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Tango: A ballroom dance of Latin-American origin characterized by long pauses and stylized body positions. This musical form was subsequently adopted by other countries, primarily France, Spain and Italy. Many prominent composers have applied it to a wide variety of compositions. Using piano scores in both the Latin-American and Spanish rhythmic traditions, Gary Dahl has skillfully compiled and arranged French Tangos for Accordion. the music in this anthology was originally published from the late 1930's to 60's and is characterized by its romanticism, rich harmonies, and emotive melodies. These arrangements are orchestral in nature, befitting the accordion's various timbres and capabilities. In standard notation.
Born in the impoverished barrios of Buenos Aires during the late 19th Century, the tango has become one of the most important music and dance forms of our time. Tangos for Accordion presents a distinctive collection of predominantly Argentinian tangos arranged for solo piano accordion. The book’s introduction includes a brief history of the tango and an explanation of tango rhythms. Preparatory exercises explore the differences between various rhythms (habanera, marcato, etc) and how to perform them on the accordion. Includes many of the best-known tangos, such as La Cumparsita, Caminito, El Choclo, El Marne, Catamarca, La Paloma, and many more. Includes chords symbols for accompanying instruments. For intermediate to advanced players.
A compilation of pieces composed and performed by some of France's most famous musette musicians, including Jo Private and Tony Murena. Included are tangos, paso dobles, mazurkas, sambas, polkas and gypsy music, with a generous collection of traditional French musette waltzes as well. All are arranged for the piano accordion in standard notation.
Mel Bay Publications, Inc is proud to present this intriguing collection of fourteen tangos by French composers arranged for piano solo. The tango is a ballroom dance of Latin-American origin characterized by long pauses and stylized body positions. Most of these instrumental renditions were originally published as Musette pieces in France from the 1930's through the 1960's (with a couple of newer arrangements). Intermediate in difficulty.
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This collection considers the accordion and its myriad forms, from the concertina, button accordion, and piano accordion familiar in European and North American music to the exotic-sounding South American bandoneon and the sanfoninha. Capturing the instrument's spread and adaptation to many different cultures in North and South America, contributors illuminate how the accordion factored into power struggles over aesthetic values between elites and working-class people who often were members of immigrant and/or marginalized ethnic communities. Specific histories and cultural contexts discussed include the accordion in Brazil, Argentine tango, accordion traditions in Colombia, cross-border accordion culture between Mexico and Texas, Cajun and Creole identity, working-class culture near Lake Superior, the virtuoso Italian-American and Klezmer accordions, Native American dance music, and American avant-garde.