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Nearly 300 letters reveal Chopin as both man and artist and illuminate his fascinating world — Europe of the 1830s and 1840s. "Delightful gossip . . . merry rather than malicious . . . engagingly witty." — Books. Preface. Index.
Shortly after Chopin's death in 1849, Franz Liszt wrote the first full-length biography of his fellow composer. As one of Chopin's friends, Liszt created a unique biography that allows the reader to experience the world of Chopin through the memories of one of his most adamant supporters. This translation is the starting volume of Janita Hall-Swadley's The Collected Writings of Franz Liszt, the very first production of Liszt's entire literary collection in English. In addition to the English translation of Liszt's Gesammelte Schriften, collected and edited by Lina Ramann and published in Germany in 1880/83, each volume contains a Foreword written by a scholar and expert on Liszt and that volume's topic. New research and perspectives in the field of Liszt studies are presented in the introduction to each book in the series, and the translations themselves are enhanced with annotations in accordance with modern standards of musicological research. In Volume 1, Liszt provides insight into Chopin's early childhood and musical development, the cultural traditions and customs that inspired the polonaises and mazurkas, and the final days and hours of the composer before he died. Liszt also offers the reader a psychological view of the composer that had not been seriously undertaken by anyone prior to Liszt. Although Liszt offered what some scholars regard as perhaps an idealized image of the composer, readers will enjoy the personal anecdotes and memories that only one close to the late composer could have known. Liszt even takes on the sensitive topic of the love affair between Chopin and the great French woman writer George Sand, much to the displeasure of the former's family. The Collected Writings of Franz Liszt: Volume 1: F. Chopin includes a thorough discussion of Liszt as an author and the tainted past that surrounded his writings beginning in the 1930s. The much neglected topic of Liszt’s relationship with his publishers is explored, and the critical questionnaires that Liszt had sent to Chopin’s sister in preparation for writing the biography are included. Finally, a discussion of the professional and personal relationship between Chopin and Liszt is provided, making this volume a valuable addition to the study of both composers.
"Frederick Chopin, as a Man and Musician" through Frederick Niecks is a biographical and analytical study. Some stories are brutal and weird, while others creep up on you and draw you in slowly. As the title character is so indulgent, readers are forced to keep reading to find out what happens next. This work of story offers a comprehensive examination of Frédéric Chopin's life, personality, and creative talent as a Romantic-era composer and pianist. Niecks, a musicologist and historian, delves into Chopin's history, providing an intriguing portrait of the man behind the music. He recounts Chopin's youth in Poland, his musical schooling in Warsaw, and his subsequent travels and life in Paris, where he rose to fame and reputation as a composer and performer. One of the book's strengths is Niecks' thorough examination of Chopin's compositions. He dissects Chopin's music's structure, manner, and depth of feeling, revealing crucial insights into his work's technical and imaginative components. Niecks also looks at the influence of Polish culture and folk music on Chopin's compositions, emphasizing his unique and creative qualities.
A New York Times Book Review Editors' Choice. The Sunday Times (U.K.) Classical Music Book of 2018 and one of The Economist's Best Books of 2018. "A magisterial portrait." --Corinna da Fonseca-Wollheim, The New York Times Book Review A landmark biography of the Polish composer by a leading authority on Chopin and his time Based on ten years of research and a vast cache of primary sources located in archives in Warsaw, Paris, London, New York, and Washington, D.C., Alan Walker’s monumental Fryderyk Chopin: A Life and Times is the most comprehensive biography of the great Polish composer to appear in English in more than a century. Walker’s work is a corrective biography, intended to dispel the many myths and legends that continue to surround Chopin. Fryderyk Chopin is an intimate look into a dramatic life; of particular focus are Chopin’s childhood and youth in Poland, which are brought into line with the latest scholarly findings, and Chopin’s romantic life with George Sand, with whom he lived for nine years. Comprehensive and engaging, and written in highly readable prose, the biography wears its scholarship lightly: this is a book suited as much for the professional pianist as it is for the casual music lover. Just as he did in his definitive biography of Liszt, Walker illuminates Chopin and his music with unprecedented clarity in this magisterial biography, bringing to life one of the nineteenth century’s most confounding, beloved, and legendary artists.
Frederick Niecks meticulous biography of Chopin is praised to this day as one of the finest accounts of the legendary composer's life ever written. In Niecks' painstakingly assembled work, we behold a chronologically arranged narrative of the upbringing, rise to fame, prominence, illness and death of Frederick Chopin. His tumultuous, strained relationship with French author George Sand is recounted, with the regular quotation of correspondences between the couple and others included in abundance. Frederick Chopin as a Man and Musician is a meticulous and voluminous work, perfect for fans and students of the composer who wish to gain intimate insights into Chopin's personal nature, habits, friends, family and the world in which he lived. His travels and struggle with a disease generally suspected to be tuberculosis, are much discussed. Tragically we hear accounts of the mental anguish suffered by the composer, as he grappled with both popular recognition and his worsening respiratory condition. Together with his difficult personal life, we also hear accounts - many supported by first-hand journalism and recollections of attendees - of the awe-inspiring performances Chopin conducted on the piano. In love and thrall to his music, Chopin would persistently perform against the advice of doctors, even when his illness rendered him weak. By most accounts his skill upon the piano was exquisite to behold, although attendees of his later performances would comment on the contrast between the vigorous passion of Chopin's virtuosity, and how sickly he appeared. This edition contains the original illustrations of musical staves appended to the volumes, allowing the reader maximum insight into the compositions of the legendary composer. All of the original appendices are likewise included; these mainly consist of personal recollections, several of which were gathered by Niecks himself. At the time this biography was composed between 1900 and 1903, some associates of the composer were alive and able to recount their personal memories of Chopin.
During the nineteenth century, New Orleans thrived as the epicenter of classical music in America, outshining New York, Boston, and San Francisco before the Civil War and rivaling them thereafter. While other cities offered few if any operatic productions, New Orleans gained renown for its glorious opera seasons. Resident composers, performers, publishers, teachers, instrument makers, and dealers fed the public's voracious cultural appetite. Tourists came from across the United States to experience the city's thriving musical scene. Until now, no study has offered a thorough history of this exciting and momentous era in American musical performance history. John H. Baron's Concert Life in Nineteenth-Century New Orleans impressively fills that gap. Baron's exhaustively researched work details all aspects of New Orleans's nineteenth-century musical renditions, including the development of orchestras; the surrounding social, political, and economic conditions; and the individuals who collectively made the city a premier destination for world-class musicians. Baron includes a wide-ranging chronological discussion of nearly every documented concert that took place in the Crescent City in the 1800s, establishing Concert Life in Nineteenth-Century New Orleans as an indispensable reference volume.
In 1831, Chopin stopped in Paris on his way to London, fleeing his native Warsaw after Russia's brutal repression of an insurrection there. Entranced by the lively social and artistic scene in the city, the musician remained there until his death in 1849. In this engaging book, William Atwood recreates the Paris that Chopin knew, providing vivid details about its places, people, and politics, and showing how these affected the sensitive musician during an enormously fruitful period in his career. Drawing on many contemporary sources, Atwood brings to life the musicians, writers, artists, courtesans, salon hostesses, politicians, doctors, businessmen, and messianic Polish emigres who lived in Paris. He describes the theaters, music halls, and salons of Paris as well as its less glamorous worlds filled with the political conflicts and economic fluctuations of the July Monarchy. He tells about the city's newly awakened social consciousness and the philosophers and writers (including George Sand) who fostered it. The book sheds brilliant new light on both Paris and Chopin and will be delightful reading for lovers of the city or the musician.