There are countless introductions to Freudian psychoanalysis but, surprisingly, none that combine a genuinely accessible account of Freud's ideas with an introduction to their use in literary and cultural studies, as this book does. It is written specifically for use by advanced undergraduate and graduate students in courses dealing with literary and cultural criticism, yet will also be of interest to the general reader. The book consists of two parts. Part one explains Freud's key ideas, focusing on the role his theories of repression, conscious and unconscious mental processes, sexuality, dreams, free associations, "Freudian slips," resistance, and transference play in psychoanalysis, and on the relationship between ego, superego, and id. Here de Berg refutes many popular misconceptions, using examples throughout. The assumption underlying this account is that Freud offers not simply a model of the mind, but an analysis of the relation between the individual and society. Part two discusses the implications of Freudian psychoanalysis for the study of literature and culture. Among the topics analyzed are Hamlet, Heinrich Heine's Lore-Ley, Freud's Totem and Taboo and its influence on literature, the German student movement of the late 1960s, and the case of the Belgian pedophile Marc Dutroux and the public reactions to it. Existing books focus either on Freudian psychoanalysis in general or on psychoanalytic literary or cultural criticism; those in the latter category tend to be abstract and theoretical in nature. None of them are suitable for readers who are interested in psychoanalysis as a tool for literary and cultural criticism but have no firm knowledge of Freud's ideas. Freu