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In the summer of 1978, Grease was the word. On Friday, June 16, 1978, the movie musical made a major comeback when a big-screen version of the long-running rock-and-roll stage musical, Grease , opened in theaters around the country. With a talented cast led by John Travolta and Olivia Newton-John and a memorable score featuring a mixture of oldies-style rock and contemporary pop, Grease captured the look and the feel of an old-fashioned Hollywood musical while taking audiences on a nostalgic trip back to the days of poodle skirts, malt shops, drag racing, and sock hops. Stephen Tropiano takes a fascinating and revealing look at Grease as a cultural phenomenon from its humble beginnings as a fringe musical in Chicago, to its unparalleled success on Broadway, to the making of the film that became the highest-grossing movie musical of all time. You will get an in-depth, close-up look at the making of this Hollywood classic and the creative talent in front and behind the camera that made it all happen. Thirty-plus years after its release, Grease is still the word!
(Easy Piano Vocal Selections). 15 easy piano selections, including: Alone at the Drive-In Movie * Beauty School Dropout * Born to Hand Jive * Greased Lightnin' * Look at Me, I'm Sandra Dee * Summer Nights * We Go Together * and more.
Follows the adventures of four teenagers during the 50's through school, work, play and romance.
Allan Carr was Hollywoods premier party-thrower during the towns most hedonistic era the cocaine-addled, sexually indulgent 1970s. Hosting outrageous soirees with names like the Mick Jagger/Cycle Sluts Party and masterminding such lavishly themed opening nights as the Tommy/New York City subway premiere, it was Carr, an obese, caftan-wearing producer the ultimate outsider who first brought movie stars and rock stars, gays and straights, Old and New Hollywood together. From the stunning success of Grease and La Cage aux Folles to the spectacular failure of the Village Peoples Cant Stop the Music, as a producer Carrs was a rollercoaster of a career punctuated by major hits and phenomenal flops none more disastrous than the Academy Awards show he produced featuring a tone-deaf Rob Lowe serenading Snow White, a fiasco that made Carr an outcast, and is still widely considered to be the worst Oscars ever. Tracing Carrs excess-laden rise and tragic fall and sparing no one along the way Party Animals provides a sizzling, candid, behind-the-scenes look at Hollywoods most infamous period.
Expecting to be inducted into the army, Joseph has given up his job and carefully prepared for his departure to the battlefront. When a series of mix-ups delays his induction, he finds himself facing a year of idleness. Dangling Man is his journal, a wonderful account of his restless wanderings through Chicago's streets, his musings on the past, his psychological reaction to his inactivity while war rages around him, and his uneasy insights into the nature of freedom and choice.
The adventurous spirit of Texans has led to much travel lore, from stories of how ancestors first came to the state to reflections of how technology has affected the customs, language, and stories of life "on the go." This Publication of the Texas Folklore Society features articles from beloved storytellers like John O. West, Kenneth W. Davis, and F. E. Abernethy as well as new voices like Janet Simonds. Chapters contain traditional "Gone to Texas" accounts and articles about people or methods of travel from days gone by. Others are dedicated to trains and cars and the lore associated with two-wheeled machines, machines that fly, and machines that scream across the land at dangerous speeds. The volume concludes with articles that consider how we fuel our machines and ourselves, and the rituals we engage in when we're on our way from here to there.
Some acting careers are made by one great role and some fall into obscurity when one is declined. Would Al Pacino be the star he is today if Robert Redford had accepted the role of Michael Corleone in The Godfather? Imagine Tom Hanks rejecting Uma Thurman, saying that she acted like someone in a high school play when she auditioned to play opposite him in The Bonfire of the Vanities. Picture Danny Thomas as The Godfather, or Marilyn Monroe as Cleopatra. This reference work lists hundreds of such stories: actors who didn't get cast or who turned down certain parts. Each entry, organized alphabetically by film title, gives the character and actor cast, a list of other actors considered for that role, and the details of the casting decision. Information is drawn from extensive research and interviews. From About Last Night (which John Belushi turned down at his brother's urging) to Zulu (in which Michael Caine was not cast because he didn't look "Cockney" enough), this book lets you imagine how different your favorite films could have been.
Jefferson is the lover every woman wants to beÑor to have. Magnetically attractive, athletic, alcoholic, Jefferson is an anchorless innocent wandering through a world of women who can resist her no more than she can resist them. Never lacking a lover, Jefferson knows little of love; brought up on the right side of the tracks, she's drawn to the wild side. Every lesbian has known JeffersonÑor is Jefferson. Not since The Well of Loneliness has there been a lesbian novel of this scope. But much has changed since thenÉ
A visual road trip from Route 66 to Route 666, this rockin' collection of more than 600 artworks presents the unapologetically fun and undeniably cool spirit of rockabilly and psychobilly. The 55 artists featured here represent a global subculture and are some of today's best lowbrow and cartoon artists, the de facto styles of the genre. Whether you're burning for nostalgia or learning more about the phenomenon, this massive collection is a study of some of the main themes of modern rockabilly culture: respect the past, be proudly defiant, and stay true to what you like. Here you'll see a broad range of stylistic influence from the 1930s to the 1990s as well as other sub-pop cultures like jazz, ska, surf, burlesque, punk, and horror adorning album art, show posters, comics, pin-ups, and more. Complete with a playlist curated by the artists, this is a must-have volume of art by artists who are finding success despite being outsiders.