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We all know about them. We've all had them. But let's face it; we don't have a clue what they mean. They're freaky dreams.
Naught’s Had is the story of Kimberley and Alex, two ordinary, unsophisticated young people, set against the backdrop of the 1970's. As rock 'n roll energizes their world and makes them believe in tomorrow, the story plays out the complexities of two people, and their choices of how to love, and not love each other. Author's Opening Comments: “My novel is about passion, longings, fears. It is about not knowing how to love but loving anyway. It is about social pressures. It is about letting love be whatever it is. It is about holding on and holding back. It is about games people play. It is about the interplay between love and fear. It is loud. It is urgent. It is young. It is frustrating. It has something to say about being alive. “The book is built on an experiential sense of form, not a conceptual one. There is no narrative voice outside the perspective of the characters, and none of the perspectives are raised above the others. No one is right; they are merely experiencing, and, in that, discovering. Life appears on the pages in all it's everyday, unsophisticated glory. And, like life itself, the novel does not resolve its tensions.” ************* “This isn’t your everyday romance ... These are complex characters, with complex backstories, detailed painstakingly ... characters you won’t soon forget, dealing with issues that are unfortunately too prevalent in today’s society. The author does a masterful job of exploring the complex nuances of relationships with her often lyrical, almost stream-of-consciousness writing style.” Publisher’s Daily Reviews Kimberly and Alex make their choices until their love for each other lead both to go in separate directions. But, before this happens, we experience the questioning of life itself through these characters, as they try to understand ‘this thing called love,’ intellectually through Kim, and viscerally through Alex. No solution is ever given. We have it “naught” (as it were) – we’ll just have to try to figure it out for ourselves. It’s a ‘whodunnit’ on the relationship front. “Shirley Fortescue”
With more than 25,000 copies sold this new edition is completely updated and revised to include the most bizarre websites to emerge in the last few years.
"In recent decades anthropologists have learned to think of themselves as prisoners of text. In the new orthodoxy, ethnography is best viewed as a certain kind of literary genre, textual criticism provides a master theory for understanding all manner of social and cultural phenomena, and young anthropologists show a reluctance to leave the comfort zone of the archive and the library where, whatever else happens, no unruly interlocutor is going to do something unseemly like answering back. This brilliant and humane volume promises to put paid to all that. Anthropology is the product of an encounter with the world we call fieldwork, and fieldwork is an edgy business in which researchers necessarily put themselves at intellectual, political and ethical risk. This volume restores that edgy business to the heart of our concerns, and reminds anthropologists that their distinctive way of engaging the world can be the source of real intellectual excitement, and as worthy of sophisticated theoretical reflection as anything they do."—Jonathan Spencer, University of Edinburgh
Nightmares discusses subjects such as why we have nightmares, the language of dreams, universal symbols and some basic instructions for finding relief from nightmares.
Discusses causes and meanings of dreams, and includes famous dreams through history.
Jed Haele is a sexy writer of gory and bizarre fiction with a loyal following of readers who crave his schlock. He has completed two novels and is desperately seeking a compelling new subject for his third. When he meets the entertainingly insane Shane Lasch, Jed feels he has found an inspiring subject for his new book. Shane becomes convinced that Jed is an unconscious telepathic Destroyer, who spontaneously triggers violence in strangers. As Jed exploits Shane for material and confronts these allegations, he slowly realizes that Shane may be a threat. The truth behind this paranoia exposes a supernatural mystery, as Jed tries to navigate beyond his unethical choices and their consequences.
Three English plays of the 1990's by Maori writers.
FILIPINO AMERICAN HISTORY In 1763 Filipino Seamen established a settlement in what is now known as Louisiana. The Spanish American War made American “national” of Filipinos and from the early 1900’s through 1935 they were free to enter the United States as long as they had the price of a boat ticket. Waiting to be told are the stories of the descendants of those “Spanish colonial” seamen, early workers in sugar plantations of Hawaii, men who served in the U.S. Navy since World War I, women who came in the 1920”s and 1930’s ambitious and aspiring college students, eager young workers who toiled in Alaska canneries, farms in California, Arizona, Washington and Montana, the railroads, kitchens and restaurants, as postal workers or houseboys, the American-born second generation of pre-World War II days, war brides, and countless others who constitute the subsequent groups of immigrants from the Philippines. Stories of Depression, riots and discrimination, vignettes of dance halls, gambling and the other “leisure time” activities, the lodges, churches and organized Filipino communities, the process of acculturation, and the value of family are some of the information
Do soul mates really exist? Is there really another person out there who was born just for you? And are they the only one who can answer your heart's call? Bridget Monahan is an elementary school teacher, and she's about to find out that perhaps soul mates do exist. Her heart is on the mend from many failed relationships, she's a skeptic when it comes to finding love, and the last thing she wants is to be set up on another blind date. But her best friend Autumn is convinced she's found Bridget's soul mate. After many unsuccessful attempts to introduce Bridget to Mr. Right, she persuades her one last time to meet the charming Tristan Hathaway. Bridget's first impression of Tristan is that he reminds her of an angel with a British accent that makes her knees weak. When they begin their passionate romance, Tristan is able to break her defenses that were guarding her heart for so long, and as Bridget allows herself to fall deeper in love with him, she starts to believe that they are soul mates. But she also learns that although his beauty is near perfection, he is not without flaws and there's more to him than she ever imagined. Not to mention, he can seduce her unlike any man she's ever known and take her mind, body, and soul to a place of sheer ecstasy. Bridget unexpectedly becomes the student in this magical love affair and her biggest lesson may be that true love and eternity are bound.