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“My God won’t let me do that.” These seven words of boundless hope would irreversibly change the life of the teenage boy who spoke them. On April 7, 1994 the life of Frederick Ndabaramiye and his family changed forever as the Rwandan genocide erupted in their homeland. When Frederick faced those same genocidaires a few years later, he noted the machete that hung from the right hand closest to him and wondered if his would soon be added to the layers of dried blood that clung to the blade. Either way, young Frederick knew that he wouldn’t be able to carry out the orders just given to him, to raise that blade against the other passengers of the bus, regardless of the race marked on their identity cards. That bold decision would cause Frederick to lose his hands. But what the killers meant for harm, God intended for good. The cords that bound him served as a tourniquet, saving his life when his hands were hacked away. This new disability eventually fueled Frederick’s passion to show the world that disabilities do not have to stop you from living a life of undeniable purpose. From that passion, the Ubumwe Community Center was born, where "people like me" come to discover their own purposes and abilities despite their circumstances. Through miraculous mercy and divine appointment, Frederick forgives those who harmed him and goes on to fully grasp his God-given mission. In this extraordinary true story of forgiveness, faith, and hope, you will be challenged, convicted, and forever converted to a believer of the impossible.
Essai de bibliographie jersiaise. Catalogue d'auteurs qui ont écrit sur Jersey. Par Eugène Duprey": v. 4, p. [151]-192.
In Mariah Fredericks's Death of a Showman, the fourth in this absorbing series set in Gilded Age New York, lady’s maid Jane Prescott is thrust into the world of show business, where a killer is stalking Broadway. “A lively upstairs/downstairs mystery.”—New York Times Book Review on A Death of No Importance It is the summer of 1914 and lady’s maid Jane Prescott is back in New York with the Tylers after a glittering society wedding in Europe. On their return, Jane learns another wedding has taken place. Her old dancing partner, Leo Hirschfeld, has married a chorus girl in his new Broadway musical. Jane and Louise Tyler are pulled into the sparkling and scandalous world of Broadway, as a star struck Louise invests in Leo's show, and Jane chaperones her at rehearsals. But behind the glittering facade of the theater, there are rivalries, secret romances, and some very dodgy business practices. When the show's abusive producer, Sidney Warburton, is murdered, the list of suspects is long. Was it the comedic star or her gambler boyfriend? The disgruntled costume designer? The beautiful, blond dancer, her jealous husband? Or was it Leo himself, who had more reason than anyone to hate Sidney Warburton? As the First World war looms in the distance, Jane and tabloid reporter Michael Behan must strip back the masks of these consummate performers before one of them kills again.
Ryan and Selena Frederick were newlyweds when they landed in Switzerland to pursue Selena's dream of training horses. Neither of them knew at the time that Ryan was living out a death sentence brought on by a worsening genetic heart defect. Soon it became clear he needed major surgery that could either save his life--or result in his death on the operating table. The young couple prepared for the worst. When Ryan survived, they both realized that they still had a future together. But the near loss changed the way they saw all that would lie ahead. They would live and love fiercely, fighting for each other and for a Christ-centered marriage, every step of the way. Fierce Marriage is their story, but more than that, it is a call for married couples to put God first in their relationship, to measure everything they do and say to each other against what Christ did for them, and to see marriage not just as a relationship they should try to keep healthy but also as one worth fighting for in every situation. With the gospel as their foundation, Ryan and Selena offer hope and practical help for common struggles in marriage, including communication problems, sexual frustration, financial stress, family tension, screen-time disconnection, and unrealistic expectations.
When Wendy Geller's body is found in Central Park after the night of a rager, newspaper headlines scream,"Death in the Park: Party Girl Found Strangled." But shy Rain, once Wendy's best friend, knows there was more to Wendy than just "party girl." As she struggles to separate the friend she knew from the tangle of gossip and headlines, Rain becomes determined to discover the truth about the murder. Written in a voice at once immediate, riveting, and utterly convincing, Mariah Frederick's mystery brilliantly exposes the cracks in this exclusive New York City world and the teenagers that move within it.
Death of a New American by Mariah Fredericks is the atmospheric, compelling follow-up to the stunning debut A Death of No Importance, featuring series character, Jane Prescott. In 1912, as New York reels from the news of the Titanic disaster, ladies’ maid Jane Prescott travels to Long Island with the Benchley family. Their daughter Louise is to marry William Tyler, at their uncle and aunt’s mansion; the Tylers are a glamorous, storied couple, their past filled with travel and adventure. Now, Charles Tyler is known for putting down New York’s notorious Italian mafia, the Black Hand, and his wife Alva has settled into domestic life. As the city visitors adjust to the rhythms of the household, and plan Louise’s upcoming wedding, Jane quickly befriends the Tyler children’s nanny, Sofia—a young Italian-American woman. However, one unusually sultry spring night, Jane is woken by a scream from the nursery—and rushes in to find Sofia murdered, and the carefully locked window flung open. The Tylers believe that this is an attempted kidnapping of their baby gone wrong; a warning from the criminal underworld to Charles Tyler. But Jane is asked to help with the investigation by her friend, journalist Michael Behan, who knows that she is uniquely placed to see what other tensions may simmer just below the surface in this wealthy, secretive household. Was Sofia’s murder fall-out from the social tensions rife in New York, or could it be a much more personal crime?