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The delicate forms of 18th-century French decorative design lend craft and graphic projects a special air of grace and refinement. The highly detailed borders, cartouches, and other configurations in this superb collection — enhanced with real and legendary beasts, scrolling curves, floral motifs, and more — convey a timeless elegance. 209 black-and-white illustrations.
The authors, Danielle Kisluk-Grosheide and Jeffrey Munger, are curators in the Metropolitan Museum's Department of European Sculpture and Decorative Arts. They oversaw the recent reinstallation of the Wrightsman Galleries --Book Jacket.
"This book explores the life, professional activities, artistic production and collecting practices of Georges Hoentschel through the objects he collected and created. Essays by the editors, joined by Amy F. Ogata, associate professor at Bard Graduate Center and Christine E. Brennan, senior research associate in Medieval Art as the Metropolitan Museum, address his biography, business contacts, and clients, as well as the arrival of the collection in New York, its lavish four-volume illustrated catalogue, and the medieval collections. Also discussed is Hoentschel's involvement with contemporary art, including his intriguing stoneware creations and designs for a pavilion and interiors at the 1900 Exposition Universelle in Paris. Fully illustrated catalogue entries explore the astonishing range of objects he collected. Throughout the book, new documentary material from archives and newspapers illuminates this little-explored chapter in the history of collecting decorative arts between France and America at the dawn of the twentieth century."--book jacket.
An alluring look at the relationship of clothing and interior design in 18th-century France
The first comprehensive catalogue of the Getty Museum’s significant collection of French Rococo ébénisterie furniture. This catalogue focuses on French ébénisterie furniture in the Rococo style dating from 1735 to 1760. These splendid objects directly reflect the tastes of the Museum’s founder, J. Paul Getty, who started collecting in this area in 1938 and continued until his death in 1976. The Museum’s collection is particularly rich in examples created by the most talented cabinet masters then active in Paris, including Bernard van Risenburgh II (after 1696–ca. 1766), Jacques Dubois (1694–1763), and Jean-François Oeben (1721–1763). Working for members of the French royal family and aristocracy, these craftsmen excelled at producing veneered and marquetried pieces of furniture (tables, cabinets, and chests of drawers) fashionable for their lavish surfaces, refined gilt-bronze mounts, and elaborate design. These objects were renowned throughout Europe at a time when Paris was considered the capital of good taste. The entry on each work comprises both a curatorial section, with description and commentary, and a conservation report, with construction diagrams. An introduction by Anne-Lise Desmas traces the collection’s acquisition history, and two technical essays by Arlen Heginbotham present methodologies and findings on the analysis of gilt-bronze mounts and lacquer. The free online edition of this open-access publication is available at www.getty.edu/publications/rococo/ and includes zoomable, high-resolution photography. Also available are free PDF, EPUB, and Kindle/MOBI downloads of the book, and JPG downloads of the main catalogue images.
French Women Don’t Get Fat meets The Little Book of Hygge in this lively, sophisticated, and practical illustrated lifestyle guide that shows how to enjoy la belle vie—to live like the French every day—transforming your house into a home defined by beauty, family, and accessible elegance. How do the French create the elusive and alluring sanctuaries they call home? This question long intrigued Danielle Postel-Vinay. Thanks to a chance encounter with a French expat in La Crosse, Wisconsin, and years of immersive research, she embarked on a quest to discover the secrets of the French home aesthetic. Experiencing first-hand la belle vie—the beautiful life—Postel-Vinay now shows everyone how to create their own French sanctuary, a home sweet maison, no matter where they live. Providing more than just interior decorating and design tips, Postel-Vinay teaches you how to foster the warmth, beauty, and rituals inherent in the French home and create an environment better suited to living a rich, full, connected life. At the center of the book is the idea that your house should be a reflection of you, your hobbies, your family history, your rituals, all the things that make your life unique. A happy home is a home that expresses your rituals and your taste, not one that relies on prefab décor from a mass retailer. Home Sweet Maison takes a room-by-room approach to show how the French view: The Aesthetic: why the objects in your home matter, why minimalism is overrated, and why the French always choose the perfect décor for their salons The Practical: how to use mise-en-place, or the French art of organization, in your kitchen, and how to find the right stain-removing potions to create your own French laundry The Sensual: the way the French employ scent in their home as a personal signature The Philosophical: the idea that every room in a French house has a specific purpose, and that the activity in one room should never bleed into the others Home Sweet Maison encapsulates the very heart of the French way of seeing the world: set the table formally, adhere to all the conventions of ritual and tradition, then take pleasure in indulgence. It’s about using French concepts and routines to change our homes, our relationships, and our lives for the better.
"The exhibition is organized by the National Gallery of Art, Washington."