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Although Freud’s impact on social science – and indeed 20th century social thought – has been extraordinary, his impact on American sociology has been left relatively unexplored. This ground-breaking book aims to fill this knowledge gap. By examining the work of pioneers such as G.H.Mead, Cooley, Parsons and Goffman, as well as a range of key contemporary thinkers, it provides an accurate history of the role Freud and psychoanalysis played in the development of American social theory. Despite the often reluctant, and frequently resistant, nature of this encounter, the book also draws attention to the abiding potential of fusing psychoanalytic and sociological thinking. Freud and American Sociology represents an original and compelling contribution to scholarly debate. At the same time, the clarity with which Manning develops his comprehensive account means that the book is also highly suitable for adoption on a range of upper-level undergraduate and graduate courses, including sociology, social theory, social psychology, and related disciiplines.
Combining approaches from literary studies and historical sociology, this book provides a groundbreaking cultural history of the strategies Freud employed in his writings and career to orchestrate public recognition of psychoanalysis and to shape its institutional identity.
Elisabeth Young-Bruehl illuminates the psychological and intellectual demands writing biography makes on the biographer and explores the complex and frequently conflicted relationship between feminism and psychoanalysis. She considers what remains valuable in Sigmund Freud's work, and what areas - theory of character, for instance - must be rethought to be useful for current psychoanalytic work, for feminist studies, and for social theory. Psychoanalytic theory used for biography, she argues, can yield insights for psychoanalysis itself, particularly in the understanding of creativity.
First Published in 1999. Routledge is an imprint of Taylor & Francis, an informa company.
In The Mystery of Personality: A History of Psychodynamic Theories, acclaimed professor and historian Eugene Taylor synthesizes the field’s first century and a half into a rich, highly readable account. Taylor situates the dynamic school in its catalytic place in history, re-evaluating misunderstood figures and events, re-creating the heady milieu of discovery as the concept of "mental science" dawns across Europe, revisiting the widening rift between clinical and experimental study (or the couch and the lab) as early psychology matured into legitimate science. Gradual but vital evolutions form the heart of this chronicle: the ebb and flow of analytic theory and practice, the shift from doctor-centered to client-centered therapy, the movement from exclusionary to multidisciplinary, the evolving role of the therapist. And as can be expected from the author, there is special emphasis on the sublime in psychology: the philosophy/psychology fusion of the New England transcendentalists, the battle between spiritualism and science in 1880s America, and early versions of today’s spiritually-attuned therapies. Pivotal concepts and key individuals covered are: Charcot, Janet, and the origins of dynamic personality theory in the so-called French, Swiss, English, and American psychotherapeutic axis. Person and personality: William James’s "radical empiricism" The rise of psychoanalysis: Freud, the Freudians, and the Neo-Freudians Adler and Jung, who were never "students" of Freud: Toward, within, and beyond the self Murray, Allport, and Lewin at Harvard in the 30s Culture and personality, pastoral counseling, and Gestalt Psychology in New York in the ‘40s and ‘50s An Existential-humanistic and Transpersonally oriented depth psychology in the 60s The current era: "science confronts itself", as neuroscience enters the picture. Students of psychology and its history will find in this inspiring narrative both possibilities for further study and a new appreciation of their own work. The Mystery of Personality: A History of Psychodynamic Theories is a stimulating course conducted by a master teacher.
In this book, Suzanne Kirschner traces the origins of contemporary psychoanalysis back to the foundations of Judaeo-Christian culture, and challenges the prevailing view that modern theories of the self mark a radical break with religious and cultural tradition. Instead, she argues, they offer an account of human development which has its beginnings in biblical theology and neoplatonic mysticism. Drawing on a wide range of religious, literary, philosophical and anthropological sources, Dr Kirschner demonstrates that current Anglo-American psychoanalytic theories are but the latest version of a narrative that has been progressively secularized over the course of nearly two millennia. She displays a deep understanding of psychoanalytic theories, while at the same time raising provocative questions about their status as knowledge and as science.
When, in 1907, Alfred Stieglitz took a simple picture of passengers on a ship bound for Europe, he could not have known that The Steerage, as it was soon called, would become a modernist icon and, from today’s vantage, arguably the most famous photograph made by an American photographer. In complementary essays, a photo historian and a photographer reassess this important picture, rediscovering the complex social and aesthetic ideas that informed it and explaining how over the years it has achieved its status as a masterpiece. What aspects of Stieglitz’s ideas and sometimes-murky ambitions help us understand the picture’s achievements? How should we assess the photograph in relation to Stieglitz’s many writings about it? The authors of this book explore what The Steerage might mean in at least two senses—by itself, as a grand and self-sufficient work, and also ineluctably bound up with the many stories told about it. They make the photograph, today, what Stieglitz himself made it over the years—a photo-text work.
Sándor Ferenczi’s mutual analysis with Elizabeth Severn—the patient known as R.N. in the Clinical Diary—is one of the most controversial and consequential episodes in the history of psychoanalysis. In his latest groundbreaking work, Peter L. Rudnytsky draws on a trove of archival sources to provide a definitive scholarly account of this experiment, which constitutes a paradigm for relational psychoanalysis, as Freud’s self-analysis does for classical psychoanalysis. In Part 1, Rudnytsky tells the story of Severn’s life and traces the unfolding of her ideas, culminating in The Discovery of the Self. He shows how her book contains disguised case histories not only of Ferenczi and Severn herself—and thereby forms an indispensable companion volume to Ferenczi’s Clinical Diary—but also of Severn’s daughter Margaret, an internationally acclaimed dancer whose history of childhood sexual abuse uncannily replicated Severn’s own. Part 2 compares Severn to Clara Thompson and Izette de Forest as transmitters of Ferenczi’s legacy, sets the record straight about Ferenczi’s final illness, and reveals how Severn went beyond Freud and Groddeck in her capacity as Ferenczi’s analyst. Finally, in Part 3, Rudnytsky delineates the contrast between Freud and Ferenczi as men and thinkers and makes it clear why he agrees with Erich Fromm that Ferenczi’s example demonstrates how Freud’s attitude need not be that of all analysts. The first comprehensive study of Ferenczi’s mutual analysis with Severn, this book is a profound reexamination of Ferenczi’s relationship to Freud and an impassioned defense of Severn and Ferenczi’s views on the nature and treatment of trauma. It will appeal to psychoanalysts and psychotherapists, especially to relational analysts, self psychologists, and trauma theorists.
Intended as a follow-up to the author's earlier work, Maelzel's Chess Player: Sigmund Freud and the Rhetoric of Deceit (1994), this text looks at how Freud carried out his research and medical duties in the early years. Wilcocks (modern French literature, U. of Alberta, Edmonton) finds the picture to be less than flattering. His contention is that Freud's great influence may be attributed to his mastery of language, rather than his insight into human beings, and that he was "frequently dishonest and mostly incompetent" (from the introduction). Annotation copyrighted by Book News, Inc., Portland, OR