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In the long decade between the mid-fifties and the late sixties, jazz was changing more than its sound. The age of Max Roach's Freedom Now Suite, John Coltrane's A Love Supreme, and Charles Mingus's The Black Saint and the Sinner Lady was a time when jazz became both newly militant and newly seductive, its example powerfully shaping the social dramas of the Civil Rights movement, the Black Power movement, and the counterculture. Freedom Is, Freedom Ain't is the first book to tell the broader story of this period in jazz--and American--history.
Elected six times to the House from the state of Georgia, Cynthia McKinney cut a trail through Congressional deceit like a hot ember through ash. She discovered legislators who passed laws without reading them. Party leaders who colluded across party lines against their constituents' interests. Black-skinned individuals shilling for the white status quo. She excoriated government lassitude over Hurricane Katrina, uncovering dark secrets. She held the only critical Congressional briefing on 9/11, introducing counter- testimony of scholars, investigators, former intelligence agents. As a member of the House Armed Services Committee, she held Rumsfeld to account for malfeasance by military contractors and missing billions in the Pentagon’s budget. Then she hammered him on the reasons for the failure of NORAD air defenses on 9/11. She read truth into the Congressional Record, held town halls and hearings, led protests, showed up while others played along to get along, took the side of the people against the will of the Party. And when she got too truth seeking and speaking, the Republicans rigged the Democratic primaries to boot her out, leaving behind a trail of achievements mostly won singlehandedly as a result of her service on the House International Relations, House Agriculture, House Armed Services, and Budget Committees and the Select Committee on Hurricanes Katrina and Rita But McKinney rose again like a Phoenix, answering the call to run as 2008 Green Party candidate for President, challenging the corrupt two-party stranglehold on American democracy. Then it was on to the Freedom Flotilla to Gaza, to be seized on the high seas and imprisoned in Israel. On to Tripoli, to serve as witness to the NATO terror bombing of Libya. On to Malaysia to serve on the War Crimes Commission... Often introduced as the Sojourner Truth, the Harriet Tubman of our age, McKinney reflects here on the Biblical figures of Esther, Deborah and Naomi. This is the Cynthia McKinney saga as it stands to date-- what she saw, what she learned, and how she fought for change.
The great-granddaughters of a freeborn Cherokee woman named Malindy, who was unlawfully enslaved as a child by a Missouri, farmer and gave birth to five children in slavery in the 1800s, share the story of their ancestor--a story of courage, conviction, and love.
“[Allred] interrogates Beyoncé’s music and videos to explore the complicated spaces where racism, sexism, and capitalism collide.” —Kirkus Reviews In 2010, Professor Kevin Allred created the university course “Politicizing Beyoncé” to both wide acclaim and controversy. He outlines his pedagogical philosophy in Ain’t I a Diva?, exploring what it means to build a syllabus around a celebrity. Topics range from a capitalist critique of “Run the World (Girls)” to the politics of self-care found in “Flawless”; Beyoncé’s art is read alongside black feminist thinkers including Kimberlé Crenshaw, Octavia Butler, and Sojourner Truth. Combining analysis with classroom anecdotes, Allred attests that pop culture is so much more than a guilty pleasure, it’s an access point—for education, entertainment, critical inquiry, and politics. “Proving himself a worthy member of the BeyHive, Kevin Allred takes us on a journey through Beyoncé’s greatest hits and expansive career—peeling back their multiple layers to explore gender, race, sexuality, and power in today’s modern world. A fun, engaging, and important read for long-time Beyoncé fans and newcomers alike.” —Franchesca Ramsey, author of Well, That Escalated Quickly “Ain’t I a Diva? explores the phenomenon of Beyoncé while explicitly championing not only her immense talent and grace but what we can learn from it. In this celebration of Beyoncé, and through her, other Black women, Allred is giving us room to be exactly who we are so that maybe we, too, can stop the world then carry on!” —Keah Brown, author of The Pretty One “A must-read for any fan of Beyoncé and of fascinating feminist discourse.” —Zeba Blay, senior culture writer, HuffPost
Montgomery, Alabama, 1955--the civil rights movement has begun. The authors build a narrative from the words of the people, their photographs and their songs to form an emphasis on triumph in an uncertain age. Photos and music.