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Ian Niall's sublime elegy to a forgotten world: life as a boy on a farm in Galloway in the 1920s.
In this book, David Lehman, the longtime series editor of the Best American Poetry, offers a masterclass in writing in form and collaborative composition. An inspired compilation of his weekly column on the American Scholar website, Next Line, Please makes the case for poetry open to all. Next Line, Please gathers in one place the popular column’s plethora of exercises and prompts that Lehman designed to unlock the imaginations of poets and creative writers. He offers his generous and playful mentorship on forms such as the sonnet, haiku, tanka, sestina, limerick, and the cento and shares strategies for how to build one line from the last. This groundbreaking book shows how pop-up crowds of poets can inspire one another, making art, with what poet and guest editor Angela Ball refers to as "spontaneous feats of language." How can poetry thrive in the digital age? Next Line, Please shows the way. Lehman writes, "There is something magical about poetry, and though we think of the poet as working alone, working in the dark, it is all the better when a community of like-minded individuals emerges, sharing their joy in the written word."
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This collection of poems by Peter Sacks uses an edgy mix of the intense violence of South Africa's history, the personal struggles of the human soul to speak freely and experience justice, and the expanse of the American literary landscape as a backdrop.
In an award winning book of literary scholarship, Sacks explores the functions as well as forms of convention and provides an interpretive study of the elegy as a genre. The English Elegy is an ambitious and humane book, an eloquent work on the poetry of mourning. (Poetry)