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** New York Times Bestseller ** Animals behaving badly, other people's misfortunes and the most bizarre true crime story ever. French Fried is the unfortunately true account of Chris Dolley's first eight months in France and has been described as 'A Year in Provence with Miss Marple and Gerald Durrell.' Just when Chris and Shelagh think nothing more could possibly go wrong, they discover that Chris's identity has been stolen and their life savings - all the money from their house sale in England that was going to finance their new life in France - had disappeared. A bank account had been opened in Chris's name in Spain to take the proceeds. Then they're abandoned by the police forces of four countries who all insist the crime belongs in someone else's jurisdiction. The French say it's an Irish crime as that's where the money was held. The Irish say it's French as that's where all the correspondence came from. The British say it's nothing to do with them even though forged British passports were used to open the bank account in Spain. And the Spanish are on holiday - and can't even think about investigating any bank account for at least four weeks. So Chris has to solve the crime himself. But unlike fictional detectives he has an 80 year-old mother-in-law and an excitable puppy who insist they come along if he's going anywhere interesting - like a stakeout. REVIEWS "This was a fantastic read. It had me laughing so much that I nearly got relegated to the sofa! Once I had started reading this book, I could not put it down, I was even quite happy to miss my favourite TV programmes!" - Bookmarked "When I downloaded this book this morning, I had every intention of putting it on my phone and reading it in dribs and drabs. And now I appear to have finished the book! The best thing about 'French Fried' is it's sense of humour; warm, self-deprecating, and very British. Literally laugh out loud in several places (I'm glad I'm the only one home!)." - Librarything "Chris Dolley's humour reminds me of James Herriot at times, with my husband shushing me in the middle of the night. I could not put this book down and enjoyed it immensely. The characters, especially Nan, were life-size." - Salammi
HG Wells has a problem. His Aunt Charlotte has borrowed his time machine and won’t give it back. Now she’s rewriting history! Reggie Worcester, gentleman’s consulting detective, and his automaton valet, Reeves, are hired to retrieve the time machine and put the timeline back together. But things get complicated. Dead bodies start piling up behind Reggie’s sofa, as he finds himself embroiled in an ever-changing murder mystery. A murder mystery where facts can be rewritten, and the dead don’t always stay dead. This 100 page novella is the third instalment in the Reeves and Worcester Steampunk Mysteries. "A fun blend of P.G. Wodehouse, steampunk and a touch of Sherlock Holmes. Dolley is a master at capturing and blending all these elements. More than fascinating, this work is also rip-roaring fun!" - SF Revu
Wodehouse steampunk version of The Hound of the Baskervilles! "Jeeves and Wooster meet Holmes and Watson with a touch of steampunk in the hilarious first full-length Reeves and Worcester tale ... This laugh-out-loud parody works on several levels ... With razor-sharp wit and fast pacing that plays fair with the reader, this is an excellent genre mash-up that fires on all cylinders." - Publishers Weekly An escaped cannibal, a family curse ... and Reginald Worcester turning up on the doorstep. Could things get any worse for the Baskerville-Smythe family? As the bodies pile up, only a detective with a rare brain - and Reggie's is so rare it's positively endangered - can even hope to solve the case. But... there is the small matter that most of the guests aren't who they say they are, the main suspect has cloven feet, and a strange mist hangs over great Grimdark Mire. Luckily the young master has Reeves, his automaton valet, and Emmeline, his suffragette fiancée, on hand to assist. This novel is the fifth Reeves & Worcester Steampunk mystery. The first two mysteries were published in the ebook What Ho, Automaton! The first four were published in the trade paperback What Ho, Automata. REVIEWS: "A sheer delight to read and Mr. Dolley channeled Wodehouse beautifully." - Mary R. Fairchild "Dolley melds steampunk with Wodehousian manor house mystery, with a dash of Sherlock Holmes and Oscar Wilde thrown in, making a delightful whole that had me laughing out loud." - Sherwood Smith "Totally awesome." - Elizabeth Sorenson "Chris Dolley has perfectly recreated the characters and storytelling style of P. G. Wodehouse. "The Unpleasantness at Baskerville Hall" is very highly recommended." - Midwest Book Review "I haven't read a series of books in my entire life that made me laugh out loud at least four times and uncountable chuckles. Every one was absolutely hilarious and certainly the best parodies of Holmes and Watson that I have come across." - Peter S Jasion "Chris Dolley has created a pastiche that evokes as many laughs as the original Bertie and Jeeves, if not more." - Kadlady "Very clever writing and I laughed out loud." - Sally Evans "This book is a delight. It perfectly catches the spirit and the humour of the original PG Wodehouse works while adding a whole new dimension." - Hopback "Chris Dolley does an excellent job of imitating Wodehouse's writing style and pays a bit of homage to Oscar Wilde. Reading Reggie's attempts to emulate famous detectives and solve this Baskerville mystery is hilarious. Laughs abounded. I highly recommend this book." - Howard Poston
"I was hooked by the end of page one and laughing out loud by the middle of page two. Finally, a new author as witty and sassy as Janet Evanovich." -- Lark Susak Medium Dead is a fun urban fantasy chronicling the crime fighting adventures of Brenda - a reluctant medium - and Brian - a Vigilante Demon with an impish sense of humour. Think Stephanie Plum with magic and a dash of Carl Hiaasen. Brenda Steele is smart, funny and out of her depth. A Vigilante Demon called Brian wants her to find murdered spirits and help him track down their killers. But Brian doesn't just catch criminals, he likes to play with them first, and make the punishment fit the crime. As he tells Brenda, "if all you did was turn up, capture the bad guy then leave - century after century - you'd die of boredom." He's also reckless - his last partner died during one of his takedowns. Along the way, Brenda discovers that Brian isn't as old, or as powerful, as he led her to believe. He might even be human. Whereas the murderer they're hunting, and the child he's holding prisoner, might not.
NATIONAL BESTSELLER • In this witty and warm-hearted account, Peter Mayle tells what it is like to realize a long-cherished dream and actually move into a 200-year-old stone farmhouse in the remote country of the Lubéron with his wife and two large dogs. He endures January's frosty mistral as it comes howling down the Rhône Valley, discovers the secrets of goat racing through the middle of town, and delights in the glorious regional cuisine. A Year in Provence transports us into all the earthy pleasures of Provençal life and lets us live vicariously at a tempo governed by seasons, not by days.
** Finalist for the 2012 WSFA Award ** "A fun blend of P.G. Wodehouse, steampunk and a touch of Sherlock Holmes. Dolley is a master at capturing and blending all these elements. More than fascinating, this work is also rip-roaring fun!" - SF Revu The adventures of Reggie Worcester, gentleman consulting detective, and his automaton valet, Reeves. "Dolley got me to laugh out loud near the end. Which, frankly, is VERY hard to do. Dolley's tone is spot on Wodehouse and the steampunk elements tie into both plot and silliness admirably." - Gail Carriger, author of Soulless Reggie, an avid reader of detective fiction, knows two things about solving crime: One, the guilty party is always the person - and, occasionally, the orang-utan - one least suspects. And, two, a consulting detective's little grey cells require plenty of fish and frequent lubrication when confronted with a 'three cocktail problem.' Reeves needs all his steam-powered cunning and intellect to curb the young master's excessive flights of fancy. And prevent him from getting engaged. The book contains two stories set in an alternative 1903 where an augmented Queen Victoria is still on the throne and automata are a common sight below stairs. What Ho, Automaton! - a 32 page novelette about how the two met. Something Rummy This Way Comes - a 164 page short novel chronicling their first case. When Reggie discovers that four debutantes have gone missing in the first month of The London Season and, for fear of scandal, none of the families have called the police, he feels compelled to investigate. With the help of Reeves's giant brain and extra helpings of fish, he conducts an investigation that only a detective of rare talent could possibly envisage. Mystery, Zeppelins, Aunts and Humour. A steam-powered Wodehouse pastiche. REVIEWS "A fun blend of P.G. Wodehouse, steampunk and a touch of Sherlock Holmes. Dolley is a master at capturing and blending all these elements. More than fascinating, this work is also rip-roaring fun! But where Dolley really excels is in capturing the atmosphere and humor of the Bertie and Jeeves stories. Any Wodehouse fan will want to grab a copy of this work, but even if you have never explored that world, What Ho, Automaton! is a fun and fascinating read. Highly recommended, take a spin in this steampunk hybrid and enjoy the ride!" - SF Revu "I found myself laughing out loud at Reggie and the fabulous Reeves as they romped their way through various adventures. A homage to Wodehouse without being sycophantic, this is fantastic." Sueo23 "I enjoyed every page of this book. A steampunk novel that combines classic British Humor, tongue-in-cheek references to Sherlock Holmes and a cast of great characters. I don't think I've actually laughed out loud this much while reading a book in a very long time." ErisAerie
A page-turning novel that is also an exploration of the great philosophical concepts of Western thought, Jostein Gaarder's Sophie's World has fired the imagination of readers all over the world, with more than twenty million copies in print. One day fourteen-year-old Sophie Amundsen comes home from school to find in her mailbox two notes, with one question on each: "Who are you?" and "Where does the world come from?" From that irresistible beginning, Sophie becomes obsessed with questions that take her far beyond what she knows of her Norwegian village. Through those letters, she enrolls in a kind of correspondence course, covering Socrates to Sartre, with a mysterious philosopher, while receiving letters addressed to another girl. Who is Hilde? And why does her mail keep turning up? To unravel this riddle, Sophie must use the philosophy she is learning—but the truth turns out to be far more complicated than she could have imagined.
Grief overload is what you feel when you experience too many significant losses all at once, in a relatively short period of time, or cumulatively. In addition to the deaths of loved ones, such losses can also include divorce, estrangement, illness, relocation, job changes, and more. Our minds and hearts have enough trouble coping with a single loss, so when the losses pile up, the grief often seems especially chaotic and defeating. The good news is that through intentional, active mourning, you can and will find your way back to hope and healing. This compassionate guide will show you how.
A language barrier is no match for love. Lauren Collins discovered this firsthand when, in her early thirties, she moved to London and fell for a Frenchman named Olivier—a surprising turn of events for someone who didn’t have a passport until she was in college. But what does it mean to love someone in a second language? Collins wonders, as her relationship with Olivier continues to grow entirely in English. Are there things she doesn’t understand about Olivier, having never spoken to him in his native tongue? Does “I love you” even mean the same thing as “je t’aime”? When the couple, newly married, relocates to Francophone Geneva, Collins—fearful of one day becoming "a Borat of a mother" who doesn’t understand her own kids—decides to answer her questions for herself by learning French. When in French is a laugh-out-loud funny and surprising memoir about the lengths we go to for love, as well as an exploration across culture and history into how we learn languages—and what they say about who we are. Collins grapples with the complexities of the French language, enduring excruciating role-playing games with her classmates at a Swiss language school and accidently telling her mother-in-law that she’s given birth to a coffee machine. In learning French, Collins must wrestle with the very nature of French identity and society—which, it turns out, is a far cry from life back home in North Carolina. Plumbing the mysterious depths of humanity’s many forms of language, Collins describes with great style and wicked humor the frustrations, embarrassments, surprises, and, finally, joys of learning—and living in—French.
This fascinating book is the first volume in a projected cultural history of the United States, from the earliest English settlements to our own time. It is a history of American folkways as they have changed through time, and it argues a thesis about the importance for the United States of having been British in its cultural origins. While most people in the United States today have no British ancestors, they have assimilated regional cultures which were created by British colonists, even while preserving ethnic identities at the same time. In this sense, nearly all Americans are "Albion's Seed," no matter what their ethnicity may be. The concluding section of this remarkable book explores the ways that regional cultures have continued to dominate national politics from 1789 to 1988, and still help to shape attitudes toward education, government, gender, and violence, on which differences between American regions are greater than between European nations.