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In the spring of 1932, I had finished a two-year run in Threes A Crowd, a musical revue in which I appeared with Clifton Webb and Libby Holman. The following September I was to go into a new show. I had no contract; merely the producers promise. When I returned to New York to start rehearsals, I discovered that there was to be no show. It had been a hot summer. Many people hadn’t been able to keep things. One of the things the producer hadn’t been able to keep was his promise. With the advance of refrigeration, I hope that along with the frozen foods someday we will have frozen conversation. A person will be able to keep a frozen promise indefinitely. This will be a boon to show business where more chorus girls are kept than promises. With no immediate plans for the theater, I began to wonder about radio. Many of the big-name comedians were appearing on regular programs. In the theater the actor had uncertainty, broken promises, constant travel and a gypsy existence. In radio, if you were successful, there was an assured season of work. The show could not close if there was nobody in the balcony. There was no travel and the actor could enjoy a permanent home. There may have been other advantages but I didn’t need to know them. The pioneer comedians on radio were Amos and Andy, Ray Knight and his Cuckoo Hour, the Gold Dust Twins, Stoopnagle and Budd and the Tasty Yeast Jesters. With the exception of Amos and Andy, who had been playing smalltime vaudeville theaters under the name of Sam and Henry, the others were trained and developed in radio. All of these artists performed their comedy routines in studios without audiences. Their entertainment was planned for the listener at home. In the early 1930’s when the Broadway comedians descended on radio, things went from hush to raucous. The theater buffoon had no conception of the medium and no time to study its requirements. The Broadway slogan was “Its dough—lets go!” Eddie Cantor, Jack Pearl, Ed Wynn, Joe Penner and others were radio sensations. They brought their audiences into the studios, used their theater techniques and their old vaudeville jokes, and laughter, rehearsed or spontaneous, started exploding between the commercials. The cause of this merriment was not always clear. The bewildered set owner in Galesburg, Illinois, suddenly realized that he no longer had to be able to understand radio comedy. As he sat in his Galesburg living room he knew that he had proxy audiences sitting in radio studios in New York, Chicago and Hollywood watching the comedians, laughing and shrieking “Vass you dere, Charlie” and “Wanna buy a duck” for him.
A biography of the man who created some of America's wittiest and most popular radio shows and an entertaining look at twetieth-century comedy.
Much Ado About Me, first published in 1956, is the autobiography of comedian Fred Allen's childhood and vaudeville career. (His long career in radio is documented in his other book, Treadmill to Oblivion). Much Ado About Me is a warm wise and wonderfully entertaining autobiography, jammed with extraordinary events and even more extraordinary people. Here is Fred Allen's early life in the suburbs of Boston; his apprenticeship in the Boston Public Library; the happy exciting round of Amateur Nights; the wonderful, improbable world of Scollay Square; the hopes, the anxieties and the fantastic adventures of a smalltime entertainer billed as Freddy James, the "World's Worst Juggler." From his first stage appearances on 'Amateur Nights' to his U.S. and international tours, Much Ado About Me is a warm and entertaining look at one of America's top stage performers and the golden age of Vaudeville. Included are 8 pages of illustrations.
An account of the heyday of rock & roll through the lens of Allen Klein, the business manager, producer, and gadfly who "broke up the Beatles" and showed the Rolling Stones how to become the pre-eminent dynasty in popular music.
A hidden story of human triumph, Crescendo takes you on the rare journey of a musical prodigy who changed an entire community forever. More than eighty years ago, a musical prodigy with a brilliant mind was born into a poor, uneducated, and abusive family in rural South Georgia. At three years of age, Fred Allen could play Mozart sonatas on the piano without missing a note. But in spite of his obvious talent, Fred’s parents discouraged him from expressing his creativity and intelligence, even going so far as locking him away from the old piano in their home. Forced to fend for himself through his adolescent years, Fred knew that if he was ever to make something of himself, he would need to find a way to rise above his broken background. With incredible effort, and a few miracles along the way, Fred managed to do just that, eventually earning acceptance into The Julliard School in New York City. While simultaneously attending Juilliard, Union Theological Seminary, and Columbia University, he also began directing a local church choir, where he caught the attention of the music industry. During the musical revolution of the 1960s, Fred earned numerous Grammy nominations and built a growing reputation within the industry. But just as his new career was beginning to take off, Fred was faced with an impossible decision. His wife announced that she no longer wanted to raise their daughter in New York City and was heading home to the South. Fred had come so far from the pain and brokenness of his past, he couldn’t imagine giving up everything just to return to his childhood home. Trying not to think about what could have been, Fred took a job as a high school music teacher in his hometown of Thomasville, Georgia, a community of only 30,000 people. Far from the executive suites of RCA and the allure of Broadway, Fred never could have imagined that his new role would not only transform his life but also change an entire community forever.
Funny, poignant, and deeply moving, The Line Tender is a story of nature's enduring mystery and a girl determined to find meaning and connection within it. Wherever the sharks led, Lucy Everhart's marine-biologist mother was sure to follow. In fact, she was on a boat far off the coast of Massachusetts, collecting shark data when she died suddenly. Lucy was seven. Since then Lucy and her father have kept their heads above water--thanks in large part to a few close friends and neighbors. But June of her twelfth summer brings more than the end of school and a heat wave to sleepy Rockport. On one steamy day, the tide brings a great white--and then another tragedy, cutting short a friendship everyone insists was "meaningful" but no one can tell Lucy what it all meant. To survive the fresh wave of grief, Lucy must grab the line that connects her depressed father, a stubborn fisherman, and a curious old widower to her mother's unfinished research on the Great White's return to Cape Cod. If Lucy can find a way to help this unlikely quartet follow the sharks her mother loved, she'll finally be able to look beyond what she's lost and toward what's left to be discovered. ★"Confidently voiced."—Kirkus Reviews, starred ★"Richly layered."—Publishers Weekly, starred ★"A hopeful path forward."—Booklist, starred ★"Life-affirming."—BCCB, starred ★"Big-hearted." —Bookpage, starred ★“Will appeal to just about everyone.” – SLC, starred ★"Exquisitely, beautifully real."—Shelf Awareness, starred
Allen offered a thinking person's humor, delivered every week to 30 million Americans in his 17-year-long radio show (1932-1949). The book showcases many of Fred Allen's previously published and unpublished letters, essays, radio scripts, and quips.
The author presents this book based on his personal experiences in the Vietnam War. His intent is to portray his perspective as an 18-year-old Stinger Gunship Crew Chief/Door Gunner. He wants the reader to experience what it is like to kill dozens of enemy combatants and collateral, non-combatants. How to live with the frequent near-death experiences and the constant high probability of being killed. Endure the frequent loss of fellow soldiers in combat. Witness a young soldier losing all sense of humanity as he transforms into a warrior that thrives on killing. The real life incidents portray a platoon of Huey UH-1C gunships, called the "Stingers" and its elite, motivated crews.As a component of U.S. Army assault helicopter companies, the "guns" protected the Huey "slicks" as they inserted or extracted infantry troops from landing and extraction zones. The gunships regularly conducted "search and kill" missions. They were often scrambled to provide lifesaving protection for infantry units threatened by enemy forces. Gunship crews were among the most lethal pilots, crew chiefs and door gunners in Army aviation. Some gunship crew chiefs had over 400 hundred personal kills.An intense warrior mentality was crucial to mission success and survival. Killing was a way of life in the guns.One of the most decorated and experienced aviation combat units in the Vietnam War was the Stingers' parent, the 116th Assault Helicopter Company, known as the "Hornets".Follow the operational strategy as Army Command reassigns the Hornets from III Corps, near Saigon to Chu Lai in I Corps under the command of the 23rd Infantry Division, known as "Americal".Experience the rapid increase of lethal enemy encounters. Americal imposed severe constraints on the Stingers in the aftermath of the My Lai massacre. The Stingers and slick platoons of the 116th fight on. The young combat veteran becomes "short" with just a few months left in his tour of duty. Americal reassigns the 116th to Quang Tri, one of the most dangerous places in Vietnam. War news headlines are articulated in real-time to frame the author's story.
One man's odyssey from skid row to rebuilding a major collegiate sports program. In Making Your Own Luck, former Indiana University athletic director Fred Glass recounts how even a self-described "knucklehead" learned to be prepared to recognize and seize opportunities and thus make his own luck through life. Growing up in a skid row bar, having an alcoholic father, struggling with anxiety and self-doubt, and making his share of stupid mistakes, Glass had much to contend with in early life. However, supported by socially enlightened parents, a Jesuit education, and his soulmate, Barbara, his odyssey has led him to serve a mayor, a governor, a senator, and even a president. With great humor and insightful reflection, Glass details how he helped keep the Colts in Indianapolis—he spearheaded a massive convention center expansion and the building of Lucas Oil Stadium and even helped to attract the Super Bowl to his hometown. Any of these accomplishments individually would be more than enough to call Glass's career a resounding success, but they were only the beginning. In the latest stage of his journey, Glass led the rebuilding of the athletic program of his beloved alma mater, Indiana University. Featuring a foreword from IU alumnus and owner of the Dallas Mavericks, Mark Cuban, Making Your Own Luck is a must-read not only for Indiana sports fans, but for anyone that recognizes the importance of preparation, opportunity and action in creating your own success.
A young attorney is defending her client in a racially charged felony case -- but in a town of old money and hidden secrets, her first trial may be her last in this #1 New York Times bestselling legal thriller. Ruby Bozarth, a newcomer to Rosedale, Mississippi, is also fresh to the State Bar -- and to the docket of Circuit Judge Baylor, who taps Ruby as defense counsel. The murder of a woman from one of the town's oldest families has Rosedale's upper crust howling for blood, and the prosecutor is counting on Ruby's inexperience to help him deliver a swift conviction. Ruby's client is a college football star who has returned home after a career-ending injury, and she is determined to build a defense that will stick. She finds help in unexpected quarters from Suzanne, a hard-charging attorney armed to the teeth, and Shorty, a diner cook who knows more than he lets on. Ruby never belonged to the country club set, but once she nearly married into it. As news breaks of a second murder, Ruby's ex-fiancé shows up on her doorstep -- a Southern gentleman in need of a savior. As lurid, intertwining investigations unfold, no one in Rosedale can be trusted, especially the twelve men and women impaneled on the jury. They may be hiding the most incendiary secret of all.