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Includes Meditations on the Priesthood, for the Mysteries of the Rosary, and the Stations of the Cross
To Save a Thousand Souls: A Guide for Discerning a Vocation to Diocesan is the definitive guide for men considering the priesthood. Using powerful and entertaining stories, the book explains in down-to-earth language how to carefully discover God's call.
Through compelling personal stories and in rich detail, McClain reveals the give-and-take interaction between the institutional church in Rome and the needs of believers and the hands-on clergy who provided their pastoral care within England. In doing so, she illuminates larger issues of how believers and low-level clergy push the limits of official orthodoxy in order to meet devotional needs.
Based on a survey sent out to Catholic clergy in the UK, this study is a major contribution from empirical theology towards interpreting the health and potential of the priesthood today. The issues raised by this new study concern the nature and health of the priesthood, a topic of most urgent concern at a time of clerical scandal and abuse. The conclusions of this book are extremely revealing but fundamentally positive for anyone concerned with the future of the Christian Church at the start of a new millennium.
Shaking your family tree might uncover Black slave and plantation owners. White people might find their Black relatives. Black people might discover that Black free men fought gallantly as officers and gentlemen in the Confederate army. Marie Claire DeCuir’s most unusual precise memory of an excellent story teller unfolds the lives of immediate and extended family members as racially mixed slave owners of vast and wealth producing plantations. The following are just a few of the families that she remembers and relates their stories: RICARD, LA COUR, PORCHE, SEVERIN, DE BEAULIEU, MAYEUX, DESNOYERS, CADET, TOUNOIR, LABBE, PROVOST, PATIN, CARAMOUCHE, BOULIGNY, FAZENDE, CHARBONNET, DREUX, BERNOUDY, PIERRE, RICHE, TREPAGNIER, CHAUVIN, LANGLOIS, DUBUCLET, GRAY, FORTIN, POLLARD, BEAUVAIS, DESLONDE, HONORE, DESTREHAN, VERRET, SOLOMON, ROBERT, ALLAIN, MORGAN, POREE, DUGUE, REUTER, DAIGLE, LAFITTE, LEJEUNE, BROYARD, BARRE, GASPARD, GUILLOT, HIGBEE, ZERINGUE, ROY, DEJEAN, DUVAL, DE CHARLEVILLE, DE LERY, DE LA FRENIERE, DE MONTPELIER, BARRAS, HOPKINS, TRUDEAU, PURNELL, RABALAIS, BORDELON, GAJEAN, WALTERS, DUPERON, JEANSOMMES.
There is never a shortage of priest characters on our screens. Even Spencer Tracy, Bing Crosby and Barry Fitzgerald won Oscars for playing priests. Robert de Niro has been ordained four times (including a bishop). Many stars have been eager to play priests, as have numerous supporting actors. The question arises: how have been priests portrayed over the decades? There have been kindly priests with their advice, stern priests who laid down the law, heroic priests on mission, in more recent years, priests who have been abusers. And there have been priests who were part of the scenery, especially at funerals. This is something of a comprehensive look at priests on screen, looking at portrayals from the late 19th century, over the decades, for 120 years. The films considered are mainly English-language but quite there are a number from other cultures. The book offers some Church background and developments, the range of films, a highlighting of a key film representing each decade. It also has separate chapters on Irish priests, Australian priests, exorcism priests and a chapter on films and abuse. There also Appendices on historical films, saint priests and popes. While one could read the book from cover to cover, it is mainly a book for reference. There are some detailed appreciations. There are some shorter considerations. Not everyone can see every film, not for want of trying! There are Indexes for exploring: film titles, directors, and actors who have played priests. Screen Priests is a fascinating historical look at films about Roman Catholic priests from the first until Martin Scorseses 2016 religious and cinematic masterpiece Silence. With the scope spanning decades and the breadth embracing films mostly from the United States, Britain, Ireland, Canada and Australia, the researcher will find a treasure trove and the film aficionado will relish Peter Malones encyclopedia knowledge and sometimes trivia of the world of priests on the silver screen.
What to do with the dead? In Imperial Japan, as elsewhere in the modernizing world, answering this perennial question meant relying on age-old solutions. Funerals, burials, and other mortuary rites had developed over the centuries with the aim of building continuity in the face of loss. As Japanese coped with the economic, political, and social changes that radically remade their lives in the decades after the Meiji Restoration (1868), they clung to local customs and Buddhist rituals such as sutra readings and incense offerings that for generations had given meaning to death. Yet death, as this highly original study shows, was not impervious to nationalism, capitalism, and the other isms that constituted and still constitute modernity. As Japan changed, so did its handling of the inevitable. Following an overview of the early development of funerary rituals in Japan,Andrew Bernstein demonstrates how diverse premodern practices from different regions and social strata were homogenized with those generated by middle-class city dwellers to create the form of funerary practice dominant today. He describes the controversy over cremation, explaining how and why it became the accepted manner of disposing of the dead. He also explores the conflict-filled process of remaking burial practices, which gave rise, in part, to the suburban "soul parks" now prevalent throughout Japan; the (largely failed) attempt by nativists to replace Buddhist death rites with Shinto ones; and the rise and fall of the funeral procession. In the process, Bernstein shows how today’s "traditional" funeral is in fact an early twentieth-century invention and traces the social and political factors that led to this development. These include a government wanting to separate itself from religion even while propagating State Shinto, the appearance of a new middle class, and new forms of transportation. As these and other developments created new contexts for old rituals, Japanese faced the problem of how to fit them all together. What to do with the dead? is thus a question tied to a still broader one that haunts all societies experiencing rapid change: What to do with the past? Modern Passings is an impressive and far-reaching exploration of Japan’s efforts to solve this puzzle, one that is at the heart of the modern experience.