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Of all the leading Muranese glass factories, Fratelli Toso was among the most versatile and productive, but the least well-known. Where Venini, Barovier & Toso, Aureliano Toso, Archimede Seguso, Salviati, Cenedese, Barbini, and others designed, produced, and marketed fabulous glass, Fratelli Toso focused on design and production. The first company responsible for the revival of Venetian glass, in 1854, Fratelli Toso went on to be one of the major contributors of modern glass design, especially in the 1950s. Designers like Ermanno Toso and Pollio Perelda were rewarded for their accomplishments at Venice Biennali and other international exhibitions. This is the first book devoted to the extraordinary glass produced by Fratelli Toso. With over 400 color photographs of 19th and early 20th century murrine glass, 20th century factory production, and unique art glass; history of the company, chronology, detailed captions, bibliography, index, and value guide this book will be indispensable to the collector, dealer, and researcher.
- 1,500 hitherto unpublished design drawings- A broad selection of pieces in the celebrated millefiori technique- An essential reference work for all connoisseurs of Murano glassA creative exchange with artists such as the painter Guido Cadorin or the ceramicist and sculptor Hans Stoltenberg-Lerche brought the second generation Toso Brothers to the forefront of Murano glass manufactories at the beginning of the twentieth century. After the Second World War Ermanno Toso and Pollio Perelda were among the most famous designers and continued the production of lavish series in glass, complemented from the 1950s onwards with high-quality one-offs executed mainly in the celebrated millefiori technique. This decoration consists of a multitude of tiny colored discs, known as murrini, which are produced by melting, cooling and cutting bundled canes of glass to form a cross-section pattern. Together with Caterina Toso, renowned Murano expert Marc Heiremans looks back on and reviews the complex history of the famous glass manufactory. Well-informed texts, hitherto unpublished sketches and archive photos make Fratelli Toso Murano an essential reference work for all connoisseurs of glass.
In this first survey of late 19th- and early 20th-century Venetian glass, readers are treated to 100 dazzling color photographs of some of the finest glass ever created. The fanciful shapes, remarkable clarity, sumptuous colors, and unusual patterns of Venetian glass have delighted and amazed collectors and enthusiasts the world over.
The only comprehensive reference book regarding internationally produced glassware for the home, "20th Century Factory Glass" is required reading for glass collectors and enthusiasts alike. Featuring every great designer, from Louis Comfort Tiffany to Alvar Aalto, as well as companies from Baccarat to Steuben, this volume provides clues to identifying marks, codes, and labels.
Contains superb colour and black & white illustrations of this internationally renowned glass. Another superb book in the comprehensive series detailing the evolution of Murano glass.
Offers tips on identifying, collecting, and caring for furniture, photographs, posters and illustration art, costume jewelry and wristwatches, dolls, toys, advertising and sports memorabilia, and glass and pottery.
History -- Works -- Archive -- Model list -- Techniques -- Index of names and companies.
Margaret Plant presents a wide-ranging cultural history of the city from the fall of the Republic in 1797, until 1997, showing how it has changed and adapted and how perceptions of it have shaped its reality.
Following Italy's unification in 1861, architects, artists, politicians, and literati engaged in volatile debates over the pursuit of national and regional identity. Growing industrialization and urbanization across the country contrasted with the rediscovery of traditionally built forms and objects created by the agrarian peasantry. Pride in Modesty argues that these ordinary, often anonymous, everyday things inspired and transformed Italian art and architecture from the 1920s through the 1970s. Through in-depth examinations of texts, drawings, and buildings, Michelangelo Sabatino finds that the folk traditions of the pre-industrial countryside have provided formal, practical, and poetic inspiration directly affecting both design and construction practices over a period of sixty years and a number of different political regimes. This surprising continuity allows Sabatino to reject the division of Italian history into sharply delimited periods such as Fascist Interwar and Democratic Postwar and to instead emphasize the long, continuous process that transformed pastoral and urban ideals into a new, modernist Italy.
Katalog wystawy (zorganizowanej dla uczczenia setnej rocznicy weneckiego biennale i prezentującej prace wystawiane na kolejnych jego edycjach): Palazzo Ducale i Museo d'arte moderna Ca'Pesaro, Wenecja, 1995.