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In Victorian London, a lonely band of misfits trapped in a sideshow decides to put their extraordinary talents to use to solve the mysteries that no one else cares about, starting with the stealing of poor children from the banks of the Thames.
From the moment Bob Langmuir, a down-and-out rare book dealer, spies some intriguing photographs in the archive of a midcentury Times Square freak show, he knows he's on to something. It turns out he's made the find of a lifetime--never-before-seen prints by the legendary Diane Arbus. Furthermore, he begins to suspect that what he's found may add a pivotal chapter to what is now known about Arbus as well as about the "old weird America," in Greil Marcus's phrase, that Hubert's inhabited. Bob's ensuing adventure--a roller-coaster ride filled with bizarre characters and coincidences--takes him from the fringes of the rare book business to Sotheby's, and from the exhibits of a run-down Times Square freak show to the curator's office of the Metropolitan Museum of Art. Will the photos be authenticated? How will Arbus's notoriously protective daughter react? Most importantly, can Bob, who always manages to screw up his most promising deals, finally make just one big score?
Falling in love. Evading the authorities. Chasing the rabbits. Now high school sophomores, the self-styled “Freaks” are back in class in quiet Quapaw City, Arkansas. They grapple with the ordinary challenges of everyday teen life: cliques, cars, and crushes. While everything appears normal on the surface, looks have rarely been more deceiving. A secret government task force—fully aware of the unusual powers the Freaks have acquired—is determined to capture them. Even as the mysterious Baltar Sterne shares ancient wisdom and offers hope, a new menace silently emerges in the woods outside of town. Clever, inexorable, and far more lethal than the Freaks’ first superhuman foe, this traveler from another world possesses powers that can only be described as godlike. The Freaks and their town will be tested in horrific ways they are powerless to predict or even imagine.
If this is a dream, why does she seem so real? Though Abel Dandy was born to circus performers and grew up in a troupe of odd and inexplicable people, he has never felt limited by his normalcy--until now. Realizing he'll never be more amazing than the talented oddities around him, Abel can only dream of living a life richer than his own. But in his dreams a mysterious woman beckons him, calling him passionately by a name he doesn't know and speaking in a language he's never heard, but fully understands. Compelled by these visions and yearning to be more than ordinary, Abel embarks on a journey more frightening and wondrous than he ever imagined....
It begins with a dire call-right before his father disappears and his skyscraper home's doors explode inward. Street Freaks is the kind of thrilling futuristic story only New York Times bestselling author Terry Brooks can tell. "Go into the Red Zone. Go to Street Freaks." his father directs Ashton Collins before the vid feed goes suddenly silent. The Red Zone is the dangerous heart of mega-city Los Angeles; it is a world Ash is forbidden from and one he knows little about. But if he can find Street Freaks, the strangest of aid awaits―human and barely human alike. As Ash is hunted, he must unravel the mystery left behind by his father and discover his role in this new world. Brooks has long been the grandmaster of fantasy. Now he turns his hand to science fiction filled with what his readers love best: complex characters, extraordinary settings, exciting action, and a page-turning story. Through it, Brooks reimagines his bestselling career yet again.
There are more Christian martyrs today than there were in ad 100--in the days of the Roman Empire. Now in the twenty-first century, according to the Center for the Study of Global Christianity, more than 150,000 Christians are martyred around the world every year. "Remember the Lord's people who are in jail and be concerned for them. Don't forget those who are suffering, but imagine that you are there with them." Hebrews 13:3 cev Their stories must be told.
Love it or hate it, popular culture permeates every aspect of contemporary society. In this accessibly written introduction to the sociology of popular culture, Dustin Kidd provides the tools to think critically about the cultural soup served daily by film, television, music, print media, and the internet. Utilizing each chapter to present core topical and timely examples, Kidd highlights the tension between inclusion and individuality that lies beneath mass media and commercial culture, using this tension as a point of entry to an otherwise expansive topic. He systematically considers several dimensions of identity (race, class, gender, sexuality, disability) to provide a broad overview of the field that encompasses classical and contemporary theory, original data, topical and timely examples, and a strong pedagogical focus on methods. Pop Culture Freaks encourages students to develop further research questions and projects from the material. Both quantitative and qualitative analyses are brought to bear in Kidd's examination of the labor force for cultural production, the representations of identity in cultural objects, and the surprising differences in how various audiences consume and use mass culture in their everyday lives.
Tree-huggers may actually be squeezing the life out of the environment. In a book that is alternately alarming, enlightening, ironic, and entertaining, award-winning journalist John Berlau explores the myriad ways in which shortsighted environmentalism actually endangers trees, wildlife, and people. In chapter after chapter, Berlau debunks myths and libels about: global warming and climate change the dangers of pesticides like DDT trees and pollution fuel economy and the auto industry the threat posed by asbestos the lifesaving role of dams and levees plans to "rewild" America Mother Nature is not a gentle person, and Berlau's pointed reporting reveals the very real dangers to people and their environments when Eco-Freaks prevent us from restraining her. "Berlau makes a powerful case. . . . Thinking environmentalists who read this book will be forced to revisit at least some of their most deeply held beliefs." -Joel Himelfarb, Washington Times "Berlau says a lot of things that are not generally known that needed to be said." -Bruce N. Ames, recipient, National Medal of Science, 1998 Save the Planet . . . and Ourselves In Eco-Freaks, award-winning journalist John Berlau provides a much needed and startling exposé about how the environmental movement with its radical, shortsighted eco-activists has actually helped amplify the dangers of natural disasters and destroyed the lives and property of millions of Americans. As Berlau writes, "America . . . is still mighty prosperous, but environmentalism is putting us on the brink of danger as well. As technology after technology that our grandparents put in place is being banned, and new technologies never even come to market, we risk a public-health disaster. Environmentalists have promoted all sorts of doomsday scenarios about population explosions and massive cancer crises from pesticides that have been shown to be false. But now, because we have done away with so many useful products based on those scares, we are in danger of an old-fashion doomsday returning, because we've lost what protected us from the wrath of nature. Indeed, as we will see throughout this book, public health hazards caused by environmental policies are already on the scene."
In most respects, Abigail and Brittany Hensel are normal American twins. Born and raised in a small town, they enjoy a close relationship, though each has her own tastes and personality. But the Hensels also share a body. Their two heads sit side-by-side on a single torso, with two arms and two legs. They have not only survived, but have developed into athletic, graceful young women. And that, writes Mark S. Blumberg, opens an extraordinary window onto human development and evolution. In Freaks of Nature, Blumberg turns a scientist's eye on the oddities of nature, showing how a subject once relegated to the sideshow can help explain some of the deepest complexities of biology. Why, for example, does a two-headed human so resemble a two-headed minnow? What we need to understand, Blumberg argues, is that anomalies are the natural products of development, and it is through developmental mechanisms that evolution works. Freaks of Nature induces a kind of intellectual vertigo as it upends our intuitive understanding of biology. What really is an anomaly? Why is a limbless human a "freak," but a limbless reptile-a snake-a successful variation? What we see as deformities, Blumberg writes, are merely alternative paths for development, which challenge both the creature itself and our ability to fit it into our familiar categories. Rather than mere dead-ends, many anomalies prove surprisingly survivable-as in the case of the goat without forelimbs that learned to walk upright. Blumberg explains how such variations occur, and points to the success of the Hensel sisters and the goat as examples of the extraordinary flexibility inherent in individual development. In taking seriously a subject that has often been shunned as discomfiting and embarrassing, Mark Blumberg sheds new light on how individuals-and entire species-develop, survive, and evolve.