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Looks at the life of the first black woman pilot, discussing her childhood, education, and flying career.
Here is the brief but intense life of Bessie Coleman, America's first African American woman aviator. Born in 1892 in Atlanta, Texas, she became known as “Queen Bess,” a barnstormer and flying-circus performer who defied the strictures of race, sex, and society in pursuit of a dream.
American national trade bibliography.
Vols.3- 1891/1920- include graduates of the Cooper Medical College, San Francisco; v.4- 1891/1931- include graduates of the Stanford School of Nursing.
Fired by the passion to fly, Bessie Coleman beats all odds to become the first Black woman pilot. In the early 1900s, an 18-year-old black girl arrived on the streets of Chicago, dreaming of flying someday. Born into poverty and racial discrimination, Bessie Coleman had an indomitable spirit even as a child. From the cotton fields of remote Texas village to the aviation school in France, Bessie Coleman’s extraordinary story is riven with struggles, poverty, rejections, and racism. Buy the book to know how Bessie Coleman, a pioneer aviator who survived segregation, traveled hundreds of miles away from her home and defied all racial prejudices to conquer the skies, at a time when a Black woman didn’t dare to dream.
Contained within the pages of this book are the stories behind some of the most notorious murders in Lancashire's history. The cases covered here record the county's most fascinating but least known crimes, as well as famous murders that gripped not just Lancashire but the whole nation. From Liverpool's Florence Maybrick (was she really guilty of poisoning her hypochondriac husband with arsenic and was he indeed Jack the Ripper?) to late Victorian Bury's disturbing 'Body in the Wardrobe' case; from the infamous Drs Ruxton and Clements, who saw off five wives between them, to Blackpool's Louisa Merrifield, whose loose tongue was undoubtedly her downfall, this is a collection of the county's most dramatic and interesting criminal cases Alan Hayhurst has been uncovering evidence about the county's historic murders for more than forty years. In writing this book he has visited all of the murder sites, consulted original documents and contemporary reports, and spoken to those who has personal memories of the cases concerned. Lancashire Murders is a unique re-examination of the darker side of the county's past.
Incorporating recent theories of feminism and diaspora, Women Artists in Interwar France: Framing Femininities returns the Société des Femmes Artists Modernes, known as FAM, to its proper place in the history of modern art. Paula Birnbaum's study explores how FAM artists including Suzanne Valadon, Marie Laurencin, and Tamara de Lempicka, approached the self-portrait, motherhood and the female nude, as well as their response to marginalization and the reactionary politics of 1930s France.