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Covers the history of French architecture during the 19th century.
Georgian Jewellery is a celebration of the style and excellence of the eighteenth century, and of the ingenuity that produced such a wealth of fabulous jewellery. Heavy academic tomes have already been written about the period, but this book examines it in a more colourful and accessible way. The book aims to show that Georgian jewellery is not only the stuff of museums and safe boxes, but that it can be worn as elegantly and fashionably today as it was 200 years ago. Much disparate information about the jewellery has been gathered together and the period is brought alive by portraits and character sketches of famous Georgians in their finery, fashion tips, gossip, and some rather outrageous cartoons of the time, as well as fascinating recently discovered facts. With information on how to identify, buy and repair pieces, this sumptuously illustrated volume contains the largest single catalogue of 18th Century jewellery. AUTHORS: Ginny Redington Dawes, a life-long collector of antique jewellery, has written two previous books on the subject - The Bakelite Jewellery Book and Victorian Jewellery. Staff writer for MGM Screengems Music, she is also a successful composer; she wrote the book, music and lyrics for the off-Broadway show The Talk of the Town and has won a CLEO award for music for advertising. Olivia Collings became fascinated by the seventeenth century alchemist and jeweller Christopher Pinchbeck at an early age and bought her first piece of antique jewellery aged seven. She trained in an exclusive Bond Street antique jewellery shop before starting her own business in 1975 and has continued learning about and dealing in Georgian jewellery ever since. She is now an independent jewellery consultant. SELLING POINTS: * A thoroughly researched look at the jewellery of the time, offering good basic knowledge for the beginner and new facts for the expert * New and/or little-known facts about the techniques, styles and materials of the age * The only book solely on the Georgian period, and the largest ever catalogue of the diverse range of eighteenth century jewellery * Interesting portraits of characters of the period and their influence on the jewels of the time, with some contemporary gossip, outrageous cartoons and period fashion tips * Emphasis on jewellery that has been on the open market in recent years, rather than just unobtainable museum pieces 295 colour, 7 b/w images
French text and English translations (on facing pages) of 6 stories: Merimee's "Mateo Falcone," Flaubert's "Herodias," "L'attaque du moulin" by Zola, de Maupassant's "Mademoiselle Perle," 2 more. Introduction. Notes.
Jewellery.
In a way, bracelets are among the most common form of jewelry. With the exception of earrings, bracelets are the most popular jewelry in the world. The book is a brief history lesson for bracelet curiosity types, jewelry aficionados, and collectors. The book explains the meaning, trendsetting, and evolving function of bracelets. It is an exciting reading from college students to professional jewelry makers, sellers, and buyers. The Bracelets Academy is a comprehensive resource filled with facts, quotes, and fascinating information that only a librarian can put together.
La Bijouterie Française au XIXe Siècle by Henri Vever is an indispensable survey of the jewelry produced in Paris from the Empire to the Art Nouveau period. Since it was first published in three volumes nearly one hundred years ago, it has become the definitive source of information for the jewelry profession as well as for those who simply revel in the intricate beauty of fabulous jewels. Now, for the first time, the entire text is available in English in a single volume. Vever, himself a highly accomplished jeweler, compiled a study that charts the histories of both the humblest and the most famous of his colleagues, including Bapst, Boucheron, Falize, Fontenay, Pouquet, Froment-Meurice, Gaillard, Lalique, Mellerio, and Wièse. This vivid contemporary account is full of data gathered directly from the jewelers themselves or from their descendants. It contains fascinating anecdotes concerning Imperial and Royal commissions together with entertaining tales of workshop practices. In crediting the designers, chasers, engravers, and enamelers who collaborated with the famous jewelry houses, Vever acknowledged the talents of technicians who often worked anonymously. In identifying unrecorded craftsmen, he made his book a unique document. Political, economic, and industrial developments are discussed, as are their repercussions on society and fashion. With his intimate knowledge of techniques, Vever was able to analyze changes that were continually taking place in manufacturing processes. He also recorded the changing styles in jewelry and their sources of inspiration, ranging from the Antique to the Orient.
Revolution and profusion -- these are the hallmarks of Western art from 1780 to 1850. The astonishingly rapid changes wrought by the industrial -- and American and French -- revolutions led to a wealth of artistic production. This profusely illustrated guide to the arts of the early 19th century on both sides of the Atlantic is the most comprehensive volume available on the subject. Through both famous and obscure works, William Vaughan explores a stunning variety of artistic achievement, including landscape, still life, and figure painting by Gericault, Ingres, Delacroix, Turner, Blake, Constable, Goya, and Friedrich. Vaughan also treats sculpture, architecture, town planning, and photography, and offers an in-depth survey of the decorative arts: furniture, ceramics, glass, metalwork, and more. Drawing on the most up-to-date research, the author brings this exciting period and its inexhaustible artistic production to life.
This down-to-earth information-packed book is the very best kind of collecting companion. Among its practical features are recommendations for choosing, evaluating and caring for a collection, how to negotiate the best possible price, and a glossary bristling with facts and definitions. Rose Leiman Goldemberg learned, bought and wrote this book through her own practical and passionate love of antique jewelry.