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"Based on research in 13 North American archives (including the Penn Museum's Shotridge Collection), examination of hundreds of photographs, and extensive oral-history interviews with both Tlingit and non-Natives, Sharon Bohn Gmelch presents valuable insights on the reactions of Native subjects to being photographed and their own early use of photography. Today, these now historical images are being reclaimed from public archives by the Tlingit, contributing to a new sense of empowerment and pride in their rich heritage." "This is the first book to explore the photographic imagery of the Tlingit during a critical period of change, from the 1860s through the 1920s. It also provides the first full treatment of the Tlingit photography of Elbridge W. Merrill, a neglected figure in the history of ethnographic photography." "The author has included 129 rare photographic images, a map, bibliography, and index."--BOOK JACKET.
Since the shocking news first broke in 1876 of the Seventh Cavalry’s disastrous defeat at the Little Big Horn, fascination with the battle—and with Lieutenant George Armstrong Custer—has never ceased. Widespread interest in the subject has spawned a vast outpouring of literature, which only increases with time. This two-volume bibliography of Custer literature is the first to be published in some twenty-five years and the most complete ever assembled. Drawing on years of research, Michael O’Keefe has compiled entries for roughly 3,000 books and 7,000 articles and pamphlets. Covering both nonfiction and fiction (but not juvenile literature), the bibliography focuses on events beginning with Custer’s tenure at West Point during the 1850s and ending with the massacre at Wounded Knee in 1890. Included within this span are Custer’s experiences in the Civil War and in Texas, the 1873 Yellowstone and 1874 Black Hills expeditions, the Great Sioux War of 1876–77, and the Seventh Cavalry’s pursuit of the Nez Perces in 1877. The literature on Custer, the Battle of the Little Big Horn, and the Seventh Cavalry touches the entire American saga of exploration, conflict, and settlement in the West, including virtually all Plains Indian tribes, the frontier army, railroading, mining, and trading. Hence this bibliography will be a valuable resource for a broad audience of historians, librarians, collectors, and Custer enthusiasts.
Historical and contemporary photographs accompany a narrative reflection on Lieutenant Colonel George Armstrong Custer's "Last Stand" at the Battle of Little Bighorn, which includes personal accounts of battle veterans.
In this book, Tim Dee tells the story of four green fields spread around the world: their grasses, their hedges, their birds, their skies, and both their natural and human histories. These four fields—walkable, mappable, man–made, mowable, knowable, but also secretive, mysterious, wild, contested, and changing—play central roles in the sweeping panorama of world history and in the lives of individuals. In Dee's telling, a field is never just a setting for great battles or natural disasters, though it is often this as well. A field is the oldest and simplest and truest measure of what a man needs in life, especially when looked at, contemplated, worked in, lived with, and written about. Dee's four fields, which he has known and studied for more than twenty years, are the fen field at the bottom of his private garden, a field in southern Zambia, a prairie in Little Bighorn, Montana, and a grass meadow in the Exclusion Zone at Chernobyl, Ukraine. Meditating on these four fields, Dee makes us look anew at where we live and how. He argues that we must attend to what we have made of the wild.