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During the transition from Republic to Empire, the Roman aristocracy adapted traditional values to accommodate the advent of monarchy. Freed Slaves and Roman Imperial Culture examines the ways in which members of the elite appropriated strategies from freed slaves to negotiate their relationship to the princeps and to redefine measures of individual progress. Primarily through the medium of inscribed burial monuments, Roman freedmen entered a broader conversation about power, honor, virtue, memory, and the nature of the human life course. Through this process, former slaves exerted a profound influence on the transformation of aristocratic values at a critical moment in Roman history.
"During the transition from Republic to Empire, the Roman aristocracy adapted traditional values to accommodate the advent of monarchy. Freed Slaves and Roman Imperial Culture examines the ways in which members of the elite appropriated strategies from freed slaves to negotiate their relationship to the princeps and to redefine measures of individual progress. Primarily through the medium of inscribed burial monuments, Roman freedmen entered a broader conversation about power, honor, virtue, memory, and the nature of the human life course. Through this process, former slaves exerted a profound influence on the transformation of aristocratic values at a critical moment in Roman history"--
How did freed slaves reinvent themselves after the shackles of slavery had been lifted? How were they reintegrated into society, and what was their social position and status? What contributions did they make to the society that had once - sometimes brutally - repressed them? This collection builds on recent dynamic work on Roman freedmen, the contributors drawing upon a rich and varied body of evidence - visual, literary, epigraphic and archaeological - to elucidate the impact of freed slaves on Roman society and culture amid the shadow of their former servitude. The contributions span the period between the first century BC and the early third century AD and survey the territories of the Roman Republic and Empire, while focusing on Italy and Rome.
Provides case studies that approach historical evidence in new ways to reconstruct how freed people were integrated in Roman society.
"Replete now with its own scholarly traditions and controversies, Roman slavery as a field of study is no longer limited to the economic sphere, but is recognized as a fundamental social institution with multiple implications for Roman society and culture. The essays in this collection explore how material culture - namely, art, architecture, and inscriptions - can illustrate Roman attitudes towards the institution of slavery and towards slaves themselves in ways that significantly augment conventional textual accounts. Providing the first interdisciplinary approach to the study of Roman slavery, the volume brings together diverse specialists in history, art history, and archaeology. The contributors engage with questions concerning the slave trade, manumission, slave education, containment and movement, and the use of slaves in the Roman army."--Publisher's website.
This book examines how the experience of living with slavery shaped the way that the Roman elite thought about empire.
A lively and comprehensive overview of Roman slavery, ideal for introductory-level students of the ancient Mediterranean world.
This book explores the institution of manumission-the freeing of slaves-in ancient Rome from a gendered perspective. Rome was unique among ancient polities in that it bestowed freed slaves with full citizenship, granting them rights nearly equal to those of freeborn individuals. The sexual identities of a female slave and a female citizen were fundamentally incompatible, as the former was principally defined by her sexual availability and the latter by her sexual integrity. Accordingly, those evaluating the manumission process needed to reconcile a woman's experiences as a slave with the expectations and moral rigor required of the female citizen.
Roman comedy evolved early in the war-torn 200s BCE. Troupes of lower-class and slave actors traveled through a militarized landscape full of displaced persons and the newly enslaved; together, the actors made comedy to address mixed-class, hybrid, multilingual audiences. Surveying the whole of the Plautine corpus, where slaves are central figures, and the extant fragments of early comedy, this book is grounded in the history of slavery and integrates theories of resistant speech, humor, and performance. Part I shows how actors joked about what people feared - natal alienation, beatings, sexual abuse, hard labor, hunger, poverty - and how street-theater forms confronted debt, violence, and war loss. Part II catalogues the onstage expression of what people desired: revenge, honor, free will, legal personhood, family, marriage, sex, food, free speech; a way home, through memory; and manumission, or escape - all complicated by the actors' maleness. Comedy starts with anger.