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Transcript of interviews by Indian freedom fighter and reminiscences of their association in the Indian freedom movement.
Recounts the journey of African descendants in America by connecting their history to the seven principles of Kwanzaa.
In 1963, Winson Hudson finally registered to vote in Leake County, Mississippi, when she interpreted part of the state constitution by saying, "It meant what it said and it said what it meant." Her first attempt had been in 1937. A lifelong native of the rural, all-black community of Harmony, Winson has lived through some of the most racially oppressive periods in her state s history - and has devoted her life to combatting discrimination. With her sister Dovie, Winson filed the first lawsuit to desegregate the public schools in a rural county. Helping to establish the county NAACP chapter in 1961, Winson served as its president for 38 years. Her work has included voting rights, school desegregation, health care, government loans, telephone service, good roads, housing, and childcare - issues that were intertwined with the black freedom struggle. Winson s narrative, presented in her own words with historical background from noted author and activist Constance Curry, is both triumphant and tragic, inspiring and disturbing. It illustrates the virtually untold story of the role that African American women played in the civil rights movement at the local level in black communities throughout the South.
At the time when the national movement was still in its early stages, Madan Mohan Malaviya emerged as an enigmatic but commanding figure in the political landscape of India. This work reconstructs Malaviya’s ideal of nationalism, which was composite, constructive and creative and offers a fresh perspective on an important period of modern India’s political history. Utilizing new and authentic source material, this book traces Malaviya’s role in the freedom struggle, the people who supported him, his relations with other established political leaders of the country within and outside of the Congress party and how he saw his own actions and role in public life. Taking Malaviya as a particular example of subcontinental leadership, Jagannath Prasad Misra studies the method and manner of Malaviya’s nationalist propaganda. He shows that rather than being a restraining influence, Malaviya’s faith in constitutional politics and educational advancement laid a solid foundation for the uplift of the nation.
Remembering Independence explores the commemoration and remembrance of independence following the great wave of decolonisation after the Second World War. Drawing on case studies from Africa, Asia, and with reference to the Pacific, the authors find that remembering independence was, and still is, highly dynamic. From flag-raising moments to the present day, the transfer of authority from colonial rule to independent nation-states has served as a powerful mnemonic focal point. Remembering independence, in state as well as non-state constructions, connects to changing contemporary purposes and competing politic visions. Independence is a flexible idea, both a moment in time and a project, a carrier of hopes and ideals of social justice and freedom, but also of disappointments and frustrated futures. This richly illustrated volume draws attention to the broad range of media employed in remembering independence, ranging from museums and monuments to textual, oral and ritual formats of commemorative events, such as national days. Combining insights from history and anthropology, this book will be essential reading for all students of the history of empire, decolonisation, nation-building and post-colonial politics of memory.
I am 27 and have never killed a man but I know the face of death as if heirloom my country memorizes murder as lullaby —from “For Fahd” Textured with the sights and sounds of growing up in East New York in the nineties, to school on the South Side of Chicago, all the way to the olive groves of Palestine, My Mother Is a Freedom Fighter is Aja Monet’s ode to mothers, daughters, and sisters—the tiny gods who fight to change the world. Complemented by striking cover art from Carrie Mae Weems, these stunning poems tackle racism, sexism, genocide, displacement, heartbreak, and grief, but also love, motherhood, spirituality, and Black joy. Praise for Aja Monet: ““[Monet] is the true definition of an artist.” —Harry Belafonte ““In Paris, she walked out onto the stage, opened her mouth and spoke. At the first utterance I heard that rare something that said this is special and knew immediately that Aja Monet was one of the Ones who will mark the sound of the ages. She brings depth of voice to the voiceless, and through her we sing a powerful song.” —Carrie Mae Weems Of Cuban-Jamaican descent, Aja Monet is an internationally established poet, performer, singer, songwriter, educator, and human rights advocate. Monet is also the youngest person to win the legendary Nuyorican Poet’s Café Grand Slam title.
This work focuses on one of the most critical periods in the history of post-colonial Africa: the euphoric and turbulent sixties when most countries on the continent won independence and were confronted with the harsh realities of nationhood including nation building and consolidation of institutions of authority as well as their sovereign status. It was a period of high expectations. But it was also a decade of military coups and assassinations, a phenomenon that persisted for decades although there were fewer coups in the 1990s and beyond contrasted with what took place in the previous years, especially the sixties and seventies when the largest number of military coups and assassinations of national leaders took place. The author addresses many subjects in an attempt to provide a comprehensive picture of Africa in the sixties, a defining moment and probably the most critical period in the post-colonial era. Everything that has taken place on the continent through the decades is somehow connected to what happened in the sixties. A complementary volume, Africa in The Sixties, addresses similar subjects.
This is an ethnographic monograph that studies the memories of the 1947 Partition of India. It examines how survivors use the ideology of Hindu nationalism to rationalise the Partition's death and suffering.
NEW YORK TIMES BESTSELLER The New York Times bestselling author of George Washington's Secret Six and Thomas Jefferson and the Tripoli Pirates turns to two other heroes of the nation: Abraham Lincoln and Frederick Douglass. In The President and the Freedom Fighter, Brian Kilmeade tells the little-known story of how two American heroes moved from strong disagreement to friendship, and in the process changed the entire course of history. Abraham Lincoln was White, born impoverished on a frontier farm. Frederick Douglass was Black, a child of slavery who had risked his life escaping to freedom in the North. Neither man had a formal education, and neither had had an easy path to influence. No one would have expected them to become friends—or to transform the country. But Lincoln and Douglass believed in their nation’s greatness. They were determined to make the grand democratic experiment live up to its ideals. Lincoln’s problem: he knew it was time for slavery to go, but how fast could the country change without being torn apart? And would it be possible to get rid of slavery while keeping America’s Constitution intact? Douglass said no, that the Constitution was irredeemably corrupted by slavery—and he wanted Lincoln to move quickly. Sharing little more than the conviction that slavery was wrong, the two men’s paths eventually converged. Over the course of the Civil War, they’d endure bloodthirsty mobs, feverish conspiracies, devastating losses on the battlefield, and a growing firestorm of unrest that would culminate on the fields of Gettysburg. As he did in George Washington's Secret Six, Kilmeade has transformed this nearly forgotten slice of history into a dramatic story that will keep you turning the pages to find out how these two heroes, through their principles and patience, not only changed each other, but made America truly free for all.
An examination of women's work, rhetorical agency, and the construction of female reputation Before the full and honest tale of humanity can be told, it will be necessary to uncover the hidden roles of women in it and recover their voices from the forces that have diminished their contributions or even at times deliberately eclipsed them. The past half-century has seen women rise to claim their equal portion of recognition, and Remembering Women Differently addresses not only some of those neglected—it examines why they were deliberately erased from history. The contributors in this collection study the contributions of fourteen nearly forgotten women from around the globe working in fields that range from art to philosophy, from teaching to social welfare, from science to the military, and how and why those individuals became either marginalized or discounted in a mostly patriarchal world. These sterling contributors, scholars from a variety of disciplines—rhetoricians, historians, compositionists, and literary critics—employ feminist research methods in examining women's work, rhetorical agency, and the construction of female reputation. By recovering these voices and remembering the women whose contributions have made our civilization better and more whole, this work seeks to ensure that women's voices are never silenced again.