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The new collection from the author of the Booker-shortlisted novel Headlong and the internationally acclaimed play Copenhagen Here: "about time, space and life...A touching, brilliant construction. It's both deeply thought and deeply felt' (Sunday Times); Now You Know: "Frayn's light but serious, marvellous new play, about official and unofficial secrets, about idle curiosity and investigative purpose" (Observer); La Belle Vivette: "Frayn's elegant libretto... Michael Frayn has made an Offenbach opera a farce to be reckoned with...a razor-sharp reworking" (Mail on Sunday) Michael Frayn was born in 1933 in the suburbs of London and began his career as a reporter on the Guardian, before becoming a columnist. His novels include The Tin Men, The Russian Interpreter, Towards the End of Morning and The Trick of It. He has written a number of plays for television and the stage, including translations of Chekhov and smash hits such as his screenplay Clockwise and his plays Donkeys' Years, Noises Off, Alarms and Excursions and Copenhagen. Deborah Levy "does not deal with realism, she does not deal with magic realism, rather she draws out a new territory, and if we follow we will find ourselves suspended over views we have not seen before" Jeanette Winterson, Observer
An explosive re-imagining of the mysterious wartime meeting between two Nobel laureates to discuss the atomic bomb.
“As finely worked as a Swiss watch and as funny as the human condition permits ... the zigzag brilliance of the text as the clunky lines of the farce-within-a-farce rub against the sharp dialogue of reality.” The Guardian A play-within-a-play following a touring theatre company who are rehearsing and performing a comedy called Nothing On, results in a riotous double-bill of comedic craft and dramatic skill. Hurtling along at breakneck speed it shows the backstage antics as they stumble through the dress-rehearsal at Weston-super-Mare, then on to a disastrous matinee at Ashton-under-Lyne, followed by a total meltdown in Stockton-on-Tees. Michael Frayn's irresistible, multi-award-winning backstage farce has been enjoyed by millions of people worldwide since it premiered in 1982 and has been hailed as one of the greatest British comedies ever written. Winner of both Olivier and Evening Standard Awards for Best Comedy. This edition features a new introduction by Michael Blakemore.
Two people move into an empty room and begin to construct a life together in this work by the author of Noises Off, Copenhagen, Benefactors and numerous other well known plays. Should the bed go here and the table go there? Or the bed there and the table here? Everything inside this small space is for them to decide. The responsibility is daunting - especially when they reflect that it has taken the whole history of the world to get them together in this particular place at this particular time and that the whole future of the world will be different if the table is here instead of there. But how can they decide anything when the other person keeps disagreeing and when the woman downstairs maddeningly dumps unwanted furniture on them that they do not have the heart to refuse?
From the bestselling author of Headlong and Spies, "an unconditional triumph" (The Washington Post Book World) For fifteen years, ever since the taciturn civil servant Summerchild fell to his death from a window in the Admiralty, there have been rumors. So Brian Jessel, a young member of the Cabinet Office, is diverted from his routine work and asked to prepare an internal report. Slowly, from the archives in the Cabinet Office Registry, Jessel begins to reconstruct Summerchild's last months. It begins to emerge that, at a time when America had just put men on the moon, the British were involved in an even bolder project, and that Summerchild was investigating a phenomenon as common as sunlight, but as powerful and dangerous as any of the forces that modern science has known. The secret world into which Brian Jessel stumbles turns out to be even more extraordinary than his department had feared.
Pocket Playhouse is Michael Frayn's latest imaginative offering that brings the stage to the page. In thirty-six comic sketches, he provides a tour de force of theatrical imagination and satire. Each sketch reveals the author's infectious delight in writing between the lines of theatre, fiction and comedy.Charmingly packaged and published with flair, Pocket Playhouse is the perfect gift for all theatre and comedy writers.
In the quiet cul-de-sac where Keith and Stephen live the only immediate signs of the Second World War are the blackout at night and a single random bombsite. But the two boys start to suspect that all is not what it seems when one day Keith announces a disconcerting discovery: the Germans have infiltrated his own family. And when the secret underground world they have dreamed up emerges from the shadows they find themselves engulfed in mysteries far deeper and more painful than they had bargained for. 'Bernard Shaw couldn't do it, Henry James couldn't do it, but the ingenious English author Michael Frayn does do it: write novels and plays with equal success ... Frayn's novel excels.' John updike, New Yorker 'A beautifully accomplished, richly nostalgic novel about supposed second-world-war espionage seen through the eyes of a young boy.' Sunday Times 'Deeply satisfying . . . Frayn has written nothing better.' Independent
A mobile phone is something that gives you the whole world at the touch of your finger - but this book is even better. Magic Mobile is a collection of thirty 'pre-loaded' new text files in a no-fuss, non-digital entertainment system. In a volume that succeeds Matchbox Theatre and Pocket Playhouse, each of these short comic masterpieces displays Michael Frayn's unique genius in forever capturing life's latest absurdities. Tune in to the BBC Radio 4 adaptation of Magic Mobile 13 May, 20 May, 27 May, 3 June. Michael Frayn's eleven novels include Towards the End of the Morning, Headlong, Spies and Skios. His seventeen plays range from Noises Off to Copenhagen.
With wit, charm, and brilliance, this epic work sets out to make sense of our place in the scheme of things. Surveying the spectrum of philosophical concerns from the existence of space and time to relativity and language, Frayn attempts to resolve what he calls "the oldest mystery": the world is what we make of it.
In 1941 the German physicist Werner Heisenberg made a strange trip to Copenhagen to see his Danish counterpart, Niels Bohr. They were old friends and close colleagues, and they had revolutionised atomic physics in the 1920s with their work together on quantum mechanics and the uncertainty principle. But now the world had changed, and the two men were on opposite sides in a world war. The meeting was fraught with danger and embarrassment, and ended in disaster. Why the German physicist Heisenberg went to Copenhagen in 1941 and what he wanted to say to the Danish physicist Bohr are questions which have exercised historians of nuclear physics ever since. In Michael Frayn's new play Heisenberg meets Bohr and his wife Margrethe once again to look for the answers, and to work out, just as they had once worked out the internal functioning of the atom, how we can ever know why we do what we do. 'Michael Frayn's tremendous play is a piece of history, an intellectual thriller, a psychological investigation and a moral tribunal in full session.' Sunday Times