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Frei Otto, awarded the Royal Gold Medal 2006 by the Royal Institute of British Architects, is one of Germany’s most innovative architects in the second half of the 20th centuvry. In this volume, prominent authors analyse and discuss the key aspects of Frei Otto’s work. In addition it contains an extensive and detailed catalogue of over 200 buildings and projects dating from the years 1951–2004.
Trees are ideal sources of shade; where they cannot be used, their function is taken over by tents, pergolas, and pavilions. In the context of global warming, shade-providing construction is becoming an increasingly important building task. In Part One of this book, specialists in the field present the typical forms of shade-providing construction as well as the design approach associated with each. Part Two presents easily consultable overviews of 140 plants that have proven to be effective givers of shade in temperate, subtropical, and tropical zones. Part Three presents thirty built projects by celebrated architects and landscape architects from five continents. These constructions illustrate a wide variety of functions and scales and cover various climatic zones and cultural contexts. All structures are constructionally and systematically analyzed with texts, true-to-scale drawings, and photographs from their foundations to their connections and the shadows they cast.
In a positive departure from modernism, the work of the art critic and urbanist Ludwig Hilberseimer offers schemata towards the design for the city itself: its mereological composition. The resonance of parts unfolds to an alternative of a purely contrasting equation of form and content. It reminds us, that when the ground (gr.: logos) of the city is defined by its parts (gr.: meros), its architecture, the city in turn always also is part of the architecture as its desire. »The Mereological City« introduces a mereological methodology and contributes to an ongoing discussion about an ecological form of urban design.
Textiles are among the materials with the most promising future in architecture. Even though they are frequently reduced to mere decorations in an everyday context, their enormous versatility coupled with their inherent sensual quality gives textiles tremendous architectural potential. This book provides an overview of textile architecture.
Standard ASCE/SEI 55-16 provides minimum criteria for the analysis, design, and performance of membrane-covered cable and rigid member structures and of air-supported structures, collectively known as tensile membrane structures.
For more information including the introduction, a full list of entries and contributors, a generous selection of sample pages and more, visit the Encyclope dia of 20th Century Architecture website. Focusing on architecture from all regions of the world, this three-volume set profiles the twentieth century's vast chronicle of architectural achievements, both within and well beyond the theoretical confines of modernism. Unlike existing works, this encyclopedia examines the complexities of rapidly changing global conditions that have dispersed modern architectural types, movements, styles, and building practices across traditional geographic and cultural boundaries.
Under the code name Operation Reinhard, more than one and a half million Jews were murdered between 1942 and 1943 in the concentration camps of Belzec, Sobibor, and Treblinka, located in Nazi-occupied Poland. Unlike more well-known camps, which were used both for slave labor and extermination, these camps existed purely to murder Jews. Few victims survived to tell their stories, and the camps were largely forgotten after they were dismantled in 1943. The Operation Reinhard Death Camps bears eloquent witness to this horrific tragedy. This newly revised and expanded edition includes new material on the history of the Jews under German occupation in Poland; the execution and timing of Operation Reinhard; information about the ghettos in Lublin, Warsaw, Krakow, Radom, and Galicia; and updated numbers of the victims who were murdered during deportations. In addition to documenting the horror of the camps, Yitzhak Arad recounts the stories of those courageous enough to struggle against the Nazis and their "final solution." Arad's work retrieves the experiences of Operation Reinhard's victims and survivors from obscurity and exposes a terrible chapter in humanity's history.
Exciting crossover experiments between the movement of fashion and textile materials and the static aspect of architectural space.
This volume, occasioned by the centenary of the Fritz Haber Institute, formerly the Institute for Physical Chemistry and Electrochemistry, covers the institute's scientific and institutional history from its founding until the present. The institute was among the earliest established by the Kaiser Wilhelm Society, and its inauguration was one of the first steps in the development of Berlin-Dahlem into a center for scientific research. Its establishment was made possible by an endowment from Leopold Koppel, granted on the condition that Fritz Haber, well-known for his discovery of a method to synthesize ammonia from its elements, be made its director. The history of the institute has largely paralleled that of 20th-century Germany. It undertook controversial weapons research during World War I, followed by a "Golden Era" during the 1920s, in spite of financial hardships. Under the National Socialists it experienced a purge of its scientific staff and a diversion of its research into the service of the new regime, accompanied by a breakdown in its international relations. In the immediate aftermath of World War II it suffered crippling material losses, from which it recovered slowly in the post-war era. In 1953, shortly after taking the name of its founding director, the institute joined the fledgling Max Planck Society. During the 1950s and 60s, the institute supported diverse researches into the structure of matter and electron microscopy in a territorially insular and politically precarious West-Berlin. In subsequent decades, as both Berlin and the Max Planck Society underwent significant changes, the institute reorganized around a board of coequal scientific directors and a renewed focus on the investigation of elementary processes on surfaces and interfaces, topics of research that had been central to the work of Fritz Haber and the first "Golden Era" of the institute.