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Provides a detailed analysis of the political, social and economic history of the France of Louis XIII.
As an introduction to her detailed study Professor Lublinskaya presents a summary and critique of the whole 'general crisis' interpretation of seventeenth-century European history which is regularly a subject for heated debate among Western historians. However, it is as a specialist in the history of seventeenth-century France that Professor Lublinskaya approaches the problem of the general crisis. The major part of her book is a detailed analysis of the political, social and economic history of the France of Louis XIII - a crucial period for the development of the French monarchy.
This analysis of the provincial reality of absolutism argues that the relationship between the regional aristocracy and the crown was a key factor in influencing the traditional social system of seventeenth century France.
In this fascinating biography, A. Lloyd Moote provides the first authoritative account of one of the most enigmatic figures of seventeenth-century Europe. Contrary of popular portrayals of the monarch as a hapless kind, Moote argues that Louis XIII was a ruler who powerfully shaped his people's destiny.
This book focuses on the development of towns in France, taking into account military technology, physical geography, shifting regional networks tying urban communities together, and the emergence of new forms of public authority and civic life.
In the immediate years and months before the outbreak of religious war in 1562 the growth of Protestantism in France had gone unchecked, and an overriding sense of Protestant triumphalism emerged in cities across the land. However, the wars unleashed a vigorous Catholic reaction that extinguished Protestant hopes of ultimate success. This offensive triggered violence across the provinces, paralysing Huguenot communities and sending many Protestant churches in northern France into terminal decline. But French Protestantism was never a uniform phenomenon and events in southern France took a rather different course from those in the north. This study explores the fate of the Huguenot community in the area of its greatest strength in southern France. The book examines the Protestant ascendancy in the Huguenot stronghold of Montauban through the period of the religious wars, laying open the impact that the new religion had upon the town and its surrounding locality, and the way in which the town related to the wider political and religious concerns of the Protestant south. In particular, it probes the way in which the town related to the nobility, the political assemblies, Henry of Navarre and the wider world of international Calvinism, reflecting upon the distinctive cultural elements that characterised Calvinism in southern France.
Rich in detail and broad in scope, this majestic book is the first to reveal the interaction of politics and religion in France during the crucial years of the long seventeenth century. Joseph Bergin begins with the Wars of Religion, which proved to be longer and more violent in France than elsewhere in Europe and left a legacy of unresolved tensions between church and state with serious repercussions for each. He then draws together a series of unresolved problems--both practical and ideological--that challenged French leaders thereafter, arriving at an original and comprehensive view of the close interrelations between the political and spiritual spheres of the time. The author considers the powerful religious dimension of French royal power even in the seventeenth century, the shift from reluctant toleration of a Protestant minority to increasing aversion, conflicts over the independence of the Catholic church and the power of the pope over secular rulers, and a wealth of other interconnected topics.
Employing the methodologies of the new art history as well as some tools provided by poststructuralism, historiography, and analytic philosophy, Poussin's Paintings offers a novel approach to the art of Poussin. David Carrier begins with a comprehensive analysis of Poussin's self-portraits, which provides the starting point for a critical discussion of the traditional strategies of Poussin scholarship and for an evaluation of the status of this artist. Carrier shows that Poussin can be properly understood only by seeing how his visual and political culture differs from ours. Carrier examines the traditional approaches of Poussin scholars, noting the limitations of their views and showing how they not only shape our image of the artist but also restrict out ability to properly grasp his concerns. Carrier also considers the important conceptual claims of connoisseurs and reveals how their work invokes an implicit theory of Poussin's development. Carrier then focuses on a group of paintings concerned with erotic themes, demonstrating the inadequacy of traditional accounts of these pictures. He extends his analysis to a discussion of Poussin's landscapes, which have a different and more important place in his development than the older accounts claim. Carrier places Poussin within the artistic and political culture of seventeenth-century Rome. He asserts that artists of the time were concerned with the problem of belatedness and that Poussin attempted to return to the tradition of the High Renaissance, reworking images from that tradition in response to his own visual culture. Carrier argues that Poussin's art is thus best understood as a response to that setting for baroque art, and he relates Poussin's work to the later tradition of French history painting.