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Magic realism is a term that is often used to describe the fiction of such Latin American writers as Gabriel Garcia Marquez, Julio Cortazar and Jorge Luis Borges. Literary critics such as Seymour Menton have contended that it is also present in the art and literature of Germany, Italy, France and the United States after World War I. The stories in French Quarter Tales follow such a tradition by presenting unusual (and even supernatural) situations within very familiar settings. Professor Perez explores in these stories the boundaries between reality and the supernatural, love and hate, good and evil. In these tales the everyday meets the recondite and sometimes even the terrifying. Most of these postmodern short tales are left open and defy interpretation.
How new biomedical technologies—from prenatal testing to gene-editing techniques—require us to imagine who counts as human and what it means to belong. From next-generation prenatal tests, to virtual children, to the genome-editing tool CRISPR-Cas9, new biotechnologies grant us unprecedented power to predict and shape future people. That power implies a question about belonging: which people, which variations, will we welcome? How will we square new biotech advances with the real but fragile gains for people with disabilities—especially when their voices are all but absent from the conversation? This book explores that conversation, the troubled territory where biotechnology and disability meet. In it, George Estreich—an award-winning poet and memoirist, and the father of a young woman with Down syndrome—delves into popular representations of cutting-edge biotech: websites advertising next-generation prenatal tests, feature articles on “three-parent IVF,” a scientist's memoir of constructing a semisynthetic cell, and more. As Estreich shows, each new application of biotechnology is accompanied by a persuasive story, one that minimizes downsides and promises enormous benefits. In this story, people with disabilities are both invisible and essential: a key promise of new technologies is that disability will be repaired or prevented. In chapters that blend personal narrative and scholarship, Estreich restores disability to our narratives of technology. He also considers broader themes: the place of people with disabilities in a world built for the able; the echoes of eugenic history in the genomic present; and the equation of intellect and human value. Examining the stories we tell ourselves, the fables already creating our futures, Estreich argues that, given biotech that can select and shape who we are, we need to imagine, as broadly as possible, what it means to belong.
Anthology of long-lost short stories and articles published by New Orleans author Lyle Saxon between 1919-1923. Second-place winner of the 2019 IndieReader Discovery Award for Fiction.
The Booklover's Guide to New Orleans is Susan Larson's delightfully informative response to questions most frequently asked her as book editor of the Times-Picayune. Tourists and locals alike want to know what to read, where authors lived, which bookstores to browse, and when literary festivals are scheduled. Now all the answers can be found in this one convenient volume, the only complete directory of New Orleans's "write life" available. Whether you are passing through the Big Easy, residing there, or longing to visit, these pages will heighten your experience of one of the most intoxicating places on the planet, taking you into countless nooks and crannies along its storied streets. Book jacket.
Finalist for the Republic of Consciousness Prize Family Album is Ecuadorian author Gabriela Alemán’s rollicking follow-up to her acclaimed English-language debut, Poso Wells. Alemán is known for her spirited and sardonic take on the fatefully interconnected—and often highly compromised—forces at work in present-day South America, and particularly in Ecuador. In this collection of eight hugely entertaining short stories, she teases tropes of hardboiled detective fiction, satire, and adventure narratives to recast the discussion of national identity. A muddy brew of pop-culture and pop-folklore yields intriguing, lesser-known episodes of contemporary Ecuadorian history, along with a rich cast of unforgettable characters whose intimate stories open up onto a vista of Ecuador’s place on the world stage. From a pair of deep-sea divers using Robinson Crusoe’s map of a shipwreck to locate sunken treasure in the Galápagos Archipelago, to a night with the husband of Ecuador’s most infamous expat, Lorena Bobbitt, this series of cracked “family portraits” provides a cast of picaresque heroes and anti-heroes in stories that sneak up on a reader before they know what’s happened: they’ve learned a great deal about a country whose more well known exports—soccer, coffee and cocoa—mask an intriguing national story that’s ripe for the telling. One of The Millions Most Anticipated Books for 2022! "Ecuadorian writer Alemán’s sparkling collection (after the novel Poso Wells) brims with humor and adventure."—Publishers Weekly "Plays with tropes ranging from the Robinson Crusoe story to the classic betrayed-wife setup to wrestle with the impossible-to-decode oddness of human life, which old stories can only hide for so long."—Lily Meyer, NPR "It takes a rare and talented writer to create a cast of characters who each feel so unique, distinct, and whose stories unravel unexpectedly while also feeling inevitable, exactly right. Thoughtful and subversive, with Family Album, Alemán has given us a gift."—Jean Kyoung Frazier, author of Pizza Girl "Divers, adventurers, wrestlers, athletes: a diverse array of people come to light in these stories to insist again and again in challenging the weight of the written letter. Gabriela Alemán's stories inhabit the past to work through its possible versions. Her characters understand that History is a form of desire and the truth is not a house but a patina covering a place that has ceased to exist."—Yuri Herrera, author of A Silent Fury: The El Bordo Mine Fire "Gabriela Alemán's stories unravel a rich and intriguing universe in which nothing, and no one, is what it seems."—Pilar Quintana, author of The Bitch "These stories are like lizards lying on rocks in the sun. When you try to pick one up it darts away and disappears. Sometimes a tail comes off in your hand or the thing bites your fingers and drops of blood decorate the rock. Best read while listening to Julio Jaramillo sing 'Amor sin Esperanza' and 'Hojas Muertas.'"—Barry Gifford, author of Sailor & Lula: The Complete Novels "Gabriela Alemán writes beautiful, sly, enigmatic stories originating in a rogues gallery of real life legends, including El Santo and John Wayne Bobbitt, as well as lesser known and invented souls, all of them struggling against the silent—or is it hostile?—backdrop of Ecuador’s past and present. Family Album is a mordantly funny and haunting collection."—Zachary Lazar, author of Vengeance
The neighborhoods of New Orleans have given rise to an extraordinary outpouring of important writing. Over the last century and a half or so, these stories and songs have given the city its singular place in the human imagination. This book leads the reader along five thoroughfares that define these different parts of town – Royal, St. Claude, Esplanade, Basin, and St. Charles – to explore how the writers who have lived around them have responded in closely related ways to the environments they share. On the outskirts of New Orleans today, the city's precarious relation to its watery surroundings and the vexed legacies of race loom especially large. But the city's literature shows us that these themes have been near to hand for New Orleans writers for several generations, whether reflected through questions of masquerade, dreams of escape, the innocence of children, or the power of money or of violence or of memory.
Danny Johnson has his hustle down pat: find the right mark and score some cash on tourists who want their own piece of New Orleans. But now he wants to move up in the world and he has the mob in his sights. Along with Dannys story, there are gritty stories that explore the underbelly of middle-class life, working-class strife and the Internet underground. From the suburbs of New Orleans to the flashy streets of Los Angeles to the gritty streets of Oakland, feel the heat of young America at the turn of the new century.