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"The question of how much freedom the press should enjoy has been debated throughout American history. In 1942 an impartial commission was formed to study mass communication, evaluate the performance of the media, and make recommendations for possible regulation of the press. This book is the general report of that commission."--Book cover.
For Free Press and Equal Rights is an exhaustive study of the newspapers published in the Reconstruction South that had ties to the pro-Union, northern-based Republican party. Until now, no book has been devoted entirely to this subject. Richard H. Abbott's research draws on his readings from some 430 southern Republican papers. This figure accounts for literally hundreds more papers than are cited in the handful of previously published related studies--none of which makes more than passing reference to any of the topics that Abbott covers in detail. Abbott first traces the origins of the southern Republican press from its lone stronghold in antebellum northwest Virginia to its wartime expansion in the wake of the Union Army's occupation of such far-flung places as Key West, Florida, and Port Royal, South Carolina. Abbott then discusses the challenges of establishing and sustaining a Republican press where the most likely readership--freed slaves--was usually illiterate and too poor to subscribe, much less to contribute advertising revenue. Looking at the different ways white and black editors faced common problems from ostracism and libel to vandalism and physical assault, Abbott also discusses the mixed blessings of patronage, by which Republican officials steered printing business to their party organs. Abbott's state-by-state, year-by-year analyses look at the fluctuating number of southern Republican papers in terms of their distribution in rural/urban and anti/pro-Republican areas. For Free Press and Equal Rights reveals a wealth of information about papers ranging from the Visitor of Hot Springs, Arkansas, which lasted less than a year, to the Union Flag of Jonesborough, Tennessee, which ran from 1865 to 1873. It makes a number of new and important points about political patronage and the publishing process, race and print culture, Republican ideology and rhetoric, and our first amendment rights.
Rich in historical detail, Images of a Free Press is an elegant, powerful guide to the evolution of our modern conception of freedom of the press, which finds expression in laws that protect print journalism and regulate broadcast media. Bollinger argues that this distinction remains meaningful but he advocates a more sophisticated approach to issues of privacy, access, and technology. Providing concrete guidelines for improving media laws, Images of a Free Press is a vital First Amendment primer for lawyers, media professionals, and critics, and all concerned citizens. "Images of a Free Press is the natural sequel to Lee Bollinger's first book, The Tolerant Society, and is destined to become a standard in first amendment scholarship."—Rodney A. Smolla, Constitutional Commentary "Revisiting themes he first explored some fifteen years ago, Bollinger now adds further to our understanding of the complex relationship among the First Amendment, the Supreme Court, the public, the press and the democratic process. This is a work of insight, sensitivity, and power. Bollinger has a profound knowledge of and a deep affection for his subject, and it shows."—Geoffrey R. Stone, Michigan Law Review "This thoughtful, understated book remains a call to come join the town meeting and hammer out some new rules of order. Scholars and citizens alike could do well to read Bollinger's book and accept his challenge."—Yale Law Review "For a number of years, Lee Bollinger has argued that the First Amendment has been applied differently to the print media than it has been to the broadcast media. In his new book, Images of a Free Press, Bollinger provides a concise, persuasive account of why this is so—and why it ought to be so."—Columbia Law Review
Winner of the National Press Club’s Arthur Rowse Award for Press Criticism! From Craig Silverman, proprietor of www.RegretTheError.com, comes a lively journey through the history of media mistakes via a chronicle of funny, shocking, and often disturbing journalistic slip-ups. The errors--running the gamut from hilarious to tragic--include "Fuzzy Numbers” (when numbers and math undermine reporting) "Obiticide” (printing the obituary of a living person), and "Unintended Consequences” (typos and misidentifications that create a new, incorrect reality). While some of the errors are laugh-out-loud funny, the book also offers a serious investigation of contemporary journalism’s lack of accountability to the public, and a rousing call to arms for all news organizations to mend their ways and reclaim the role of the press as honest voice of the people.
Timothy Heppner is a frustrated ghostwriter struggling to make ends meet in Edenfeld, a small Mennonite community bulldozing its way towards modernity--if it's old, it has to go!A member of the Preservation Society but desperate to keep his job with the mayor's Parks and "Wreck" department, Timothy finds himself in an awkward position when he is hired to write an updated version of the town's history book. Fuelled by two warring agendas, the threat of personal bankruptcy, and a good deal of fried bologna, Timothy must find his own voice to tell the one story that could make--or break--him.Honest and laugh-out-loud funny, Once Removed explores the real costs of "progress" in this new Mennonite classic.
I can still feel the chills as I recall the scene on Fifth Avenue below the editor’s office in August 1997. This was really happening. Justice had prevailed. Two people were given their lives back because of the journalism by my team, the courage of our reporter and photographer. Now, their family was gathering in front of the building, holding copies of an EXTRA edition of The Herald-Dispatch that declared their freedom, holding signs and crying tears of gratitude. This was why, I was sure, the Founders had created the First Amendment. We had stood up to a foreign government and forced our own to do the right thing. Stories would not always end so elegantly. Justice and good journalism do not always win. There would be decades of frustration between moments of celebration. But this is a moment when journalism won. And it felt amazing.
Reimagining press freedom in a networked era: not just a journalist's right to speak but also a public's right to hear. In Networked Press Freedom, Mike Ananny offers a new way to think about freedom of the press in a time when media systems are in fundamental flux. Ananny challenges the idea that press freedom comes only from heroic, lone journalists who speak truth to power. Instead, drawing on journalism studies, institutional sociology, political theory, science and technology studies, and an analysis of ten years of journalism discourse about news and technology, he argues that press freedom emerges from social, technological, institutional, and normative forces that vie for power and fight for visions of democratic life. He shows how dominant, historical ideals of professionalized press freedom often mistook journalistic freedom from constraints for the public's freedom to encounter the rich mix of people and ideas that self-governance requires. Ananny's notion of press freedom ensures not only an individual right to speak, but also a public right to hear. Seeing press freedom as essential for democratic self-governance, Ananny explores what publics need, what kind of free press they should demand, and how today's press freedom emerges from intertwined collections of humans and machines. If someone says, “The public needs a free press,” Ananny urges us to ask in response, “What kind of public, what kind of freedom, and what kind of press?” Answering these questions shows what robust, self-governing publics need to demand of technologists and journalists alike.
What caused the New Left rebellion of the 1960s? In Smoking Typewriters, historian John McMillian argues that the "underground press" contributed to the New Left's growth and cultural organization in crucial, overlooked ways.
As the United States grapples with the ongoing COVID-19 pandemic, the nation’s living legacy of systemic racism, and partisan threats to the foundations of democracy, the integrity of news and Project Censored's survey of underreported news stories has never been more important. This 2022 edition of Project Censored's State of the Free Press offers a comprehensive survey of the most important but underreported news stories of 2021 and a comparative analysis of the current state of corporate and independent news media, and its effect on democracy. The establishment media sustains a decrepit post-truth era, as examined the lowlight features: "Junk Food News"-frivolous stories that distract the public from actual news-and-"News Abuse"-important stories covered in ways that undermine public understanding. The alternative media provokes a burgeoning critical media literacy age, as evaluated in the highlight feature: "Media Democracy in Action"-relevant stories responsibly reported on by independent organizations. Finally, in an homage to the history of the annual report, the editors reinstate the "Déjà vu News" feature-revisited stories from previous editions. State of the Free Press 2022 endows readers with the critical thinking and media literacy skills required to hold the corporate media to account for distorting or censoring news coverage, and thus, to revitalize our democracy. State of the Free Press 2022 is a joint production of The Censored Press and Seven Stories Press.