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The Covid-19 pandemic forced many of us to reimagine our homes, work, relationships and adapt to a new way of life - one with far fewer possibilities for interaction. And yet, in this period of intense isolation, we've faced dilemmas which are nearly universal. How to love, to care for aging parents, to find a home, attend to a planet in flux, fight for justice. This vast range of experiences is captured by our greatest storytellers, essayists and poets in Freeman's: Change. Some pieces explore the small moments that serve as new routines in a life lived at home, as in Joshua Bennett's essay, where a Coltrane playlist sets the stage for early morning dances with his newborn son. Sometimes, it's the absence of change that drives us to the edge. In Lina Mounzer's 'The Gamble,' a father's incessant hope for a better life festers and sinks the whole family after they leave Lebanon during the Civil War. And in 'Final Days,' Sayaka Murata imagines a future without aging, where people must choose how and when they want to die, consulting guidebooks like Let's Die Naturally! Super Deaths for Adults & The Best Spots. With new writing from Julia Alvarez, Sandra Cisneros, Zahia Rahman, Yoko Ogawa, Yasmine El Rashidi, Lina Meruane and Aleksandar Hemon, and featuring work from never-before-published writers like Elizabeth Ayre, Freeman's: Change opens a window into the many-sided ways we adapt.
From the voices of protesters to the encroachment of a new fascism, everywhere we look power is revealed. Spouse to spouse, soldier to citizen, looker to gazed upon, power is never static: it is either demonstrated or deployed. Its hoarding is itself a demonstration. This thought-provoking issue of the acclaimed literary annual Freeman's explores who gets to say what matters in a time of social upheaval. Many of the writers are women. Margaret Atwood posits it is time to update the gender of werewolf narratives. Aminatta Forna shatters the silences which supposedly ensured her safety as a woman of colour walking in public space. Power must often be seized. The narrator of Lan Samantha Chang's short story finally wrenches control of the family's finances from her husband only to make a fatal mistake. Meanwhile the hero of Tahmima Anam's story achieves freedom by selling bull semen. Australian novelist Josephine Rowe recalls a gallery attendee trying to take what was not offered when she worked as a life-drawing model. Violence often results from power imbalances - Booker Prize winner Ben Okri watches power stripped from the residents of Grenfell Tower by ferocious neglect. But not all power must wreak damage. Barry Lopez remembers fourteen glimpses of power, from the moment he hitched a ride on a cargo plan in Korea to the glare he received from a bear traveling with her cubs in the woods, asking - do you plan me harm? Featuring work from brand new writers Nicole Im, Jaime Cortez and Nimmi Gowrinathan, as well as from some of the world's best storytellers, including US poet laureate Tracy K. Smith, Franco-Moroccan writer Leïla Slimani, and Turkish novelist Elif Shafak, Freeman's: Power escapes from the headlines of today and burrows into the heart of the issue.
A new literary journal arrives on the scene with unpublished works from such superstars as Dave Eggers, Louise Erdrich, Haruki Murakami, and others. In this inaugural edition of Freeman’s, a new biannual of unpublished writing, former Granta editor and NBCC president John Freeman brings together the best new fiction, nonfiction, and poetry about that electrifying moment when we arrive. Strange encounters abound. David Mitchell meets a ghost in Hiroshima Prefecture; Lydia Davis recounts her travels in the exotic territory of the Norwegian language; and in a Dave Eggers story, an elderly gentleman cannot remember why he brought a fork to a wedding. End points often turn out to be new beginnings. Louise Erdrich visits a Native American cemetery that celebrates the next journey, and in a Haruki Murakami story, an aging actor arrives back in his true self after performing a role, discovering he has changed, becoming a new person. Featuring startling new fiction by Laura van den Berg, Helen Simpson, and Tahmima Anam, as well as stirring essays by Aleksandar Hemon, Barry Lopez, and Garnette Cadogan, who relearned how to walk while being black upon arriving in NYC, Freeman’s announces the arrival of an essential map to the best new writing in the world. “A terrific anthology . . . Haruki Murakami, David Mitchell and a host of other lively writers let loose their imaginations in editor John Freeman’s first outing with a new literary journal that is sure to become a classic in years to come.” —San Francisco Chronicle
While lying on a beach in Greece with an accommodating female companion, the narrator of this novel, Petros Abatzoglou (also the name of the author), describes the peculiar life story and marriage of Mrs. Freeman. By turns digressive, tender, humorous, and pedantic, the narrator interrupts his monologue only when he wants something from his companion, usually another drink. In relating the story of Mrs. Freeman--a fiercely independent woman--the narrator exemplifies almost all the characteristics of a self-centered male. Obsessed with food, alcohol, and the need to be the center of a woman's attention, he paints a mental picture of the elusive Mrs. Freeman, and his own vision of the ideal woman.
Day by day, tweet by tweet, it often feels like our world is run on hate. Invective. Cruelty and sadism. But is it possible the greatest and most powerful force is love? In the newest issue of this acclaimed series, Freeman ' s Love asks this question, bringing together literary heavyweights like Richard Russo, Anne Carson, Sandra Cisneros, Louise Erdrich, Haruki Murakami, Tommy Orange and Nobel Prize winner Olga Tokarczuk alongside emerging writers such as Andres Felipe Solano and Semezdin Mehmedinovic. Together, the pieces comprise a stunning exploration of the complexities of love, tracing it from its earliest stirrings, to the forbidden places where it emerges against reason, to loss so deep it changes the color of perception. In a time of contentiousness and flagrant abuse, this issue promises what only love can bring: a balm of complexity and warmth.
Managing for Stakeholders: Survival, Reputation, and Success, the culmination of twenty years of research, interviews, and observations in the workplace, makes a major new contribution to management thinking and practice. Current ways of thinking about business and stakeholder management usually ask the Value Allocation Question: How should we distribute the burdens and benefits of corporate activities among stakeholders? Managing for Stakeholders, however, helps leaders develop a mindset that instead asks the Value Creation Question: How can we create as much value as possible for all of our stakeholders?Business is about how customers, suppliers, employees, financiers (stockholders, bondholders, banks, etc.), communities, the media, and managers interact and create value. World-renowned management scholar R. Edward Freeman and his coauthors outline ten concrete principles and seven practical techniques for managing stakeholder relationships in order to ensure a firm’s survival, reputation, and success. Managing for Stakeholders is a revolutionary book that will change not only how managers do business but also how they recognize and evaluate business opportunities that would otherwise be invisible.
Annie Freeman, left one final request, a traveling funeral, and she wants the most important women in her life as pallbearers. From Sonoma to Manhattan, Katherine, Laura, Rebecca, Jill, and Marie will carry Annie's ashes to the special places in her life. At every stop there's a surprise encounter and a small miracle waiting, and as they whoop it up across the country, attracting interest wherever they go, they share their deepest secrets--tales of broken hearts and second chances, missed opportunities and new beginnings. And as they grieve over what they've lost, they discover how much is still possible if only they can unravel the secret Annie left them.
High Tech and High Heels in the Global Economy is an ethnography of globalization positioned at the intersection between political economy and cultural studies. Carla Freeman’s fieldwork in Barbados grounds the processes of transnational capitalism—production, consumption, and the crafting of modern identities—in the lives of Afro-Caribbean women working in a new high-tech industry called “informatics.” It places gender at the center of transnational analysis, and local Caribbean culture and history at the center of global studies. Freeman examines the expansion of the global assembly line into the realm of computer-based work, and focuses specifically on the incorporation of young Barbadian women into these high-tech informatics jobs. As such, Caribbean women are seen as integral not simply to the workings of globalization but as helping to shape its very form. Through the enactment of “professionalism” in both appearances and labor practices, and by insisting that motherhood and work go hand in hand, they re-define the companies’ profile of “ideal” workers and create their own “pink-collar” identities. Through new modes of dress and imagemaking, the informatics workers seek to distinguish themselves from factory workers, and to achieve these new modes of consumption, they engage in a wide array of extra income earning activities. Freeman argues that for the new Barbadian pink-collar workers, the globalization of production cannot be viewed apart from the globalization of consumption. In doing so, she shows the connections between formal and informal economies, and challenges long-standing oppositions between first world consumers and third world producers, as well as white-collar and blue-collar labor. Written in a style that allows the voices of the pink-collar workers to demonstrate the simultaneous burdens and pleasures of their work, High Tech and High Heels in the Global Economy will appeal to scholars and students in a wide range of disciplines, including anthropology, cultural studies, sociology, women’s studies, political economy, and Caribbean studies, as well as labor and postcolonial studies.
A Scottish detective investigates a suspicious death with ties to a wind farm in this mystery by the author of Blood in the Water. When the body of a retired sheriff is discovered in his grand house in the New Town of Edinburgh, Detective Sergeant Alice Rice finds herself hunting his killer. The search leads her to an unfamiliar world where wind-farm developers with millions of pounds at stake and protesters face each other with daggers drawn. Just as Alice thinks an answer is beginning to emerge, the sheriff's lover is killed in an apparent hit-and-run accident. An unlikely coincidence or, as the search widens, is Alice now investigating a double murder? Praise for Blood in the Water “With this highly readable debut novel, Gillian Galbraith establishes what one hopes will be a long-running presence. This is a vivid and exciting story, set against the background of Edinburgh’s legal and medical circles. There is not a dull page from start to finish.” —Alexander McCall Smith “Chilling realism.” —Edinburgh Evening News (UK)
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